10 E 77th St
New York, NY 10075
(212) 744-1271
10 E 77th St
New York, NY 10075
(212) 744-1271
Belvedere Castle is a folly in Central Park in Manhattan, New York City. It contains exhibit rooms and an observation deck, and since 1919, the folly has also been the location of the official Central Park weather station.Belvedere Castle was designed by Frederick Law Olmsted and Calvert Vaux in the late 1800s. An architectural hybrid of Gothic and Romanesque styles, Vaux's design called for a more weighty Manhattan schist and granite structure with a corner tower with conical cap, with the existing lookout over parapet walls between them. To reduce costs it was revised in November 1870, and completed under the new Tammany Hall regime as an open painted-wood pavilion.Belvedere means "beautiful view" or "panoramic view" in Italian.DesignBelvedere Castle was originally built as a shell with open doorway and window openings. Starting in 1919, it housed the New York Meteorological Observatory, which had been taken over by the United States Weather Bureau in 1912. The current weather station in Central Park, an Automated Surface Observing System (ASOS), is located immediately south of the castle, though wind equipment is still located on the main tower. The two fanciful wooden pavilions deteriorated without painting and upkeep and were removed before 1900.
The Lotos Club was founded as a gentleman's club in New York City; it has since also admitted women as members. Its founders were primarily a young group of writers and critics. Mark Twain, an early member, called it the "Ace of Clubs". The Club took its name from the poem "The Lotos-Eaters" by Alfred, Lord Tennyson, which was then very popular. Lotos was thought to convey an idea of rest and harmony. Two lines from the poem were selected for the Club motto:The Lotos Club has always had a literary and artistic bent, with the result that it has accumulated a noted collection of American paintings. Its "State Dinners" (1893 menu at right) are legendary fetes for scholars, artists and sculptors, collectors and connoisseurs, writers and journalists, and politicians and diplomats. Elaborate souvenir menus are produced for these dinners.The Lotos Club's first home was at Two Irving Place, off of 14th Street near the Academy of Music. Journalist DeWitt Van Buren was the Lotos Club's first president; he was succeeded by A. Oakey Hall. Other early Club officers included Vice President F.A. Schwab, Secretary George Hows, and Treasurer Albert Weber. New York Tribune editor Whitelaw Reid was elected Club president in 1877,at which time the Lotos Club moved to 149 Fifth Avenue at 21st Street.In 1893, the Club moved to 556-558 Fifth Avenue at 46th Street, purchasing their first clubhouse.It was at the Lotos Club in 1906 that George Harvey, editor of Harper's Weekly, sent up his first trial balloon by proposing Woodrow Wilson for the office of President of the United States. In 1909, with financial backing from Andrew Carnegie, the clubhouse was moved to 110 West 57th Street, in a building designed by architect Donn Barber.
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740 Park Avenue is a luxury cooperative apartment building on Park Avenue between East 71st and 72nd Streets in the Lenox Hill neighborhood of Manhattan, New York City, which was described in Business Insider in 2011 as "a legendary address" that was "at one time considered (and still thought to be by some) the most luxurious and powerful residential building in New York City". The "pre-war" building's side entrance address is 71 East 71st Street.The 17-story building was designed in an Art Deco architectural style and consists of 31 units, including duplexes and triplexes. The architectural height of the building is 78.03m.HistoryThe building was constructed in 1929 by James T. Lee, the grandfather of Jacqueline Kennedy Onassis – Onassis lived there as a child – and was designed by Rosario Candela and Arthur Loomis Harmon; Harmon became a partner of the newly named Shreve, Lamb and Harmon during the year of construction. The building was officially opened in October 1930, but it was not until the 1980s that the building's apartments sold for incredibly high prices. Hedge fund manager David Ganek paid $19 million for the childhood duplex home of Jacqueline Kennedy Onassis in 2005.
Bethesda Terrace, of which Bethesda Fountain is the centerpiece, overlooks The Lake in New York City's Central Park.The terraceBethesda Terrace is on two levels, united by two grand staircases and a lesser one that passes under Terrace Drive to provide passage southward to the Elkan Naumburg bandshell and The Mall, of which this is the architectural culmination, the theatrical set-piece at the center of the park. The upper terrace flanks the 72nd Street Cross Drive and the lower terrace provides a podium for viewing the Lake. The mustard-olive colored carved stone is New Brunswick sandstone, with a harder stone for cappings, with granite steps and landings, and herringbone paving of Roman brick laid on edge.Bethesda Terrace became a site for an outdoor luncheon restaurant at the end of the 1960s, then became a congregating spot for the Hair generation before devolving into a drug-trafficking venue in the 1970s. The fountain, which had been dry for decades, was restored in its initial campaign, 1980–81, by the Central Park Conservancy as the centerpiece of its plan to renovate Central Park. The Terrace, designed by Vaux with sculptural decoration by Mould, was restored in the following season, its stonework disassembled, cleaned, deteriorated surfaces removed, restored and patched and reset.Resodding, and fifty new trees, 3,500 shrubs and 3,000 ground cover plants specified by Philip Winslow followed in 1986, most of which, having matured into dense blocks, were removed in 2008, to make way for plants native to the United States. The Minton encaustic tiles of the ceiling of the arcade between the flanking stairs, designed by Mould, were removed in 1987, cleaned, restored, completed with additional new tiles and reinstalled in 2007.
The houses at 208–218 East 78th Street in Manhattan, New York, United States, are a group of six attached brick rowhouses built during the early 1860s. They are the remnant of 15 built along that street as affordable housing when the Upper East Side was just beginning to be developed.They are distinctive for the round-arched windows and door openings on their north (front) facades, an unusual trim for houses otherwise firmly in the Italianate architectural style common for urban buildings of that era. They are the second oldest group of buildings on the Upper East Side after the East 78th Street Houses a block to the east, but unlike that row they retain more of their original appearance. In 1978 they were designated New York City landmarks, and in 1983 they were listed on the National Register of Historic Places.BuildingsThe row is on the south side of East 78th, between Second and Third avenues. The block is residential, with many similar, taller rowhouses on both sides of the tree-lined street. The neighborhood is just outside the Upper East Side Historic District, close to the southern edge of Yorkville.
Michael Werner Gallery is an art gallery founded by Michael Werner in New York City during the year 1990. It is the U.S. extension of the German Galerie Michael Werner founded in 1963 in Berlin. A London branch opened in 2012.HistoryA high school dropout from a working-class family, Michael Werner started his career in the art world as assistant at Berlin-based Rudolf Springer Gallery in 1962. In 1963, he opened his first gallery, Werner & Katz, in Berlin, Germany with the first solo exhibition of Georg Baselitz. Galerie Michael Werner was later established in Cologne in 1969. Since then, Galerie Michael Werner has worked with represented many of the most important artists of the 20th century (see artists list).In the 1980s, Werner lived in New York and married fellow art dealer Mary Boone. Michael Werner Gallery opened its doors in New York in 1990 under the direction of Gordon VeneKlasen, who eventually became a partner in the gallery. The gallery currently occupies the historic East 77 Street townhouse where legendary dealer Leo Castelli once kept his gallery and was redesigned by Annabelle Selldorf. Michael Werner Gallery presents modern and contemporary European and American art. Recent major exhibitions include Sigmar Polke: Lens Paintings, Wilhelm Lehmbruck: Sculptures and Etchings, and Major Works of Marcel Broodthaers, "Peter Doig, New Paintings" as well as the first New York solo exhibitions of Hurvin Anderson, Aaron Curry, and Enrico David.
The Leo Castelli Gallery opened in New York at 4 East 77th Street on February 10, 1957. In 1958 the gallery gave Jasper Johns his first exhibition. Within 10 years, the gallery became the international epicenter for Pop, Minimal, and Conceptual Art, showing among others Jasper Johns, Robert Rauschenberg, Cy Twombly, Frank Stella, Roy Lichtenstein, Andy Warhol, James Rosenquist, Donald Judd, Dan Flavin, Robert Morris, Bruce Nauman, and Keith Sonnier. In 1971 the Castelli Gallery opened a second space at 420 West Broadway in SoHo. During this decade, several Conceptual artists joined the gallery, including Joseph Kosuth, Lawrence Weiner and Hanne Darboven. Leo Castelli, the gallery’s founder, had an unparalleled eye for quality, combined with his extraordinary skill for nurturing and promoting new art and artists. These essential qualities secured his position as possibly the most respected and influential advocate for contemporary art of his time. In 1999 the Leo Castelli Gallery moved the Upper East Side, where it has since been located. For the last ten years, the gallery has been directed by Castelli’s wife, Barbara Bertozzi Castelli. Ms. Bertozzi Castelli is an art historian whose specialization is post-war Japanese avant garde art. The gallery maintains a commitment to show the best of post-war art, with a focus on the art movements to which it has been home for so many years. The gallery’s program includes exhibitions of new works by historic gallery artists as well as rigorous critical exhibitions that shed new light on understanding of Pop, Minimal and Conceptual Art today.
Olivier opened his first boutique in 1994 at 19 East 76th Street on Manhattan’s Upper East Side. Olivier then Opened L’Olivier Downtown in 2004. It is located in Chelsea at 213 West 14th Street. The latter is not only a boutique but also a gallery featuring floral photography exhibits by artists including Michael Vollbracht, Renato Freitas, Alexander Vethers, Christopher Beane and Paul Solberg. It also serves as an event venue for product launches and receptions, many of which are held in the boutique’s enchanting private garden. At both the uptown and downtown boutiques the beauty of the natural word and the appeal of contemporary design are seamlessly juxtaposed with our urban environment.