140 W Mount Royal Ave
Baltimore, MD 21201
(410) 900-1150
Baltimore Soundstage, located in Baltimore’s Inner Harbor, is one of the most eclectic venues in Maryland hosting nationally touring artists from genres such as heavy metal, neo-soul, dubstep, spoken word, and everything in-between in an intimate environment. Most shows will be presented in the standard standing room only room configuration, however, in a first for Baltimore, we present selected acts in a fully seated table format. Soundstage is equipped with a large stage, state of the art sound, lights, and video, and a kitchen, offering patrons a full menu of choices. Q: I am coming from out of town. Is there a hotel near your venue? A: Yes. We recommend Sleep Inn & Suites: 301 Fallsway, Baltimore, MD 21202. The number is 410-779-6166. Click here for a special 15% discount for Soundstage customers: http://www.sleepinn.com/ires/en-US/html/ArrivalInfo?hotel=MD222&srp=LSOUND&pu=no Q: Is seating available for a show? A: Soundstage has a variety of seating arrangements depending on the particular show. Please check the show calendar or ticket link for the arrangement for the show you are interested in. All table seating is subject to a 20% Gratuity. Listed below are the available variations: Standing Room Only: Just like it sounds – customers should be prepared to stand for the length of the show. There may be a limited number of bar stools, tables and chairs, and individual chairs available, but this would be on a first come first serve basis. Some standing room only shows may have VIP and show packages available. Fully Seated Event: This configuration guarantees you a seat, either theatre style or table seating. All general admission seating is available on a first come first serve basis. Depending on the show, you may be able to purchase either a show package and reserve a table of your choice, or an individual seat at a specific table. We cannot seat incomplete parties. Show Package: Show packages come in 2 or 4 person tickets. This package guarantees you a table with food credit. For general admission shows where seating is available, the raised section to the right side of the room will have these tables and customers will be seated based upon the date and time of purchase; the earlier you purchase this package, the better your seat. These seats are reserved in advance of the doors opening, therefore allowing customers to arrive anytime after doors open. VIP Package: On a limited number of shows, including standing room only events, this package will be available. A VIP package allows the entry of up to 10 guests, a selection of premium liquor, reserved seating area, and a dedicated server. When available, these packages can only be obtained by contacting [email protected]. Our VIP package host will then contact you to assist in selecting an appropriate package. Q: Is there parking available near Soundstage? A: Yes. Two nearby parking facilities have agreed to provide discounted parking for Soundstage patrons. Make sure you ask a Soundstage staff member for your discount parking ticket chaser. In order to apply the discount, you must obtain a parking ticket from the garage. On the way back to your vehicle, insert your parking ticket into the payment slot followed by the chaser and there will be an automatic discount. Lockwood Garage is located on top of the venue with the entrance being just steps away from the Soundstage entrance. Our Soundstage discount chaser provides you with a $10 discount, making your final payment $12-$17 depending on what time you enter the garage. This discount can only be applied if you enter after 4pm. Pier V Parking Garage is located less than two blocks away at 711 E. Pratt Street and parking after 5pm is only $7 with your Soundstage discount chaser. Q: Do you serve food? A: Yes, the food section on this website has an example of the types of food you can expect to see, but our menu changes daily. Just ask your server or bartender about any food and beverage specials. Q: How do I play at your venue? A: You must have a website or Facebook page with three songs that can be viewed and listened to in its entirety (YouTube is okay to meet this requirement). Soundstage limits the amount of local artists placed on a bill, so you should be expected to fulfill some minimum obligations to be placed on this bill. Q: Where is the box office located and what time does it open? A: The box office is located at the venue – 124 Market Place, Baltimore MD 21202. The box office opens at least one hour before any show or event and stays open for the duration of the show. Additionally, the Box office is open Wednesdays -Saturday from 12PM-6PM. The phone number is (410) 244-0057 Q: What do i need to pick up will call tickets? A: Your ID or credit card used to purchase the tickets, and order confirmation number. Q: Can i still get tickets if a show is sold out? A: Once a show is sold out, that’s it. We do not resell tickets for customers who don’t show nor do we have a waiting list. Sometimes an artist or tour will release a number of tickets just prior to the show so you should continue to periodically monitor our website to check on the status of the show. Also, there may be some tickets released the day of the show. There is no guarantee that this will occur. You can stop by in person once the doors are open. You cannot call to have tickets held. Again, there is no guarantee that tickets will be available. Q: What is the age requirement for entering the venue? A: All shows are all ages unless otherwise indicated in the show details. If a show is designated as 16 and older or 18 and older, you must be that age or older to enter. You must have proper ID to enter all age restricted shows. Q: What time does the show start? A: Door and show times are indicated on each individual show listing. The run of each show can vary, but you can call the venue during box office hours for set times or check our Facebook and Twitter pages on the day of the show for posted set times. All acts and times are subject to change without notice. It is important to note that shows at Soundstage sometimes have limited opening artists other than what the entire tour is carrying. In most cases, shows start on time and end at a reasonable hour. The exact timing of all the shows is largely dependent upon the artist or tour. The venue does not have control over any particular artist, band, or tour’s performance time. Q: Do you have a dress code? A: The venue does not have a specific dress code other than no dangerous jewelry, no spike clothing, no knives of any kind, and obviously, no weapons. The venue reserves the right to search customers upon entry for any illegal or inappropriate material. If found or customer refuses to undergo the search, then the venue reserves the option to deny entry without a ticket refund. Q: Do you have coat check? A: If the weather and room arrangement justifies it, we open a coat check. Q: Can I bring a camera in? A: The venue defers to the act regarding the specific photo/taping policy. Most of the time, the policy is as follows: No video, no professional cameras, no taping, and no use of flash, but each artist(s) have their own rules and can change them as they see fit. In the event that you can’t bring a camera inside, make sure you are comfortable leaving it in your car. Q: How do I talk to someone about my bill or credit card charge? A: You can send an email to [email protected] or call us during box office hours at 410-244-0057. Q: Can I buy tickets at your box office without paying service fees? A: You can buy tickets at the box office or over the phone with a substantially lower fee than purchasing online, however the state of Maryland requires an admissions and amusement tax of 10% on all tickets. Q: I bought tickets and now I can’t go. A: All sales are final, no refunds or exchanges. Refunds are only made available for rescheduled or canceled shows. Q: My child wants to come to soundstage, but I am concerned. A: The decision to let your child come to a show is obviously up to you as a parent. Alcohol is served at the venue, but we are very cautious and diligent to ensure that only those individuals age appropriate are served. Attending the show with your child is an option, this way you can make your own evaluation of the situation. Q: Can I leave and re-enter? A: Once you redeem your ticket, we cannot allow you to exit and re-enter, though we do allow smoking in a designated area directly outside of the venue. You cannot, however, take alcohol outside. The smoking area may have limited accessibility and availability times. Q: Is the venue handicap accessible? A: Our main entrance and general admission floor area are accessible. Once inside, there are two raised areas that have two steps each to go up in order to access them. We are happy to accommodate any patron with special needs and you can email [email protected] or call 410-244-0057 during box office hours to make arrangements prior to the event. Q: What do I do if i lost something in the venue? A: Please send an email to [email protected] or call us at 410-244-0057 during box office hours. If you do not contact us within 7 days after the event, we will consider the item abandoned and those serviceable items will be donated to a local charity. All others will be disposed of. Q: How do I book my next special event at soundstage? A: Just email us as at [email protected] with as much information as possible, including the type of event, the date, time, number of persons attending, etc. The more information, the better.
We do not book events/shows via Facebook. Please send all show inquiries/booking/gig requests to: [email protected]
The Modell Performing Arts Center is a music venue in Baltimore, Maryland, United States, located close to the University of Baltimore. The building was modeled after the Concertgebouw concert hall in Amsterdam, and it was inaugurated on 31 October 1894 with a performance by the Boston Symphony Orchestra and Australian opera singer Nellie Melba as the featured soloist. Beginning 1904, it was also used for touring performances by the Metropolitan Opera, and from 1950, it was the home of the Baltimore Opera Company until the company's liquidation in 2009.The Lyric has been the home of the Lyric Opera Baltimore company since 2011. It was founded after the demise of Baltimore Lyric Opera.HistoryOpera and music at the LyricPrior to the 1909 purchase of the building on behalf of the Metropolitan Opera by Otto Kahn, Oscar Hammerstein I presented an opera season and began to make plans to remodel it by enlarging the stage area. However Kahn's purchase caused the venue's name to be changed to the Lyric Theatre. and firmed up the continuity of the Metropolitan Opera's annual visits. In the early 20th century, the Lyric Opera featured opera tenor Enrico Caruso who appeared there with the Metropolitan Opera in a performance of Flotow's Martha.
The Hippodrome Theatre is a theater in Baltimore, Maryland. Built in 1914 for impresarios Marion Scott Pearce and Scheck, the 2300-seat theater was the foremost vaudeville house in Baltimore, as well as a movie theater. When the movie palace opened it was the largest theatre south of Philadelphia. The Hippodrome was designed by Thomas W. Lamb, one of the foremost theater architects of his time. Lamb gave the theater an unusually strong presence on Eutaw Street through the use of brick and terra cotta on a massive façade. The Hippodrome was renovated in 2004 for use as a performing arts theater, and is part of the France-Merrick Performing Arts Center.The site had previously been occupied by the five story Eutaw House Hotel, built in 1835 and destroyed by fire on May 25, 1912. The new theater had an original capacity of 3,000 seats and boasted a Moller organ, as well as a house orchestra that survived into the 1950s. The Loew's chain operated the Hippodrome from 1917 to 1924, then Keith-Albee-Orpheum assumed stewardship. In 1920 the average weekly attendance was 30,000. During the 1930s the Hippodrome featured such performers as Jack Benny, Milton Berle, Bob Hope, Martha Raye, Dinah Shore, Red Skelton, The Three Stooges, the Andrews Sisters, Morey Amsterdam and Benny Goodman. Frank Sinatra first performed with Harry James at the Hippodrome. Live performances ceased in 1959, but movies remained strong through the 1960s. The Hippodrome finally closed in 1990 as the last movie theater in downtown Baltimore.
The Metro Gallery is a multipurpose performance space, art gallery, and bar in the Station North Arts District in downtown Baltimore (1700 N. Charles St.). In operation since 2007, the Metro Gallery curates art shows with a focus on emerging artists. The Metro Gallery has also hosted esteemed touring and local musical acts, including Cass McCombs, The Antlers, Sea Wolf, Avey Tare, Fanfarlo, Owen Pallett (of Final Fantasy), the Dirty Projectors, Beach House, Mykki Blanco, Moss Icon, The Queers, Jonathan Richman, Wye Oak, Sharon Van Etten, Shearwater, Dan Deacon, The Electric Six, We Are Scientists, The Dismemberment Plan, Future Islands, Celebration, and many more. General inquiries: [email protected] Booking inquiries: [email protected] Exhibition inquiries: [email protected] Rental inquiries: [email protected] Please contact us at one of the above emails. We DO NOT book events via facebook.
Located in the lower level of the historic Beth Am Synagogue in Baltimore’s Reservoir Hill neighborhood, Eutaw Place brings to Baltimore musicians at an affordable ticket price, in a comfortable atmosphere, and accessible location. Patrons will be able to enjoy beer, wine, locally roasted coffee, teas, cold drinks, and home baked desserts which will be for sale.
IMPACT, the young adult division of The Associated, seeks to inspire young adults (22-39) through fundraising, volunteerism and leadership development opportunities.
BNIA-JFI is well known for the Vital Signs reports which feature indicators in the following topic areas: Census Demographics Housing and Community Development Children and Family Health and Well-Being Crime and Safety Workforce and Economic Development Arts and Culture Education and Youth Sustainability
Forte is an exciting opportunity for our “young professional” patrons to enjoy a world-class orchestra and socialize with fellow music-lovers. Patrons receive $40 tickets in premium seats and invitations to exclusive networking events. To learn more and purchase your subscription, visit BSOmusic.org/forte or call 410.783.8000. Make sure to mention Forte or enter it as a Promo code!
OneBaltimore strives to build upon new and existing collective efforts in each of four major areas: • Preparing the Workforce for Jobs we Target: There is no higher priority than to increase the number of Baltimoreans with meaningful work. While there are many workforce development initiatives underway in Baltimore, a broad collaborative to prepare disconnected youth for work in the mid-level tech industries and beyond requires a heightened focus and offers significant opportunity. In addition to jobs tagged for recipients of two and four year degrees, we must also prepare people for mid-level jobs available in sectors that are plentiful and accessible. • Building a Culture of Collaboration: We have vibrant and dedicated non-profit and foundation communities in Baltimore. The communities they are committed to serving are equally dedicated but most often lack sufficient resources to grow and to achieve sustainability in any meaningful way. OneBaltimore will commit to exploring ways to crack the silos in order to increase the connections between them so that collaboration is achievable and new working relationships can be formed. • Health & Public Safety: Baltimore has many effective health organizations, including a highly respected City Health Department. Working together these entities have the capacity to commit to a higher level of collaboration in support of children and families. Reducing illness and increasing life expectancy, regardless of zip code, needs to become a higher priority achieved through greater shared resource funding and collaboration. Likewise, Baltimore will not move forward if policing, criminal justice and juvenile justice reform doesn’t become a greater priority. All are needed if the City is to heal and go on to prosper. • Race & Inequality in Baltimore: Race continues to be an uncomfortable, yet it is an imperative topic we must embrace in our city and our nation. If we are to move our city forward, we must examine the historical and systemic factors unique to Baltimore that have made our city’s experience with race especially problematic.
OneBaltimore strives to build upon new and existing collective efforts in each of four major areas: • Preparing the Workforce for Jobs we Target: There is no higher priority than to increase the number of Baltimoreans with meaningful work. While there are many workforce development initiatives underway in Baltimore, a broad collaborative to prepare disconnected youth for work in the mid-level tech industries and beyond requires a heightened focus and offers significant opportunity. In addition to jobs tagged for recipients of two and four year degrees, we must also prepare people for mid-level jobs available in sectors that are plentiful and accessible. • Building a Culture of Collaboration: We have vibrant and dedicated non-profit and foundation communities in Baltimore. The communities they are committed to serving are equally dedicated but most often lack sufficient resources to grow and to achieve sustainability in any meaningful way. OneBaltimore will commit to exploring ways to crack the silos in order to increase the connections between them so that collaboration is achievable and new working relationships can be formed. • Health & Public Safety: Baltimore has many effective health organizations, including a highly respected City Health Department. Working together these entities have the capacity to commit to a higher level of collaboration in support of children and families. Reducing illness and increasing life expectancy, regardless of zip code, needs to become a higher priority achieved through greater shared resource funding and collaboration. Likewise, Baltimore will not move forward if policing, criminal justice and juvenile justice reform doesn’t become a greater priority. All are needed if the City is to heal and go on to prosper. • Race & Inequality in Baltimore: Race continues to be an uncomfortable, yet it is an imperative topic we must embrace in our city and our nation. If we are to move our city forward, we must examine the historical and systemic factors unique to Baltimore that have made our city’s experience with race especially problematic.
Since an original bequest of $11 million from the estate of Morris Goldseker in 1975, the Goldseker Foundation has granted $70 million to more than 400 nonprofit organizations and projects in the Baltimore metropolitan area. Though the focus of the Foundation’s grantmaking has evolved over time, in all of our grantmaking we have sought to honor Mr. Goldseker’s wish that the Foundation serve the Baltimore community by investing in its institutions and people.
In an effort to reduce health disparities, the LGBT Health Resource Center (LHRC) provides LGBTQ individuals and their families with welcoming access to expert health information and resources that will enhance wellness and quality of life. The LGBT Health Resource Center focuses its work on providing resources and information, delivering education and training, and creating direct community programing.
Associated Black Charities is on an aggressive pursuit to Change the Future. We will strengthen significantly Maryland’s economy by focusing on the economic growth, the economic inclusion and economic influence of African Americans. Working with others who have a similar interest in Maryland’s economic future, we will dismantle the institutional barriers and biases that prevent people from realizing their full potential by addressing broken systems, not broken people. Informed by data and leading through innovative and research based approaches, ABC will ensure that economic opportunities are extended to, and seek to advance ALL people.
Founded in 1871, the Baltimore Chapter of The American Institute of Architects is the third oldest in the country. The constitution, written by its founders, stated that "the objects of the chapter are to unite in fellowship the architects of the city, and to combine their efforts so to promote the artistic, scientific and best ethical standards of the profession."
Founded by Edward Polochick and entering its 29th season, Concert Artists of Baltimore (CAB) consists of a professional chamber orchestra and professional chamber chorus. The full ensembles are featured in The Maestro Series, with performances this season at the Gordon Center For Performing Arts and St. Pius X Church. CAB also offers chamber music, The Mansion Series, with performances at The Engineers Club at the Garrett-Jacobs Mansion. This series showcases smaller forces, such as a quartet or small vocal group, and often features unique repertoire. The orchestra and chorus are frequently hired for performances throughout the region by other organizations, including the Baltimore Symphony Orchestra, the Lyric Opera Baltimore, Moscow Ballet, the Baltimore Basilica, Temple Oheb Shalom, Johns Hopkins Medical Institutions, McDaniel College, St. Louis Church, The Holocaust Museum, The Visionary Arts Museum, The Greek Orthodox Church of St. George, and Catholic Charities. When larger forces are needed, such as when the singers of Concert Artists perform Messiah with the Baltimore Symphony Orchestra each year, the chorus expands to the Concert Artists Symphonic Chorale. The 2014-15 season featured a groundbreaking collaboration with the Baltimore Rock Opera Society at 2640 Space, a partnership that will continue this season.