Austrian Cultural Forum New York, New York NY | Nearby Businesses

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11 E 52nd St
New York, NY 10022
(212) 319-5300

The Museum of Modern Art is a place that fuels creativity, ignites minds, and provides inspiration. With extraordinary exhibitions and the world's finest collection of modern and contemporary art, MoMA is dedicated to the conversation between the past and the present, the established and the experimental. Our mission is helping you understand and enjoy the art of our time

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New York - +212-888-0177 Jerusalem - +972-2-6244832 Tel Aviv - +972-3-5225111 Hilton Hotel, Tel Aviv - +972-3-5202091

The Philippine Center is a building that houses the Consulate-General of the Republic of the Philippines in New York City, United States. It is located at 556 Fifth Avenue, Manhattan, three blocks south of Rockefeller Plaza and north of the New York Public Library Main Branch in Bryant Park. The Philippine Center has since its early days been a venue for the Filipino-American community as well as hosting business meetings, forums, receptions and weekly art exhibits featuring Filipino art.HistoryThe Philippine Center was established by Presidential Decree No. 188 on May 10, 1973. It was purchased by the Philippine Government from the Knights of Columbus on October 29, 1973 at the cost of $2,250,000.00, with an additional $1,500,000.00 to buy out an existing lease on the building.The building's legal owner is the Republic of the Philippines; offices of its national government housed within regularly began paying rentals to the Philippine Center in 1993, including nominal fees for the use of its function rooms.On September 15, 2005, President of the Philippines HE Gloria Macapagal-Arroyo made a historic official visit to the Philippine Center, the first by a ruling Filipino head of state.

Since its inception over twenty years ago, The Howard Greenberg Gallery has built a vast and ever-changing collection of some of the most important photographs in the media. Maintaining diverse and extensive holdings of photographic prints, the Gallery includes such masters as Berenice Abbott, Henri Cartier-Bresson, Andre Kertesz, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists. The Gallery's collection also acts as a living history of photography, offering genres and styles spanning from Pictorialism to Modernism, in addition to contemporary photography and images conceived for industry, advertising, and fashion. In addition to photographs, an exceptional range of photography books are available for sale.

JoJer Fine Art Framing is a concierge framing service provider, where we can do in home or office consultation for all of your framing needs. Design, pick up, frame, deliver and install are all a part of the JoJer experience. Call or email to schedule an appointment today. A unique picture framing company that offers personal design service in-home or office anywhere within the Tri-State area. We specialize in distinctive frame designs for your finest art or photography and personal service, including pick-up, delivery and installation. Art-fitting and installation service available at commercial rates for artists, private collectors, galleries and museums. Email to [email protected] or call 212-707-8440 between 10AM & 7PM to schedule an appointment.

Throckmorton Fine Art is an art gallery based in New York. We specialize in vintage and contemporary Latin American photography, Pre-Columbian art and textiles, and archaic Chinese artifacts. In addition, the gallery offers a wide range of curatorial and design installation services.

Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland. In 1980, after moving to New York, he founded Peter Blum Edition, where he was among the first print publishers to work with a new generation of European and American artists. Peter Blum Edition has since published important editions by John Baldessari, Louise Bourgeois, Tacita Dean, Eric Fischl, Alfredo Jaar, Alex Katz, Barbara Kruger, Sherrie Levine, Brice Marden, Josef-Felix Müller, James Turrell, and Luc Tuymans, among many others. In 1984, Blum co-founded PARKETT magazine, working directly with international artists and critics to create an engaging forum for contemporary art. From 1993-2012, he opened Peter Blum Gallery at 99 Wooster Street, New York. Over the years this space has hosted important exhibitions- both of recent works and also historical surveys- featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson. In 2006, Peter Blum opened an additional 3,000 square foot exhibition space in the Chelsea neighborhood of New York, located at 526 West 29 Street. Exhibitions at Peter Blum Chelsea have included works by John Beech, Rosy Keyser, Esther Klas, Chris Marker, Adrian Paci, David Reed, Su-Mei Tse, SUPERFLEX, Robert Zandvliet and John Zurier, among others. Seven years later, in 2013, Peter Blum moved his gallery out of the Chelsea neighborhood and into the Midtown area of New York, located at 20 West 57th Street. The Peter Blum Edition Archive (1980-1994) was the subject of the exhibition Singular Multiples at the Museum of Fine Arts, Houston in 2006, the largest exhibition ever in North America devoted entirely to printmaking. In 2007, a selection of the Peter Blum Edition portfolios formed the exhibition Scenes and Sequences at the Aargauer Kunsthaus in Aarau, Switzerland. As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutions.

Marc Jancou Contemporary opened in November of 2007 in historic Great Jones Alley in downtown New York, and relocated at 24 West 57TH Street on March 2013. The gallery's primary focus is on emerging artists, having presented the first New York solo shows by Tim Berresheim, Ross Chisholm, Slawomir Elsner, Ry Rocklen, Stephanie Taylor, and Jacques Louis Vidal. The inaugural exhibition in 2007 featured a new body of work by quintessential Los Angeles artist Larry Johnson, which was the artist's first exhibition in six years and led to a retrospective at The Hammer Museum of Contemporary Art, Los Angeles in 2009. In addition to the gallery program, Marc Jancou initiated an ongoing series of exhibitions that take place in various international locations. In 2008, the exhibition In Geneva No One Can Hear Your Scream opened at BFAS Blondeau Fine Art Services, Geneva. The next exhibition in the series, Rive Gauche Rive Droite, opened in 2010 and was held in six unique locations across Paris including the famed taxidermist Deyrolle and the showroom of Azzedine Alaia. This ambitious exhibition presented over 100 works by 27 international artists. The next exhibition in the series will be held in 2012 in a location yet to be announced. Prior to opening Marc Jancou Contemporary, Marc Jancou founded a number of galleries including London Projects, London (1996); Galerie Marc Jancou, Zurich (1993); and Bonakdar Jancou, New York (1998). Through these galleries, Marc Jancou participated in FIAC, Art Basel, and the Armory, and curated exhibitions of Miroslaw Balka, Chris Burden, Carroll Dunham, Olafur Eliasson, Ernesto Neto, Karen Kilimnik, Martin Kippenberger, Michael Krebber, Raymond Pettibon, Sean Landers, Cindy Sherman, Hiroshi Sugimoto, Thomas Scheibitz, and Jeffrey Vallance among others. From 2006 to 2007, Marc Jancou hosted a residency program in St. Barth called Me.Di.Um, which included 25 residencies by emerging artists. Recent gallery publications include Rive Gauche / Rive Droite (JRP Ringier, Zurich, 2010); In Geneva No One Can Hear You Scream (JRP Ringier, Zurich, 2008); Faces and Figures (Revisited) (Gavilles&Rust); Justin Lieberman ((JRP Ringier, Zurich, 2009); Michael Cline (JRP Ringier, Zurich, 2010); and David Noonan, Scenes (JRP Ringier, Zurich 2009). In 1996 Marc Jancou & London Projects published an anthology of selected writings by John Coplans, which was edited by Stuart Morgan.

MISSION POP Pop International Galleries strives to de-mystify the art buying experience. We aim to facilitate a uniquely fun art buying "event" that brings world class artists, in an ethically managed, easygoing and accessible environment, to collectors from around the globe. We seek to ensure that our art consultants are experienced, friendly, knowledgeable and well-trained, and that our service and support systems remain second to none. We acknowledge and affirm unwaveringly, that the ongoing relationships we have with our collectors and artists are the backbone of the company. We will attempt to take every step to make certain that our clients have nothing but a fulfilling experience acquiring art from us, and that the artists we show, are fiercely represented with integrity and professionalism. Pop International also pledges continued involvement in society at large, by participating in, supporting and sponsoring, meaningful community and charitable events. This is the philosophy for which we are known, which speaks to our core values, and upon which, we shall continue to build the Pop brand. WHO AND WHAT IS POP? Founded in 1997 by Jeff Jaffe, Pop International Galleries - aka "The Pop Gallery" - is an exciting art gallery organization which originally started on West Broadway in the heart of SoHo, in New York City. Pop International specializes in Pop Art, Urban Art and art and photography that is derived from, or influenced by, popular culture. Pop International fills a much needed niche in New York, as it is the only gallery organization in the city with this special, fun and important focus. The diversity and depth of Pop's inventory makes it a great springboard for younger people to begin collecting, while serving as a dynamic source for more seasoned and experienced collectors. While the The Pop Gallery has grown into a thriving business since its inception, Jeff firmly believes that a strong educational component is vital to the nurturing of all types of collectors. Events at the gallery often include guest lectures and discussions, screenings and slide shows as well as charitable tie-ins, making Pop International Galleries very much a part of the community at large. Pop International Galleries has fast become the preeminent center to make collecting art available and accessible to all types of collectors in a young, fun-filled, energetic environment.

The University Club of New York is a private social club located at 1 West 54th Street at Fifth Avenue in Manhattan, New York, New York. It received its charter in 1865, but the origins date back to the autumn of 1861 when a group of college friends, principally Yale alumni, founded the club hoping to extend their collegial ties. The club is not affiliated with any other University Club or college alumni clubs.HistoryThe first meeting was held in the rooms of the Columbia College Law School, where Theodore Dwight, the Club's first president and a Hamilton College alumnus, was a professor. After several moves, the club took over an existing town house at 26th Street and Madison Avenue in 1883.Founded to celebrate the union of social duty and intellectual life, the Club states in its charter that the purpose of the organization shall be the "promotion of Literature and Art by establishing and maintaining a Library, Reading Room and Gallery of Art, and by such other means as shall be expedient and proper for such purposes." In addition to its many grand architectural features, the University Club hosts one of New York's great private art collections, with a particularly strong group of works by great American painters such as Gilbert Stuart and Childe Hassam, who featured the Club's facade in his work "Allies Day, May 1917".

Fifth Avenue Presbyterian Church is a landmark church in midtown Manhattan, distinguished for our longstanding ministries to the homeless and the homebound, our diverse adult, youth and children's education programs, and a rich tradition in music and the fine arts. The congregation was founded in 1808 and has been worshiping and serving at the current location since 1875. We are a vibrant, diverse, inclusive congregation of 2,000 members, part of the Presbyterian Church (USA).

On the calendar will be screenings of feature films, documentaries, and shorts from around the world, as well as panel discussions with leading film industry professionals. Films will be presented at the Friars Club clubhouse, supplemented by screenings at nearby theaters within walking distance. A panel of jurors comprised of filmmakers and professionals in the various fields of cinema will award the Festival's Best Feature, Best Documentary, and Best Short distinctions. The Festival is not limited to any particular style of comedy. In their own words: "Whether it's crass, slapstick, sarcastic, a romantic comedy, a dark comedy, a spoof - you name it, if it's funny, it's eligible."

Play for P.I.N.K.® (Prevention, immediate Diagnosis, New Technology, Knowledge) is a grassroots fundraising organization using lifestyle and sporting events to raise funds for breast cancer research. This is the official Play for P.I.N.K.® Facebook page.

Founded in 1988, as an independent not-for-profit organization, EWMI’s work began the year before the wall came down, with the challenge of crafting functioning democratic systems in transitioning post-soviet societies. We learned – in our initial work across central and eastern europe, and in the decades that followed around the world - that a collaborative approach involving civil society, government and the private sector is the key to ensuring that citizens exercise their rights, and institutions are accountable for protecting them. This leads to more just and prosperous societies. EWMI specializes in targeted, locally relevant initiatives that foster partnerships, and cross-sector collaboration, from assisting the state and local advocates in policy creation and reform to engaging in court administration, local economic development and technical support to civil society. EWMI does not offer off-the-shelf or cookie cutter solutions to these issues, because it appreciates from experience that each local context is unique. EWMI’s approach translates democratic aspirations into embedded practice. EWMI ensures the following ingredients are always part of its policy and operating initiatives because they help foster cooperation and mutually compatible solutions: Accountability: The obligation to accept responsibility and account for actions and decisions. Capacity: The facility or power to produce, perform, or deploy. Transparency: The quality that makes something obvious, open or easy to understand. EWMI’s success is based on over 25 years of pragmatic field experience in over 30 countries. EWMI’s dedicated multi-lingual, multi-cultural staff works with local partners to craft appropriate solutions for their unique situations. EWMI always places local partners first.

Since its founding in 1995, the MC-LEF has distributed over $63 million to eligible children in addition to supporting numerous other related programs. Children of Marine or Federal law enforcement personnel who die while on active duty are eligible to receive up to a $30,000 scholarship.

The Friends of Lindenwald are a not-for-profit organization chartered to advance the preservation of Lindenwald and the artifacts associated with President Van Buren. The Friends also further the study and appreciation of Van Buren's role in American history. The organization sponsors a variety of member programs -- public lecture, school programs, artifact conservation, luncheons, receptions, picnics and concerts -- and participates in planning and development of the Martin Van Buren National Historic Site.

Objectives As an independent, non-profit, non-political organization with chapters on college campuses worldwide outside of mainland China, the objective of GCC is to: 1. Create opportunities for Chinese students and their international counterparts to socialize, learn and work together. 2. Through events and educational seminars—and the latest Internet, telecommunications and multimedia tools—bring together GCC members for learning, networking and developing future professional opportunities. 3. Advance international trust and understanding through GCC member and alumni personal and professional relationships. 4. Promote high ethical standards for GCC members’ academic, professional and personal lives along with a commitment to make the world a better place through lifelong fellowship. 5. Have fun together.

The Markle is a private, nonprofit organization that works to advance the health, security, and economic well-being of all Americans.