Please send all booking inquires to [email protected]
Vibiana is a wedding, events and performing arts venue located in the Historic Core of Downtown Los Angeles owned and operated by Los Angeles restaurateurs Chef Neal Fraser, Amy Knoll Fraser, Bill Chait and their partners. Originally the City’s first Archdiocese Catholic cathedral, Vibiana has been beautifully transformed into a stunning full service event facility with a state of the art lighting and sound system, high quality, custom rental equipment, a seasoned and talented event management staff, and an extensive dining and craft libations program. With the Main Hall and Garden Courtyard, the versatility of Vibiana is endless, offering a beautiful customizable back drop for events of any style, including entertainment, corporate, non-profit, wedding, and performing arts.
Formerly the Bordello Bar, formerly Little Pedro's...Stiff Drinks, Good Bands,No Cover Charge Ever, Great Atmosphere, Nuff Said. Follow us on Twitter @oneyedgypsybar For Reservations: [email protected] 626-340-3529
LOT 613 is a special event and film location comprised of two vintage warehouses and an adjoining courtyard encompassing 18,000 total square feet. LOT 613 holds a full liquor license, live entertainment, cabaret and dancehall permits as well as a full catering license.
LA Plaza de Cultura y Artes, also called LA Plaza is a Mexican-American museum and cultural center in Los Angeles, California, USA that opened in April 2011.The museum is near Olvera Street in the Los Angeles Plaza Historic District, also called El Pueblo. It is next to La Iglesia de Nuestra Señora Reina de los Angeles, also called La Placita or Plaza Church.The museum contains interactive exhibits designed by experience design expert Tali Krakowsky. Its president is Gustavo Herrera. It is run by the Los Angeles County, along with Los Angeles County Museum of Art and others.HistoryConstructionCounty Supervisor Gloria Molina was called "one of the project's earliest supporters and, by all accounts, the person most responsible for bringing it to fruition" by the Los Angeles Times. Part of the cost was funded by Molina's county discretionary spending funds. The center is on, with a price tag of $54 million and an operating budget of $850,000. It was designed by Chu+Gooding Architects.The rehabilitation of the shell and core of the historic Plaza House and Vickrey-Brunswig Building was completed in December 2009. The LA Plaza de Cultura y Artes Foundation completed tenant improvements to the two buildings and relocated their administrative offices to the fifth floor of the Vickrey-Brunswig Building in October 2010.
Founded in 1971, the Japanese American Cultural and Community Center is one of the largest ethnic arts and cultural centers of its kind in the United States. The mission of the JACCC is to present, perpetuate, transmit and promote Japanese and Japanese American arts and culture to diverse audiences, and to provide a center to enhance community programs. The Japanese American Cultural and Community Center is the preeminent presenter of Japanese and Japanese American, and Asian American performing and visual arts nationally. The JACCC also provides office space to a wide variety of nonprofit cultural, educational and community-based organizations in Los Angeles.
The Arts District Co-op is an eclectic mix of retail concepts coming together in a communal environment that fosters creativity and commerce. Located in the heart of the DTLA Arts District, we offer a blank slate for vendors to come together in an avant-garde market environment. Instagram and Twitter: @artsdistrictco_op #artsdistrictco_op #ADCoop
440 Seaton is an urban warehouse venue available for an array of events, weddings, parties, concerts, film and commercial productions and large-scale exhibitions. It offers a unique, rustic, eclectic charm in the heart of the Arts District in Downtown, Los Angeles. A growing artistic and cultured community surrounds it, just steps away from Little Tokyo, Japanese Village and Southern California Institute of Architecture. This grand, one-hundred year old, urban interior space consists of a Cathedral like atrium, with soaring 50 ft. high ceilings, exposed brick walls, wooden beams, concrete and wooden floors and skylights. With 12,000 sq. ft., the Great Hall is a spacious space, which can accommodate up to 1,700 standing guests, 1,400-chair seating and a 600 table seating capacity. This unique space offers endless opportunities in the creative ways you can turn this space into a special and memorable event for both you and your guests! It provides a canvas for your creativity, ability to transform it into a new environment with the raw warehouse space as a backdrop. History 440 Seaton was built in 1913, using brick, steel, redwood and concrete. The Great Hall was originally used as an indoor lumberyard for a furniture manufacturing company.Much of the original structure and details have been preserved including the exposed brick walls, saw tooth roof, concrete and wood flooring and a working freight elevator. The rooftop provides a view/ backdrop of the Downtown skyline and a 15,000 sq. ft. fenced in parking lot that is available for convenient use. The floor space can be sectioned off or used in its entirety. Standing Space: 1,700 Chair Seating Capacity: 1,400 Table Seating Capacity: 600 Stage: Available Power Sources: Available Catering: Available Parking: Available
Green screen and white cyc stages both with light grids in one location. Prelit stages with full grip and lighting packages. Hair & Makeup, wardrobe, production offices, hi speed wifi, kitchenette, 2 restrooms, private gated parking, huge vehicle entry access, and much more. Creative space for any special event location need.
The Los Angeles Center For Digital Art is dedicated to the propagation of all forms of digital art, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in culture. We are committed to supporting local, international, emerging and established artists through exposure in our gallery. We have an ongoing schedule of exhibits and competitions, produce editions of wide format archival prints, and collaborate in the production of digital artworks in our studio. As well we are involved with curating digital exhibits at institutions and festivals outside of the LACDA gallery schedule.
Located at El Pueblo de Los Angeles Historical Monument, is the premier venue for the expression of traditional and contemporary art and culture from the Mexican, and Mexican American perspective.
The Downtown Palace opened with the words: “The Standard Orpheum of Vaudeville announces the opening tonight of its fine new theatre between sixth and seventies streets. All seats for tonight are sold, but for the balance of inaugural week as well as in the future they maybe obtained at the Box Office of the New House.” This proclamation revealed arguably the most charming, intimate venue in the storied Historic Core of Downtown Los Angeles. And now the old entertainment soul pushes into the new, carrying a legacy starting with a June 26th, 1911 inaugural performance by Sophie Tucker through subsequent star attractions such as Harry Houdini, Sarah Bernhardt, and Fred Astaire (even the greatest animal acts had their run!), to more recent marquee names like Julian Casablancas, Lucent Dossier Experience, Bill Nye (The Science Guy), Eugene Mirman, Tig Notaro, Last Remaining Seats, and Cinespia, to name a few. No longer an Orpheum (a word derived from the Greek mythological poet and musician Orpheus, whose skills could charm animals, plants, and even rocks) nor a newsreel iteration known as the “Palace Newsreel Theatre,” (including a visible ghost sign which can still be seen on the back alley wall), but a fully restored Broadway gem—the charming and lavish Palace Theatre, one of the oldest theatres in Los Angeles and the oldest surviving vaudeville circuit Orpheum theatre, listed on the National Register of Historic Places in the historic Broadway corridor of downtown Los Angeles, California. On June 26, 2011, the “new” Palace celebrated its centennial by unveiling a $1 million restoration by Shahram Delijani, stirring Linda Dishman, executive director of the LA Conservancy to herald, "The Palace is one of the jewels of Broadway . . . and we're thrilled that they've done such a magnificent restoration.” While the Palace has embraced it's authenticity, it has also been technically upgraded with new audio, lighting, and electrical renovations, the heart of which is a matched and calibrated, state-of-the-art Midas III/d&b audiotechnik sound system intended to coax the naturally excellent acoustics across the one thousand fully restored, plush velvet wrapped seats, none of which are more than eighty feet from center stage. The Palace is one of the few venues to juxtapose an architecturally and historically significant structure with a state of the art sound system and classic 35 mm Simplex E7 celluloid projectors. Coupled with expanded bar, lounge, artist, patron, and VIP areas, the Palace is prepared to bring it’s legacy of cultural engagement and live performance into fully modern times, With its beautifully preserved architecture and decor modeled after the great opera houses of 17th Century Europe, or conversely as “something out of Tom Waits song,” restored and improved interior areas and cutting edge technical capabilities, the Palace Theatre in downtown Los Angeles can transform your next special event or live concert into a truly unforgettable, even magical experience. Exciting times lay ahead. Please direct special event and concert inquiries to: Events/Programming Department Broadway Theatre Group: Palace, Los Angeles, Tower Theatres ph: 213-488-2009 email: [email protected] General info: 213-488-2010 Theatre Manager and Location Filming: Edward Baney office: 213-629-2939 The Downtown Palace Quick Specs: Seating capacity: Main Auditorium: 608 Mezzanine: 460 Total: 1068 Sound Reinforcement: Midas III FOH console d&b audiotechnik V-Series line array (flown) w/B2 subs Trussing: 3 x 40' on stage truss 1 x 10' downstage truss. Power: 500 amps/3phase on stage 200 amps Stage Right 300 amps Stage Left Stage: 40’ wide at proscenium 31’ 6” deep from smoke pocket to back wall 36’ from stage to top of proscenium arch at center Projection: Dual Strong International Simplex E7 35 mm projectors with Xenon lamp houses ***Full specs, seating chart, pricing available upon request. Architectural Highlights: G. Albert Lansburg, an American architect known for his work on luxury cinemas and theatres, with assistance by Robert Brown Young, designed The Palace. The décor was elegant and subdued, with shades of gold, pink and blue predominating. Marble walls and mosaic tiles were used throughout the lobbies, and the basement featured a paneled lounge with a fireplace. The former ladies lounge upstairs has windows overlooking the outer lobby reminiscent of a lovely Florentine early Renaissance palazzo. Landburg enlisted noted Catalonian architectural sculptor Domingo Mora, who also worked on New York City’s Metropolitan Opera House, to design and create the striking brick and polychrome terra cotta facade—the first use of multi-colored stone in that era—formed into flowers, fairies, and theatrical masks, illustrating the spirit of entertainment. Four bas relief panels depicting the four muses of vaudeville -- Song, Dance, Music, and Drama—as well as a Troubadour figure, all illuminated by the polychromatic glow of an original “modern” neon marquee and accompanying neon vertical blades. The interior decoration is distinctly French Renaissance, with garland-draped columns and lit painted domes floating above like drifting luminous planets, and a color scheme of pale pastels, reflecting off the shells which illuminate the walls casting a soft lit ambience inside the auditorium. The auditorium was designed with excellent acoustics for the pre-amplified age. The intimate vertical design comprises of two balconies ensuring that no pair of ears or eyes are far from the stage. On the two walls surrounding the stage, hang two massive framed pastoral murals by painter Candelario Rivas and his crew working under the interior design direction of master American muralist Anthony Heinsbergen, the foremost designer of North American movie theatre interiors. To view a more extensive history of the Downtown Palace, please see the excellent web archive by Bill Counter: https://sites.google.com/site/downtownlosangelestheatres/palace-theatre also on FB: https://www.facebook.com/losangelestheatres And these other great historical resources: Los Angeles Historical Theatre Foundation http://www.lahtf.org LA Conservancy https://www.laconservancy.org Cinema Treasures http://cinematreasures.org