Greenhouse is New York City's first L.E.E.D. registered, Eco-friendly Event Space. This two floored, 6,000 square foot event space is built from recycled or recyclable materials and can be booked separately or combined. Everything about Greenhouse in environmentally conscious, all the way down to its construction and design. The LED (light emitting diode) lighting system uses one thirtieth the energy of a standard lighting system. Also Bamboo wall covering was used in place of wood. Bamboo is a rapidly renewable material and can grow back within ten years of being cut down. Among Greenhouse's most spectacular attributes is the transparent ceiling fixture, comprised of over 5,000 individually hung crystals, which is designed to emulate a rolling landscape & the bars which are comprised of clear recycled glass panorama designs.
the people who have ever fallen in love or had any heartbreak are most welcome and their suggestions would be greatly acknowledged by me N also if they need any help they are most welcome
(de)generated by Carlos Jadraque with La Señorita Mónica
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Located in the heart of Manhattan, the high-end cabaret and jazz club the Metropolitan Room brings the best in live music to New York City. Fabulous award-winning performers take the stage in an intimate 115-seat atmosphere reminiscent of the golden age of cabaret. The Friday night open mic event, Metrojam, features a lineup of up-and-coming performers as well as the Metrojam House Band, and the venue has also been known to host a fun night of stand-up comedy.
Rated the #1 Sports Bar in New York City for 2010/2011. An all American upscale sports bar and lounge owned by hip hop mogul Jay Z and partners. Locations: New York | 6 West 25th Street Atlantic City | 2120 Atlantic Ave For reservation: Call: 212-832-4040 (NYC) | 609.449.4040 (AC) E-mail: [email protected] Web: http://bit.ly/4040T
The Players is a private social club founded in 1888 when Edwin Booth, the greatest American actor of his time, purchased a Gothic Revival-style mansion facing Gramercy Park and commissioned architect Stanford White to transform it into a certain club "for the promotion of social intercourse between the representative members of the dramatic profession and the kindred professions of literature, painting, sculpture and music, and the patrons of the arts."
Founded in 1995 by Dale Fitzgerald and Roy Hargrove, The Jazz Gallery's stellar programming has enabled a reputation as "The most imaginatively booked jazz club in New York." (NY Times) and "The best place to hear live music in New York." (TimeOut NY). As a nonprofit, it has the ability to allow musicians to take creative risks that other jazz venues would be likely to avoid - therefore, The Gallery is a hub of creativity, a home to jazz musicians/composers, many of them from all over the world but now permanently settled in the United States. The Jazz Gallery serves an ethnically diverse, international audience that represents a cross section of New York City residents and travelers to New York. The Gallery has many loyal audience members from the region, as well as those who come from all over the world and allocate time during their travel to specifically come to hear performances. Audiences represent all ages -children are comfortable attending since no alcohol is served, and many young college students from NYU and the New School frequent the venue regularly alongside adults of every age. One of the best bargains in NYC, the average ticket price is $10-$20 (occasionally, some special events are $35 or $40). The Gallery is open 3 to 5 nights per week, 50 weeks per year and produces an average of 175 events per year. In 2009 its audience was in excess of 11,000. The Jazz Gallery produces most of its programming in it’s own venue, a loft space with walls that also serve as a gallery for artwork relating to jazz. It seats 70 people. The rented space is on the fifth floor of 1160 Broadway,accessible by elevator. The Jazz Gallery recalls Soho loft spaces of the 1960's and 70s, and conveys an intimacy and warmth that many newcomers comment on. Thematic series include the Thursday Night Debut Series, a Commissioning Series supported by the Jerome Foundation, large ensemble presentations, and Composer Workshops with Steve Coleman. Funding in 2009 and 2010 included grants from the Rockefeller Brothers Fund, the Jerome Foundation, The Greenwall Foundation, the New York Community Trust, Meet the Composer, the Aaron Copland Fund for Music, New York State Council on the Arts, New York City Department of Cultural Affairs, and The National Endowment for the Arts, among others. In June 2010, The Jazz Gallery presented six concerts at its venue as part of the New York City CareFusion Jazz Festival. Two of the six concerts were webcast by NPR and WBGO. In addition, as part of the CareFusion Jazz Festival, The Jazz Gallery All -Stars appeared at Symphony Space's Peter Norton Theater, launching an initiative to create opportunities for jazz musicians at other larger performance venues. Over the past fifteen years The Jazz Gallery presented nine of the last eleven winners of the Thelonious Monk Jazz Competition PRIOR to their winning this competition. This year, in 2010, Jason Moran, a formidable pianist who has frequented the stage of The Gallery for more than 10 years, won a MacArthur Award; in 2008, Miguel Zenon, another musician whose emergence began at The Jazz Gallery, was a MacArthur Recipient. (Miguel is in residence at The Gallery this year.) Every jazz musician appearing at The Jazz Gallery, emerging and established, knows that this is a venue where they can experiment, try out new material, and grow and develop as artists. The Jazz Gallery's 2009/2010 season included, among many others, emerging artists such as Andy Milne, Pedro Giraudo, Ambrose Akinmusire, Dafnis Prieto, Darcy James Argue, John Escreet, Yosvany Terry, Ben Williams and Linda Oh, as well as established artists such as Ravi Coltrane, Roy Hargrove, Steve Coleman, Henry Threadgill, Oliver Lake and Fred Hersch.
After I return from Italy I will be starting up my Tuesday night classes again:) September 24 at Chelsea Studios, 151 West 26th Street. Slow Balboa from 7pm-8pm Price: $60 for 4 classes or $20/class (walk-ins) This class will begin by covering the basics of (Dean)Slow Balboa. Each class will also offer an new concept and direction so that people can explore making the dance their own. Slow Bal is extremely leadable and fun way to express yourself on the floor when the music slows down. Advanced Balboa and Balswing 8pm-9pm Price: $60 for 4 classes or $20/class (walk-ins) A good grasp of the basics is required to take this class. This four week session we will taking a look at modern styles of Balboa and Balswing and where they came from. I will also offer a free two hour clip watching session for all attendees (more details to come) to help people see how the old blends with the new. ***** Walk-ins are welcome but to have better idea of the numbers attending I ask that all interested parties write me directly either through facebook or email ([email protected]). Registering for classes early is even better. You can pay through paypal to my email address [email protected]. Cost: Slow Bal or Advanced Balboa: $60. Slow Bal and Advanced Balboa $110. Walk-ins $20/class