Olvera Street is in the oldest part of Downtown Los Angeles, California, USA, and is part of El Pueblo de Los Angeles Historic Monument. Many of the Plaza District's Historic Buildings are on Olvera Street, including the Avila Adobe (1818), the Pelanconi House (1857), and the Sepulveda House (1887). The tree-shaded, pedestrian mall marketplace with craft shops, restaurants and roving troubadours is a popular tourist destination.HistoryEarly daysLos Angeles was founded in 1781 by Spanish pobladores (settlers), on a site southeast of today's Olvera Street near the Los Angeles River. They consisted of 11 families — 44 men, women, and children — and were accompanied by a few Spanish soldiers. They had come from nearby Mission San Gabriel Arcángel to establish a secular pueblo on the banks of the Porciúncula River at the Indian village of Yang-na. The new town was named El Pueblo de Nuestra Señora Reina de los Ángeles. Priests from San Gabriel established an asistencia (a sub-mission), the Nuestra Señora Reina de los Angeles Asistencia, to tend to their religious needs. The pueblo eventually built its own parish church, known today as the "Old Plaza Church." Unpredictable flooding forced the settlers to abandon the original site and move to higher ground in the early 1800s.
The Avila Adobe was built in 1818 by Francisco Avila and has the distinction of being the oldest standing residence in Los Angeles, California. It is located in the paseo of historical Olvera Street, a part of Los Angeles Plaza Historic District, a California State Historic Park. The building itself is registered as California Historical Landmark #145, while the entire historic district is both listed on the National Register of Historic Places and as a Los Angeles Historic-Cultural Monument.The Plaza is the third location of the original Spanish settlement El Pueblo de Nuestra Señora la Reina de Los Ángeles sobre el Río Porciúncula, the first two having been washed out by flooding from the swollen Río Porciúncula (Los Angeles River). The Avila Adobe was one of the settlement's first houses to share street frontage in the Pueblo de Los Angeles of Spanish colonial Alta California.The walls of the Avila Adobe are 2.5- thick and are built from sun-baked adobe bricks. The original ceilings were 15ft high and supported by beams of cottonwood, which was available along the banks of the Los Angeles River. Though the roof appears slanted today, the original roof was flat. Tar (Spanish: brea) was brought up from the La Brea Tar Pits, located near the north boundary line of Avila's Rancho Las Cienegas. The tar was mixed with rocks and horsehair, a common binder in exterior building material, and applied to beams of the roof as a sealant from inclement weather.
Located at El Pueblo de Los Angeles Historical Monument, is the premier venue for the expression of traditional and contemporary art and culture from the Mexican, and Mexican American perspective.
Jai & Jai is a Gallery and Studio based in Chinatown, Los Angeles.
Founded in 1970, VC has been a pioneer in the development of Asian Pacific American film, video, and media. VC was founded by Duane Kubo, Robert Nakamura, Alan Ohashi, and Eddie Wong. Along with a core group of artists, filmmakers, photographers, and educators, VC’s founders began searching for visual resources to build a greater consciousness of Asian Pacific history in America. Fueled by the burgeoning Civil Rights and Anti-War movements, they set out creating learning kits, photographing community events, audiotaping stories, and collecting historical images of Asian American lives. In the 1970s and 80s, VC took on several ambitious projects in the independent film production arena. That first period of production saw the creation of over fifty films and videos, as well as the production of several educational filmstrips and major photographic exhibits – visual statements on the history and contemporary issues of Asians in the US. VC premiered the first ever full length Asian American film in 1980: Hito Hata: Raise the Banner. This landmark film was a building of a community-in-progress, involving artists, professional media personnel, scholars, community organizations, and countless number of individuals and community businesses in the making of the film. In the 1990s and 2000s, VC transitioned from a film production collective to a full-service media arts center. While VC still produced films in this period, the organization also provided support services for Asian American artists and filmmakers, workshops and trainings for the community, and more presentation opportunities for independent media in Los Angeles. Throughout our history, VC programs have evolved to meet the changing needs of a diverse Asian Pacific Community of over 25 different languages, cultures, and nationalities. The organization has created award winning productions, nurtured and given voice to our youth, promoted new artistic talent, presented new cinema, and preserved our visual history. Today, VC continues to be a conduit for the Asian Pacific global communities to the American public through its numerous arts programs. Our programming includes: the annual Los Angeles Asian Pacific Film Festival and year‐round screenings and exhibitions; the Armed With a Camera Fellowship for Emerging Media Artists; the Digital Histories video production and digital storytelling program for senior citizens; a Media Development Fund for independent filmmakers; and C3: The Conference for Creative Content. Visual Communications is also home to the VC Archives, one of the largest photographic and moving image archives on the Asian Pacific experience in America. We see media as a powerful tool to create and share meaningful perspectives, and our programs ensure that the AAPI community has access to the resources tell their unique stories.
Thai cuisine is adaptable, innovative, and dynamic. The best Thai cooking uses the freshest ingredients available to create the unique Thai taste. Thai taste can be defined as the use of all 5 flavors: spicy, sweet, salty, bitter and sour. Only Thai cuisine brings out all of these flavors to play together harmoniously in a meal.
The Union Center for the Arts anchors the northwestern end of the Little Tokyo Historic District. It was formerly Union Church, the combined home of three Japanese American congregations, was completed in 1923. With the onset of World War II, it was in front of this building that residents of the district joined the residents of Terminal Island, whose community had been razed 48 hours after the attack on Pearl Harbor. Residents lined up with a single suitcase allowance awaiting transportation to join 10,000 people sent to the War Relocation Center in Manzanar in 1942. Most of those transported to the internment camps lost all of their property, and were unable to return to living in their old community after the war, scattering the population throughout the city. During the war the building was used as a community center for African Americans arriving from the deep south in search of work in wartime industry as part of the 'Great Migration'. The neighborhood had some of the only housing in the city that did not have restrictive housing covenants based on color, and quickly became highly populated. Three years into the war, the neighborhood was renamed Bronzeville, and was home to crowded conditions and 'breakfast clubs' - jazz clubs that were known to stay open until dawn. In 1943, a part of the 'Zoot Suit Riots' spread into the area. At the close of 1945 the Japanese Americans gradually began re-establishing a community center, where LIttle Tokyo remains a very diverse part of central Los Angeles. The building located on Judge John Aiso Street was damaged during the 1994 Northridge earthquake, leaving it unusable. The Little Tokyo Service Center Community Development Corporation completed a multi-million dollar renovation of the building in 1998 to house three arts organizations - the East West Players, Visual Communications and LA Artcore, and is a successful example of adaptive reuse.
KCRW is proud to present Prohibition NYE 2015. Celebrate New Year's Eve and the Roaring Twenties at Los Angeles' historic Union Station featuring a very special performance by Le Youth. This elegant occasion will transport you to the glamour and forbidden excitement of the Golden Twenties. Guests will be treated to a free-flowing premium open-bar, our illustrious oyster bar, and live jazz from Lyndsay & the All-Nighters, plus many more surprises including a 40 foot custom ball-drop and NYE countdown! Come witness an unforgettable performance from our flapper dance troupe as they pay homage to the speakeasy era of Downtown Los Angeles. Guests will be treated to the summer-suited sound of the Los Angeles-based electronic duo, Bee's Knees. Prohibition NYE is a 21+ event. Formal attire required. A portion of all proceeds to benefit the Akola Project.
The Pico House is a historic building in Los Angeles, California, dating from its days as a small town in Southern California. Located on 430 North Main Street, it sits across the old Los Angeles Plaza from Olvera Street and El Pueblo de Los Angeles Historic Monument.HistoryPío Pico, a successful businessman who was the last Mexican Governor of Alta California, ordered construction of a luxury hotel in the growing town. The architect was Ezra F. Kysor, who also designed the Cathedral of Saint Vibiana, and it was constructed between 1869 and 1870. The resulting Italianate three story, 33-room hotel, dubbed Pico House (or Casa de Pico) was the most extravagant and lavish hotel in Southern California, and its opening was cause for much celebration. It had a total of nearly 80 rooms, large windows, a small interior court, and a grand staircase. In the days of the hotel's primacy the courtyard featured a fountain and an aviary of exotic birds. The structure forms three sides of a trapezoid whose open end immediately abuts the adjacent Merced Theatre, thus forming the courtyard. The back of the hotel faces Sanchez Street, where the large gate used by supply wagons and other large vehicles can still be seen.Its time in the spotlight did not last very long. By 1876, the Southern Pacific Railroad had linked the city with the rest of the country and more residents and businessman began pouring in. Pio Pico himself started having financial troubles, and lost the hotel to the San Francisco Savings and Loan Company.
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LA Plaza de Cultura y Artes, also called LA Plaza is a Mexican-American museum and cultural center in Los Angeles, California, USA that opened in April 2011.The museum is near Olvera Street in the Los Angeles Plaza Historic District, also called El Pueblo. It is next to La Iglesia de Nuestra Señora Reina de los Angeles, also called La Placita or Plaza Church.The museum contains interactive exhibits designed by experience design expert Tali Krakowsky. Its president is Gustavo Herrera. It is run by the Los Angeles County, along with Los Angeles County Museum of Art and others.HistoryConstructionCounty Supervisor Gloria Molina was called "one of the project's earliest supporters and, by all accounts, the person most responsible for bringing it to fruition" by the Los Angeles Times. Part of the cost was funded by Molina's county discretionary spending funds. The center is on, with a price tag of $54 million and an operating budget of $850,000. It was designed by Chu+Gooding Architects.The rehabilitation of the shell and core of the historic Plaza House and Vickrey-Brunswig Building was completed in December 2009. The LA Plaza de Cultura y Artes Foundation completed tenant improvements to the two buildings and relocated their administrative offices to the fifth floor of the Vickrey-Brunswig Building in October 2010.
Mexican Handcrafts, Clothing, Folkloric customs , dancing boots and shoes and silver jewelry from Taxco. Retail & wholesale.