15116 parhtenia st
Los Angeles, CA 90014
15116 parhtenia st
Los Angeles, CA 90014
The James Oviatt Building, commonly referred to as The Oviatt Building, is an Art Deco highrise in Downtown Los Angeles located at 617 S. Olive Street, half a block south of 6th St. and Pershing Square. In 1983, the Oviatt Building was listed in the National Register of Historic Places. It is also designated as a Los Angeles Historic-Cultural Monument.The building is named after James Zera Oviatt (born in Farmington, Utah in 1888) who, in 1909, came from Salt Lake City to Los Angeles to work as a window dresser at C.C. Desmond's Department Store. In 1912, Mr. Oviatt and a colleague, hat salesman Frank Baird Alexander, launched their partnership in men’s clothing as the Alexander & Oviatt haberdashery, at 209 West Fourth Street in downtown Los Angeles. Their 'silent partner' was Frank Shaver Allen, a prominent (and wealthy) architect whose career had been destroyed by a sex scandal several years earlier.During annual summer buying trips to Europe, James Oviatt found stylish clothing to bring back to his prospering Los Angeles store. With the emergence of French Art Deco in the 1920s, Mr. Oviatt found the architectural style that would embody the interior design of his 1928 James Oviatt Building and its penthouse.The Oviatt Building was designed by the Los Angeles architectural firm of Walker & Eisen. Excavation for the Oviatt Building's construction was begun in August 1927; the building was completed in May 1928. Its furnishings included a 12-ton illuminated glass cornice and glass arcade ceiling by architect Ferdinand Chanut and glassmaker Gaëtan Jeannin. René Lalique designed and created the molded glass elevator door panels, front and side doors, chandeliers, and a large panel clock. Many tons of 'Napoleon' marble and a massive, three-faced tower clock with chimes (manufactured by the pioneering electric clockmaker, Ateliers Brillié Frères ) were imported from France.
The Title Guarantee and Trust Company Building is an Art Deco style highrise building on Pershing Square in Downtown Los Angeles. Built in 1930, on the site of the California Club building. The building was designed by The Parkinsons who also designed many Los Angeles landmarks, including Los Angeles City Hall and Bullocks Wilshire. Originally an office building, the structure was later converted into lofts. In 1984, the building was listed in the National Register of Historic Places.Location shots of the building were featured in the CBS television drama series Lou Grant (TV series) (1977–82), in which it was purported to house the Los Angeles Tribune, the fictional newspaper around which the series was based.Vampire P.I., Mick St John purportedly lived and maintained his office on the top floor of the building in CBS' Vampire P.I. Drama, Moonlight (TV series) (2007-2008).
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Pershing Square is a public park in downtown Los Angeles, California, one square block in size, bounded by 5th Street to the north, 6th Street to the south, Hill Street to the east, and Olive Street to the west. It lies atop a large underground parking garage.History19th centuryIn the 1850s, the location was used as a camp by settlers from outside the Pueblo de Los Angeles, which lay to the northeast around the Our Lady Queen of the Angels' church, the Los Angeles Plaza, and present-day Olvera Street. Surveyors drew the site as 10 individual plots of land, but in practicality it was a single 5acre parcel. Canals distributing water from the Zanja Madre were adjacent. In 1866 the site was dedicated as a public square by Mayor Cristobal Aguilar; it was called La Plaza Abaja, or "The Lower Plaza." At some point the owner of a nearby beergarden, German immigrant George "Roundhouse" Lehman, planted small native Monterey cypress trees, fruit trees, and flowering shrubs in the park and maintained them until his death in 1882.In 1867, St. Vincent's College, present-day Loyola Marymount University, was situated across the street, and so the park informally became known as St. Vincent's Park. In 1870, it was officially named Los Angeles Park. In 1886 it was renamed 6th Street Park, and it redesigned with an "official park plan" by Frederick Eaton. In the early 1890s it was renamed Central Park. During this period a bandstand pavilion was added for concerts and orators. The plantings became sub-tropically lush, and the park became a shady oasis and an outdoor destination. In 1894 the park was used as the staging area for the annual crowning of the queen of 'La Fiesta de Los Angeles.
The James Oviatt Building, commonly referred to as The Oviatt Building, is an Art Deco highrise in Downtown Los Angeles located at 617 S. Olive Street, half a block south of 6th St. and Pershing Square. In 1983, the Oviatt Building was listed in the National Register of Historic Places. It is also designated as a Los Angeles Historic-Cultural Monument.The building is named after James Zera Oviatt (born in Farmington, Utah in 1888) who, in 1909, came from Salt Lake City to Los Angeles to work as a window dresser at C.C. Desmond's Department Store. In 1912, Mr. Oviatt and a colleague, hat salesman Frank Baird Alexander, launched their partnership in men’s clothing as the Alexander & Oviatt haberdashery, at 209 West Fourth Street in downtown Los Angeles. Their 'silent partner' was Frank Shaver Allen, a prominent (and wealthy) architect whose career had been destroyed by a sex scandal several years earlier.During annual summer buying trips to Europe, James Oviatt found stylish clothing to bring back to his prospering Los Angeles store. With the emergence of French Art Deco in the 1920s, Mr. Oviatt found the architectural style that would embody the interior design of his 1928 James Oviatt Building and its penthouse.The Oviatt Building was designed by the Los Angeles architectural firm of Walker & Eisen. Excavation for the Oviatt Building's construction was begun in August 1927; the building was completed in May 1928. Its furnishings included a 12-ton illuminated glass cornice and glass arcade ceiling by architect Ferdinand Chanut and glassmaker Gaëtan Jeannin. René Lalique designed and created the molded glass elevator door panels, front and side doors, chandeliers, and a large panel clock. Many tons of 'Napoleon' marble and a massive, three-faced tower clock with chimes (manufactured by the pioneering electric clockmaker, Ateliers Brillié Frères ) were imported from France.
Coptic Art Studio is devoted to Coptic Art, both old and new. It showcases work in Coptic iconography, painting, and glasswork/mosaics, as well as restoration activity. An elegant representation of the Coptic Orthodox Faith and heritage.
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