Edgar Allan Poe House and Museum / Poe Baltimore, Baltimore MD | Nearby Businesses

• Historical Place
• History Museum
• Museum
• Tourist Attraction

203 N Amity St
Baltimore, MD 21223
410+462+1763

The College of Medicine of Maryland, or also known since 1959 as Davidge Hall, has been in continuous use for medical education since 1813, the oldest such structure in the United States. A wide pediment stands in front of a low, domed drum structure, which housed the anatomical theater. A circular chemistry hall was housed on the lower level under the anatomical theater.The dome is a Delormé structure, with small slats forming the dome. The design, originated by Philibert de l'Orme, was also used at Jefferson's Monticello. Somewhat inspired by the ancient Pantheon in Rome. The supervising architect was Robert Cary Long, Sr., a famous local father-son team of architects who also designed many other famous buildings in the city. The front portico facing West Lombard Street (formerly King George Street) is of wood construction with Doric columns. To the west is South Greene Street (named for Revolutionary War Gen. Nathanael Greene, (1742-1786), and aide to Gen. George Washington of the Continental Army)Davidge Hall was named for the founder and first dean of the College of Medicine of Maryland, Dr. John Beale Davidge. The College of Medicine is the oldest public and fifth oldest medical school in the United States. Dr. Davidge, along with James Cocke and John Shaw, offered medical instruction in a small theater beginning in late 1807. In November of that year, a mob broke into Davidge's small domed theater, took the cadaver and dragged it through the streets. In December, the Maryland General Assembly passed a bill establishing a college of medicine. A lot was obtained for construction of a building in 1811. Evidence exists that in addition to Robert Cary Long, Jr., early design work may have also been performed by French émigré architect J. Maximilian M. Godefroy, son-in-law of Dr. Crawford (who also did work on the Battle Monument during 1815-1827, in Baltimore's former Courthouse Square at North Calvert, between East Lexington and Fayette Streets and the First Independent Church of Baltimore (later First Unitarian Church of Baltimore (Unitarian and Universalist

Westminster Hall and Burying Ground is a graveyard and former church located at 519 West Fayette Street (at North Greene Street) in Baltimore, Maryland, United States. Occupying the southeast corner of West Fayette and North Greene Street on the west side of downtown Baltimore, the site is probably most famous as the burial site of Edgar Allan Poe, (1809–1849). The complex was declared a national historic district in 1974.

The Edgar Allan Poe House and Museum, located at 203 North Amity St. in Baltimore, Maryland, is the former home of American writer Edgar Allan Poe in the 1830s. The small unassuming structure, which was opened as a writer's house museum since 1949, is a typical row home. It was designated a National Historic Landmark in 1972.Due to a loss of funding by the city of Baltimore, the Museum closed to the public in October 2012. Poe Baltimore, the Museum's new governing body, reopened the Museum to the public on October 5, 2013HistoryThe brick home, then numbered 3 Amity St., and now numbered 203 North Amity Street, is assumed to have been built in 1830 and rented by Poe's aunt Maria Clemm in 1832. Clemm was joined in the home with her ailing mother, Elizabeth Cairnes Poe, and her daughter Virginia Clemm. Edgar Allan Poe moved in with the family in 1833 around the age of 23, after leaving West Point. Virginia was 10 years old at the time; Poe would marry her three years later, though their only public ceremony was in 1836. Poe lived in the house from about 1833 to 1835.The house was rented using pension money that Elizabeth collected thanks to her husband, David Poe Sr., who was a veteran of the American Revolutionary War. The home is small and Poe's room on the top floor has a ceiling with a sharp pitch which is six feet high at its tallest point.

H. L. Mencken House was the home of Baltimore Sun journalist and author Henry Louis Mencken, who lived here from 1883 until his death in 1956. The Italianate brick row house at 1524 Hollins Street in Baltimore was designated a National Historic Landmark in 1985. Mencken wrote of his home: “I have lived in one house in Baltimore for nearly 45 years. It has changed in that time, as I have—but somehow it still remains the same.... It is as much a part of me as my two hands. If I had to leave it I’d be as certainly crippled as if I lost a leg.”After his death on January 26, 1956, his home was bequeathed to the University of Maryland. In 1983 the City of Baltimore acquired the H. L. Mencken House from the University, in exchange for the Old Pine Street Station. With period furniture, his restored second-floor office, and backyard gazebo, the H. L. Mencken House opened as part of the City Life Museums and a center for theatrical, literary and musical events. Although the City Life Museums closed in 1997, the landmark still displays a special commemorative plaque about its famous occupant. The house is currently not open to the public and now stands empty, a shuttered burden for the City of Baltimore, which plans to dispose of the property. The organization “Friends of the H. L. Mencken House” is leading efforts of several groups to redirect and expand the use of this neighborhood treasure.It was declared a National Historic Landmark in 1983.DescriptionThe Mencken House is a three-story brick row house in Baltimore's Union Square neighborhood. The property extends between Hollins Street at the front to Booth Street to the rear. The house fronts on Union Square. It is one of several nearly identical houses on the north side of the park, sharing Italianate detailing with its neighbors. The house and its interiors have remained faithful to its period of historical significance, from 1883 to 1956. The three-story section stands at the front, while an extension to the rear telescopes to two stories, then one story. In standard Baltimore rowhouse style, the house has a marble foundation and entrance steps.

St. Mary's Seminary Chapel, located at 600 North Paca Street (off Druid Hill Avenue and modern Martin Luther King, Jr. Boulevard) in the Seton Hill neighborhood of Baltimore, Maryland, is the oldest Neo-Gothic style church in the United States. It was built from 1806 through 1808 by French architect J. Maximilian M. Godefroy for the French Sulpician priests of St. Mary's Seminary. Godefroy claimed that his design was the first Gothic building in America.St. Mary's Seminary (now St. Mary's Seminary and University), founded in 1791, is the oldest Roman Catholic seminary in the United States and the site also included a secular St. Mary's College, from 1805-1852. Godefroy also designed in Baltimore, the First Unitarian Church at West Franklin and North Charles Streets during 1817 and the Battle Monument, constructed 1815-1822 in the old Courthouse Square at North Calvert Street, between East Lexington and East Fayette Streets, commemorating the city's dead during the British attack in the War of 1812's Battle of Baltimore with the bombardment of Fort McHenry and the Battle of North Point in September 1814. It is located adjacent to the Mother Seton House. Originally the chapel was surrounded by a quadrangle of four-story buildings of brick Georgian/Federal design with peaked roofs and dormer windows. On one side was a long seminary building and on the other was an L-shaped larger, but similar architectured structure built for the secular College, after it was established in 1805. These were later replaced on the same site by buildings in 1876-78 of Victorian/Second Empire style with mansard roofs although the central chapel of Godefroy endured. In the 1970s, the Victorian buildings were unfortunately also razed leaving St. Mary's Park with a historic bandstand to now surround the old Chapel and Mother Seton House. To the east in the 1980s was constructed a four-lane landscaped parkway with median strip of the Martin Luther King, Jr. Boulevard, edged by short brick retaining walls which curved around the west side of downtown Baltimore like an inner "beltway".

Mother Seton House is a historic home located on the grounds of St. Mary’s Seminary at Baltimore, Maryland, United States. It is a -story red brick house, similar to other small homes built in the early 19th century for the predominantly French community nearby. It was built in 1808 as the home of Elizabeth Ann Seton (1774–1821), the first American-born woman beatified by the Roman Catholic Church. In the 1960s it was restored to its original appearance through the efforts of a committee, which continues to operate the home as a museum. Mother Seton House is located adjacent to the St. Mary's Seminary Chapel.In 1972, Mother Seton House was listed on the National Register of Historic Places.Mother Seton’s connectionThis home on North Paca Street is most well known for its first owner, Mother Seton. She would arrive to the home in Baltimore on June 16, 1808, and stay until June 21, 1809. During her brief year in Baltimore, Seton would pay rent totaling at $250.00. Upon her arrival to the home, Elizabeth Seton was more than pleased with the house. In fact, she penned a letter to a friend, Julia Scott, describing it as a “‘neat, delightful mansion, entirely new...in the new French style of folding windows and recesses.’” Despite the fact that Elizabeth Seton only inhabited the home for a year, a long-lasting bond between the two was formed.

As one visitor observed, “It's just not Christmas until we come to Union Square for the tour. It really gets our family in the spirit!” The Union Square neighborhood invites you to our annual Christmas Cookie Tour. The park and the homes are decorated to celebrate the season. We offer you a special afternoon to stroll through our National Register of Historic Places district, and through the many fine 19th century homes opened for your pleasure. If you are new to our tour, you may be surprised to find that while we are very consistent in our views of proper Victorian streetscape, we vary widely in our concepts of interior decor. Our homes run the gamut of style from country to contemporary, with eclectic coexistence as a common rule. You may also be surprised to find an extremely strong sense of community among our “family” of neighbors. We all know one another, and we work together – not only in rebuilding our homes, but also in rebuilding this fine neighborhood. This tour, which benefits historic preservation and local charitable efforts, is but one example of the spirit that makes Union Square a great place to live... and a great place to visit. Please join us in celebrating the season with this wonderful event. Hundreds of families have already made the Union Square Christmas Cookie Tour part of their holiday tradition. As a result, many of them return each year to see the new additions and the ongoing progress throughout the community.

Baltimore Grand is a historic bank building located at Baltimore, Maryland, United States. It occupies two historic bank buildings, the former Western National Bank (1881, remodeled 1912) and the former Eutaw Savings Bank (1887, remodeled 1911), which were connected in 1989 and adaptively reused to create a commercial catering and banquet facility. It features a large arched window above the entrance portico that is framed by paired fluted pilasters with Corinthian capitals extending to the cornice line.The former Eutaw Savings Bank is a Classical Revival brownstone, built when the bank vacated the Baltimore Equitable Society Building across the street. The original building was designed by Charles L. Carson. A 1911 addition was designed by Baldwin and Pennington.Baltimore Grand was listed on the National Register of Historic Places in 2000.

Building at 423 West Baltimore Street is a historic retail and wholesale building located at Baltimore, Maryland, United States. It is a five-story loft structure of the Queen Anne style. It achieved its present configuration in 1893, as the result of extensive alteration of an existing three-story brick warehouse. The storefront retains its important cast-iron elements, and the upper floors are essentially unchanged.Building at 423 West Baltimore Street was listed on the National Register of Historic Places in 1995.

Pascault Row is a national historic district in Baltimore, Maryland, United States. It consists of a range of eight -story dwellings. It is Baltimore’s last remaining example of early-19th-century townhouses, and illustrates the transition between the Federal and the early Greek Revival periods. They are attributed to William F. Small, at that time employed in the architectural office of Benjamin Henry Latrobe.It was added to the National Register of Historic Places in 1973.

Walters Bath No. 2 is a historic bath house located in Baltimore, Maryland, United States. It is a small brick building of 40by laid in Flemish bond with black headers and Maryland limestone trimming. It was constructed in a very simplified form of Renaissance Revival architecture popularized at the turn of the 20th century. The bath house was built for the City of Baltimore by Henry Walters (1848 - 1931), who contributed four bath houses to the city. It was designed by architect George Archer and constructed in 1901. The public bath system was abolished at the end of 1959.Walters Bath No. 2 was listed on the National Register of Historic Places in 1979.

Poppleton Fire Station, also known as Engine House #38, is a historic fire station located at Baltimore, Maryland, United States. It is a Tudor Revival style building built of brick, one large bay wide, approximately nine bays long, and two stories high with a gable roof. The front façade is a brick and limestone composition featuring a central, Tudor archway flanked by octagonal towers and crowned with crenellation. The archway features engaged colonettes with carved, foliated capitals containing firemen racing to extinguish a fire. It was designed by Owens and Sisco and built in 1910.Poppleton Fire Station was listed on the National Register of Historic Places in 1983.

G. Krug & Son Ironworks is a historic iron works located at Baltimore, Maryland, United States. It is a complex consisting of a two-story tall gable-roofed building dating from the first quarter of the 19th century, which houses the earliest shop; a four-story tall Victorian building which houses a business office on the first floor and storage rooms on the upper floors; and a three-story tall shed-roofed addition dating from 1870-1880. It is in its fifth generation as a family business.G. Krug & Son began in 1810 and is recognized as the oldest continuously operating blacksmith shop in the United States. The works is responsible for iron grills, railings, and other architectural elements that may be seen on buildings throughout Baltimore and at the Ginter House in Richmond, Virginia.G. Krug & Son was listed on the National Register of Historic Places in 1982.

The history of The Baltimore City College began in March 1839, when the City Council of Baltimore, Maryland, United States, passed a resolution mandating the creation of a male high school with a focus on the study of English and classical literature. The Baltimore City College was opened later in the same year on October 20, with 46 pupils under the direction of Professor Nathan C. Brooks,(1809-1898), a local noted classical educator and poet, who became the first principal. It is now considered to be the third oldest public high school in the nation. In 1850, the Baltimore City Council granted the school the authority to present its graduates with certificates of completion. An effort to expand that academic power and allow the then named "Central High School of Baltimore" to confer Bachelor of Arts degrees began in 1865, and continued the following year with the renaming of the institution as "The Baltimore City College", which it still holds to this day, with also the retitling of its chief academic officer from "principal" to "president", along with an increase in the number of years of its course of study and the expansion of its courses. However, despite this early elevation effort, it ended at that time unsuccessfully in 1869, although the B.C.C. continued for a number of years as a hybrid public high school and early form of junior college (later known as community college) which did not fully appear in America until the beginning of the 20th Century. Very often the graduation diploma in the late 19th and early 20th Centuries was accepted by many other colleges and universities entitling City graduates to enter upper-division schools at the sophomore year, (which was also coincidentally a privilege also accorded to its later local academic and athletic rival, the Baltimore Polytechnic Institute, founded 1883).

Engine House No. 8 was a historic fire station located at Baltimore, Maryland, United States. It was a two-story masonry building with a cast-iron street front, erected in 1871 in the Italianate style. The front featured a simple cornice with a central iron element bearing the legend "No. 8". Engine Company No. 8 operated from this building until 1912. In 1928 it became the motorcycle shop of Louis M. Helm and the upper story functioned as a clubhouse for a series of boys’ clubs into the 1940s.Engine House No. 8 was listed on the National Register of Historic Places in 1995. About 2002, the property was sold and the building was torn down. However, the cast-iron facade was saved, and the first floor cast-iron components were installed at the Fire Museum of Maryland, where the fire house has been put back together.

Lion Brothers Company Building is a historic factory located at 875 Hollins St, Baltimore, Maryland 21201. It is a multi-level building that once housed the operations of the Lion Brothers embroidery company. The original building was constructed in 1885 and expanded several times over the subsequent 75 years. In 1958 the Lion Brothers moved their production facility to another location allowing Marcus & Farber and Globe Screen Printing to move in. The building has been vacant since 2002 and Cross Street Partners has plans to restore the building as a local innovation center.HistoryThe Lion Brothers Company was established in 1899, and originally located in a loft building at 109 South Charles Street. At first, the company produced a wide range of products including blouses, skirts, and sailor caps. It was one clothing factory among many in an extensive garment industry in the western portion of downtown. Their factory was destroyed in the 1904 Baltimore Fire, causing them to relocated to 875 Hollins St. At the time, the building was occupied by the John Cowan livery stable and hall. Cowan was an undertaker with a funeral home across the street at 1901 Hollins Street.Lion Brothers purchased the livery building in 1911, roughly the same time that all operations were concentrated on Hollins Street and the company was no longer producing finished clothing, but instead specializing in embroidered emblems. The location of the company in the Poppleton area of West Baltimore was a departure from other garment related industries centered in the downtown area. This location had several advantages: (1) it was removed from the heavily build up downtown area that had suffered the devastating 1904 fire; (2) an ample working-class labor pool surrounded the factory; (3) it was close to the factory’s owners’ residences located in the vicinity of Eutaw Place; and (4) the production of embroidered emblems and insignias was a distinct specialty that did not require immediate proximity to other garment-related businesses.

What is the Irish Railroad Workers Museum? The Irish Railroad Workers Museum is a historic site in Baltimore Maryland that celebrates the history of the immense Irish presence in Southwest Baltimore in the late 1840's. The museum officially opened on June 17th, 2002. This site consists of a group of 5 alley houses where the Irish immigrants who worked for the adjoining B&O Railroad lived. Two of the houses, 918 and 920 Lemmon St., are the museum. The Irish Railroad Workers Museum is the centerpiece of a larger historical district that includes the B&O Railroad Museum, St. Peter the Apostle Church, Hollins Market, and St. Peter the Apostle Cemetery. The museum is a project of the Railroad Historical District Corporation, a non-profit organization.

George Herman “Babe” Ruth was born February 6, 1895 at 216 Emory Street, a Baltimore row house that is now just a long fly ball from Oriole Park at Camden Yards. The property was leased by Babe’s maternal grandfather, Pius Schamberger, who made his living as an upholsterer. By the late 1960s, the property and adjoining three row-house structures had fallen into disrepair and were scheduled for demolition. Hirsh Goldberg, press secretary for Baltimore’s Mayor Theodore McKeldin, launched a successful campaign to save and restore the Birthplace, which opened to the public as a national shrine in July, 1974. The not-for-profit Babe Ruth Birthplace Foundation, Inc. was formed to govern the operation. Exhibits depicting the Historic House and life and times of Babe Ruth were installed with the help of Babe’s widow, Claire; his two daughters, Dorothy and Julia; and his sister, Mamie, who was also born at 216 Emory Street. In 1983, the operation expanded to become the official museum of the Baltimore Orioles, the team that signed Ruth to his first professional contract. At that time, the Foundation began formally operating as the Babe Ruth Museum. In 1985 the Mayor of Baltimore, William Donald Schaefer, designated the Museum as the official archives of the Baltimore Colts, who had departed the previous year for Indianapolis.

Founded in 2012, sophiajacob is a contemporary art space dedicated to a continuous program of exhibitions by emerging and established artists. sophiajacob is directed by David Armacost, Jordan Bernier, and Steven Riddle.

The space is co-directed by Hunter Bradley and Amelia Szpiech. Regular open hours are Saturday's from 1 - 4pm. Our phone numbers are posted on the door, please call for entry. If you do not have a phone, please email us in advance to let us know what time you will be arriving. Appointments also available. For more on Springsteen, please visit springsteengallery.com or email us @ springsteengallery [at] gmail [dot] com

Gallery Four is an artist-run gallery space on the westside of downtown Baltimore. A rotating group of residents here have put together shows since 1997. For more information, visit our website or contact us at [email protected]

NUDASHANK is an independent contemporary art space in Baltimore, MD. Our mission is to showcase rising young artists and bring new blood into the Baltimore scene, benefitting the regional artists and providing a new venue for local, national, and international artwork. The space is located on the third floor of the H&H building in downtown Baltimore, which also houses numerous other artist-run galleries and performance spaces. Open by appointment only. Email us to set one up! [email protected]

I am a freelance illustrator and drawing instructor in the DC/Baltimore area. My choice of materials and themes are always changing. I also teach private and classroom creative/drawing lessons for ages 6 years old and up!

Terrault is an artist-run, multi-use arts space and gallery located in the heart of the Bromo Arts & Entertainment District on the 3rd Floor of the Maryland Art Place building, that facilitates muti-disciplinary, innovative exhibitions and programming. By highlighting emerging and mid-career artists based in Baltimore, Terrault brings new and cutting-edge work to diverse audiences. It is an accessible space providing artists with opportunities to host community workshops and events. The space is founded and owned by Brooks Kossover and Directed by Carlyn Thomas

Jordan Faye Contemporary was founded as a platform to give emerging artists a wider audience. Established in 2006, we champion the work of early to mid-career artists as well as providing educational opportunities for emerging artists within the region. Through our gallery exhibitions, our salon series program, off-site exhibitions and presenting works at international art fairs, jordan faye contemporary exposes a larger community to the engaging and thought-provoking work of dozens of artists. Currently the gallery represents fifteen artists, who are now at various stages in their careers. The mission is to show work that is not only of contemporary interest but will be of lasting historical significance.

Geppi's Entertainment Museum (GEM) is a journey through 250 years of American pop culture, located in historic Camden Station at Camden Yards in Baltimore Maryland, just a few blocks from the city's famed Inner Harbor. Where else can you revisit your childhood and get back in touch with old friends that entertained you in the past through comic strips and books, radio and television shows, films, cartoons, and so much more? The museum exhibits nearly 6,000 pop culture artifacts including comics, toys, dolls, games and memorabilia of every conceivable category. Journey from the late 1700s to the present day and revisit favorite characters like Superman, Spider-Man, Batman, Mickey Mouse, Barbie, G.I. Joe, and many more. Geppi's Entertainment Museum is the home of "pop culture with character!"

Over 70 creations by Larry Poncho Brown for various organizations over the past two decades. The portfolio of images were commissioned by non-profit organizations for event promotions or organizational fundraising. Need a unique fundraisier for your organization??

Owned by Maryland and operated by the B&O Railroad Museum and the National Society of the Colonial Dames in America in the State of Maryland, Mount Clare is one of the oldest houses in Baltimore. It tells the story of Charles Carroll, barrister, his wife, Margaret Tilghman Carroll, and their family. Carroll objects furnish the house in addition to other 18th and 19th century antiques. The museum not only emphasizes those who lived in the house, Carrolls and slaves/servants, but also reminds the visitor of the house's use by others, including the Union Army during the Civil War and a German social club at the end of the 1800s.

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XOL is short for the Latin "Ex Oriente Lux", an ancient Roman slogan, meaning "Light Comes From the East," a recognition that civilization started in the Middle East. Based in Baltimore MD, XOL is an art gallery and residency dedicated to providing young Middle Eastern Artists a refuge and an outlet to showcase their work in the United States. XOL features contemporary art by established and emerging artists from the Middle East. Our mission is to avail art in unmasking the intrinsic socio-political making of the Middle East. We decided that instead of cursing the darkness that ravages the region, we are going to shine a light on it through art. The gallery is currently open by appointment only via email: [email protected].

The Walters Art Museum brings art and people together for enjoyment, discovery and learning. We strive to create a place where people of every background can be touched by art. General Admission is always FREE! Special Exhibitions and programs may require the purchase of tickets. Discover the stories behind the collection and use our mobile guide on your next visit. Simply bring your own device and go to mobile.thewalters.org to try it out.