The Museum of Modern Art is a place that fuels creativity, ignites minds, and provides inspiration. With extraordinary exhibitions and the world's finest collection of modern and contemporary art, MoMA is dedicated to the conversation between the past and the present, the established and the experimental. Our mission is helping you understand and enjoy the art of our time
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With its architectural landmark building in Midtown Manhattan the Austrian Cultural Forum New York is the cultural embassy of Austria in the United States. It hosts more than 200 free events annually and showcases Austrian contemporary art, music, literature, and academic thought in New York. The Austrian Cultural Forum enjoys long-standing and flourishing partnerships with many venerable cultural and academic institutions throughout New York and the United States.
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The Philippine Center is a building that houses the Consulate-General of the Republic of the Philippines in New York City, United States. It is located at 556 Fifth Avenue, Manhattan, three blocks south of Rockefeller Plaza and north of the New York Public Library Main Branch in Bryant Park. The Philippine Center has since its early days been a venue for the Filipino-American community as well as hosting business meetings, forums, receptions and weekly art exhibits featuring Filipino art.HistoryThe Philippine Center was established by Presidential Decree No. 188 on May 10, 1973. It was purchased by the Philippine Government from the Knights of Columbus on October 29, 1973 at the cost of $2,250,000.00, with an additional $1,500,000.00 to buy out an existing lease on the building.The building's legal owner is the Republic of the Philippines; offices of its national government housed within regularly began paying rentals to the Philippine Center in 1993, including nominal fees for the use of its function rooms.On September 15, 2005, President of the Philippines HE Gloria Macapagal-Arroyo made a historic official visit to the Philippine Center, the first by a ruling Filipino head of state.
Since its inception over twenty years ago, The Howard Greenberg Gallery has built a vast and ever-changing collection of some of the most important photographs in the media. Maintaining diverse and extensive holdings of photographic prints, the Gallery includes such masters as Berenice Abbott, Henri Cartier-Bresson, Andre Kertesz, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists. The Gallery's collection also acts as a living history of photography, offering genres and styles spanning from Pictorialism to Modernism, in addition to contemporary photography and images conceived for industry, advertising, and fashion. In addition to photographs, an exceptional range of photography books are available for sale.
JoJer Fine Art Framing is a concierge framing service provider, where we can do in home or office consultation for all of your framing needs. Design, pick up, frame, deliver and install are all a part of the JoJer experience. Call or email to schedule an appointment today. A unique picture framing company that offers personal design service in-home or office anywhere within the Tri-State area. We specialize in distinctive frame designs for your finest art or photography and personal service, including pick-up, delivery and installation. Art-fitting and installation service available at commercial rates for artists, private collectors, galleries and museums. Email to [email protected] or call 212-707-8440 between 10AM & 7PM to schedule an appointment.
Since opening in Tokyo in 1996, Ippodo Gallery has consistently introduced outstanding works of contemporary Japanese art-crafts. With the opening of its first overseas gallery in Chelsea, New York in 2008, Ippodo Gallery New York has held 7 to 8 exhibitions and events per year, to promote works that capture the imagination of people worldwide. Through our endeavors, a large number of pieces by our artists have found new homes throughout the world. Since 2013, we have relocated to the Upper East Side and have consolidated a new business structure. With an unwavering commitment to bringing the highest quality works directly from their Japanese sources, we plan to showcase these on a global-scale. Ceramics, lacquerware, bamboo craft, textiles, woodwork, metalwork, stone sculpture, furniture, kimono, glass, dolls, paintings, photographs — selecting works by Japanese artists from a wide range of fields, the gallery presents collections of top quality works. In addition, the gallery collaborates with craftspeople to give birth to new traditions, sharing the very best of Japanese culture with the world.
Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland. In 1980, after moving to New York, he founded Peter Blum Edition, where he was among the first print publishers to work with a new generation of European and American artists. Peter Blum Edition has since published important editions by John Baldessari, Louise Bourgeois, Tacita Dean, Eric Fischl, Alfredo Jaar, Alex Katz, Barbara Kruger, Sherrie Levine, Brice Marden, Josef-Felix Müller, James Turrell, and Luc Tuymans, among many others. In 1984, Blum co-founded PARKETT magazine, working directly with international artists and critics to create an engaging forum for contemporary art. From 1993-2012, he opened Peter Blum Gallery at 99 Wooster Street, New York. Over the years this space has hosted important exhibitions- both of recent works and also historical surveys- featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson. In 2006, Peter Blum opened an additional 3,000 square foot exhibition space in the Chelsea neighborhood of New York, located at 526 West 29 Street. Exhibitions at Peter Blum Chelsea have included works by John Beech, Rosy Keyser, Esther Klas, Chris Marker, Adrian Paci, David Reed, Su-Mei Tse, SUPERFLEX, Robert Zandvliet and John Zurier, among others. Seven years later, in 2013, Peter Blum moved his gallery out of the Chelsea neighborhood and into the Midtown area of New York, located at 20 West 57th Street. The Peter Blum Edition Archive (1980-1994) was the subject of the exhibition Singular Multiples at the Museum of Fine Arts, Houston in 2006, the largest exhibition ever in North America devoted entirely to printmaking. In 2007, a selection of the Peter Blum Edition portfolios formed the exhibition Scenes and Sequences at the Aargauer Kunsthaus in Aarau, Switzerland. As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutions.
Mi sarebbe tanto piaciuto esserci, STUDIO 54 NEW YORK La discoteca più famosa e più sballata mai esistita al mondo!!!Steve Rubell aveva un sogno...e lo realizzò!!nato nel Dicembre del 1943,morì a Luglio del 1989.Ma la storia dello Studio 54 non avrà mai fine...peccato di non esserci stato!!Maurizio Tramontano. I would have much liked to be there, STUDIO 54 NEW YORK The most famous discos and unpacking ever existed in the world! Steve Rubell had a dream ... and it made! Born in December 1943, died in July 1989.Ma the history of Studio 54 will never end ... shame not to have been! Maurizio Tramontano. STUDIO 54 cinquantaquattresima Strada a Manhattan, tra la Settima e l'Ottava Avenue, inaugurata il 26 Aprile del 1977 e chiusa a Marzo del 1986. Allestito all'interno di un teatro che fino al decennio prima fungeva da studio televisivo (da cui il nome) è universalmente riconosciuto come il primo esempio di discoteca di grande successo come viene inteso oggi. Caratteristica principale del locale era l'altissimo grado di selezione di clientela che veniva effettuato all'ingresso, le provocazioni al costume e la stravaganza delle serate proposte. L'intento del gestore del locale (Steve Rubell) era infatti quello di garantire all'ospite "la più grande festa del mondo" nonché quello di scioccare con gli eccessi la città di New York (ci fu chi entrò nel locale a dorso di cavallo).La musica riprodotta ad alto volume, le scenografie allusive (emblematica era la falce di luna imboccata dal cucchiaino), le serate che ogni sabato prevedevano una sorpresa od un nuovo eccesso, fecero in modo che sin da subito questa discoteca si presentasse come un luogo dove le etichette sociali non contavano nulla, ma dove tutti potevano essere protagonisti.La struttura del locale era essenzialmente quella di un banale cinema, composto da platea e galleria. La pista era situata dove prima era la platea, la consolle del DJ dove un tempo era il palco e la balconata, accessibile da una decoratissima scala in stile barocco, era la zona dei divani. Sotto la balconata e quindi alla stessa quota della pista, si trovava il bancone del bar. Ignorata dai più, era una saletta (il Privè) collocata ad una quota superiore in corrispondenza della balconata e dove poteva entrare un ristrettissimo numero di persone invitate esclusivamente dal gestore Steve Rubell. Numerosissime furono le celebrità di quel periodo ospiti dello Studio54 (tra cui Elizabeth Taylor, Liza Minnelli, Andy Warhol, John Travolta, Truman Capote, Michael Jackson, Elton John ed una ancora sconosciuta Madonna). Altrettanto numerosi furono gli artisti che vi si esibirono (tra cui Grace Jones, Chic, Diana Ross ed Amii Stewart). Tuttavia l'età d'oro del locale durò appena due anni, poiché il gestore fu arrestato per possesso di droga e frode al fisco. Cambiando gestione restò comunque aperto fino al 1986 quando venne chiuso e quindi riabilitato a teatro (tutt'ora funzionante). Translation: Italian »English (Inglese)STUDIO 54 cinquantaquattresima Strada a Manhattan, tra la Settima e l'Ottava Avenue, inaugurata nel 1977 e chiusa nel 1986. Allestito all'interno di un teatro che fino al decennio prima fungeva da studio televisivo (da cui il nome) è universalmente riconosciuto come il primo esempio di discoteca di grande successo come viene inteso oggi. Caratteristica principale del locale era l'altissimo grado di selezione di clientela che veniva effettuato all'ingresso, le provocazioni al costume e la stravaganza delle serate proposte. L'intento del gestore del locale (Steve Rubell) era infatti quello di garantire all'ospite "la più grande festa del mondo" nonché quello di scioccare con gli eccessi la città di New York (ci fu chi entrò nel locale a dorso di cavallo).La musica riprodotta ad alto volume, le scenografie allusive (emblematica era la falce di luna imboccata dal cucchiaino), le serate che ogni sabato prevedevano una sorpresa od un nuovo eccesso, fecero in modo che sin da subito questa discoteca si presentasse come un luogo dove le etichette sociali non contavano nulla, ma dove tutti potevano essere protagonisti.La struttura del locale era essenzialmente quella di un banale cinema, composto da platea e galleria. La pista era situata dove prima era la platea, la consolle del DJ dove un tempo era il palco e la balconata, accessibile da una decoratissima scala in stile barocco, era la zona dei divani. Sotto la balconata e quindi alla stessa quota della pista, si trovava il bancone del bar. Ignorata dai più, era una saletta (il Privè) collocata ad una quota superiore in corrispondenza della balconata e dove poteva entrare un ristrettissimo numero di persone invitate esclusivamente dal gestore Steve Rubell. Numerosissime furono le celebrità di quel periodo ospiti dello Studio54 (tra cui Elizabeth Taylor, Liza Minnelli, Andy Warhol, John Travolta, Truman Capote, Michael Jackson, Elton John ed una ancora sconosciuta Madonna). Altrettanto numerosi furono gli artisti che vi si esibirono (tra cui Grace Jones, Chic, Diana Ross ed Amii Stewart). Tuttavia l'età d'oro del locale durò appena due anni, poiché il gestore fu arrestato per possesso di droga e frode al fisco. Cambiando gestione restò comunque aperto fino al 1986 quando venne chiuso e quindi riabilitato a teatro (tutt'ora funzionante) (English) STUDIO 54 cinquantaquattresima Street in Manhattan, between Seventh and Eighth Avenue, opened in 1977 and closed in 1986. Inside of a theater that until the first decade served as a television studio (hence the name) is universally recognized as the first example of a very successful disco as it is understood today. The main feature of the space was the highest degree of selection of customers who arrived at the costume to the provocations and the extravagance of the evening proposals. The intention of the operator of the premises (Steve Rubell) was to guarantee "the largest festival in the world" and to shock with the excesses of the New York City (there were those who came into the room to the back of a horse ). The music played at high volume, the allusive scenes (it was emblematic of the crescent moon taken by the teaspoon), the Saturday evening that included a surprise or a new excess, did so right now this disco is presented as a place where social labels were not anything, but where everyone could be protagonisti.La local structure was essentially that of an ordinary film, composed of the stalls and gallery. The track was located where was the first audience, the DJ console where it was once the stage and balcony, accessible by a staircase decoratissima Baroque style, was the area of sofas. Under the balcony and then share the same runway, was the bar. Ignored by most, was a small room (the Privè) placed at a height at the upper balcony and where it could enter a very small number of people invited by the operator only Steve Rubell. Many were the celebrities of that period of Studio54 guests (including Elizabeth Taylor, Liza Minnelli, Andy Warhol, John Travolta, Truman Capote, Michael Jackson, Elton John and Madonna still unknown). Equally numerous were the artists who performed (including Grace Jones, Chic, Diana Ross and Amii Stewart). But the golden age of local lasted just two years, since the operator was arrested for possession of drugs and to the tax fraud. Changing management however remained open until 1986 when it was closed and then restored to the theater (still running)
53W53, also known as the MoMA Expansion Tower and 53 West 53rd Street, and formerly known as Tower Verre is a supertall skyscraper currently under construction by the real estate companies Hines, Pontiac Land Group and Goldman Sachs, located in Midtown Manhattan, New York City adjacent to The Museum of Modern Art. The building had been in development since 2006, and construction began in late 2014.HistoryThe building, designed by Jean Nouvel, initially was proposed to stand 1,250 feet (381 m) tall (the same height as the Empire State Building below its mast). The mid-block building had run into considerable opposition focusing on fears that it would cast a shadow over Central Park during the winter and that its mid-block location would create traffic problems. Financing had been a problem, until October 2013, when the Kwee brothers' Pontiac Land agreed to provide $200 million in equity, supported by an $860 million loan from a consortium of Asian banks.The building bought air rights from the University Club of New York and St. Thomas Church. On September 9, 2009, the New York City Planning Commission said the building could be built if 200ft were clipped off the top. The City's decision not to approve Tower Verre as proposed was greeted with disappointment and derision by several prominent architecture critics. The 1050ft version was approved by the City Council on October 28, 2009 in a 44-3 vote.
See and be seen at one of Manhattan’s most celebrated dining spots, where you’ll enjoy a globe-spanning culinary adventure in a spectacular setting. Soaring 30-foot ceilings, multi-level dining platforms, two fully stocked bars and a centralized open kitchen create an eye-popping visual counterpart to the restaurant’s mouth-watering cuisine. During warm weather months, China Grill’s outdoor patio offers a calming oasis away from the bustling midtown streets. The vibe peaks at Happy Hour when the power-lunchers give way to an eclectic mix of regulars, out-of-towners and New York City’s movers and shakers bustling in for dinner. Cuisine Italian, Japanese, French, Chinese and American influences intermingle flawlessly throughout China Grill’s menu of 40 dishes, each dramatically presented and artistically prepared. Taste the "Classics" such as Tempura Sashimi with hot mustard champagne sauce; Lobster Pancakes with red chili coconut sauce; Lamb Spareribs with a plum and sesame glaze; Grilled Szechuan Beef with sake, soy, spicy shallots and cilantro; and Barbecued Salmon with Chinese mustard sauce and stir-fried greens. Or try some newly introduced stand-outs like Spiced Crispy Pork Belly, Moroccan Lamb Ossobuco and more! Lunch Mon–Fri 11:45am - 5pm Sat 11:45am - 5pm Dinner Sun 3pm - 10pm Mon 5pm - 10pm Tue–Thu 5pm - 10:30pm Fri & Sat 5pm - 11:30pm
Gavrilov & Co is an accounting firm in Flushing, New York, providing bookkeeping services, personal and business tax preparation, and business consulting. We prepare financial and quarterly statements, manage payroll, and handle tax audit responses. Our firm also assists with forming new businesses in the service, construction, medical, and real estate industries. Every client receives very close personal attention and becomes like family to us.
The CBS Building in New York City, also known as Black Rock, is the headquarters of CBS Corporation. Located at 51 West 52nd Street at the corner of Sixth Avenue (Avenue of the Americas), the Eero Saarinen-designed building opened in 1965. It is 38 stories and 490ft tall with approximately 872000sqft rentable of space. The interior and furnishings were designed by Saarinen and Florence Knoll.BackgroundThe building was the result of intricate planning between Eero Saarinen and CBS's then-president, Frank Stanton. Its concrete structural system was developed by Mario Salvadori. Unlike some major skyscrapers built in that section of midtown Manhattan during the 1950s and 60s, its pillars are more dominant than its windows. It received its nickname "Black Rock" for its dark granite cladding.The company moved to its new headquarters from longterm lease space at 485 Madison Avenue at 52nd Street. Prior to the building's completion, CBS moved its radio network studios—the CBS News network radio studios on the 17th floor of 485 Madison and other studios across the street in the CBS Studio Building—to the CBS Broadcast Center on 57th Street starting in 1964. The TV news studios, based mostly at the Graybar Building at Grand Central Terminal, also moved to the Broadcast Center around that period of time, starting with the CBS Evening News studio-newsroom in 1963.
The hottest spot in Manhattan for nightlife, great food, drinks and of course HOOKAH! Were open 7 days a week and are now serving lunch with our weekly happy hour specials from 1 PM to 9 PM! We also can take care of all your party needs with 2 floors & the options of your own VIP party area, its a great spot for birthdays, holiday parties, engagements, bachelor & bachelorette parties and many many more! For more information or to book a reservation please feel free to give us a call at 212-9571899 or Email us at [email protected] ! We hope to see you soon!