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The Museum of Modern Art is a place that fuels creativity, ignites minds, and provides inspiration. With extraordinary exhibitions and the world's finest collection of modern and contemporary art, MoMA is dedicated to the conversation between the past and the present, the established and the experimental. Our mission is helping you understand and enjoy the art of our time

Today, Japan Society has evolved into a world-class, multidisciplinary hub for global leaders, artists, scholars, educators, and English and Japanese-speaking audiences. At the Society, more than 100 events each year feature sophisticated, topically relevant presentations of Japanese art and culture and open, critical dialogue on issues of vital importance to the U.S., Japan and East Asia. Activities at Japan Society are set against a stunning backdrop of indoor gardens, a reflecting pool and a waterfall. Facilities include a 262-seat theater, art gallery, language center, library and conference rooms. Japan Society's landmark building—located near the United Nations on 47th Street and First Avenue—was designed by architect Junzo Yoshimura and opened in 1971 as the first building in New York City by a leading Japanese architect. The classic elegance and simplicity of Yoshimura's original vision has been preserved even as the building has been enhanced by a substantial renovation. Japan Society was founded on May 19, 1907 by a group of prominent New York business people and philanthropists, many of whom shaped the policies of exchange and collaboration that guided the Society until the outbreak of World War II. After the war, activities slowly resumed, and the stewardship of John D. Rockefeller 3rd from 1952 to 1978 led to a unified vision, a firm financial foundation, and a revitalized mission that continues to inspire and sustain the organization today.

Established in 1911 by Danish-American industrialist Niels Poulson and a group of other forward-thinking leaders from business and education, the American-Scandinavian Foundation (ASF) was the first international non-governmental society to have as its sole purpose the development of goodwill through educational and cultural exchange. It was designed to meet the needs of its time through fellowships, scholarly exchange, exhibitions, and publications. These programs have grown over the years, and along with the cultural programs at Scandinavia House: The Nordic Center in America, have provided a comprehensive platform for ongoing international exchange between the United States and the Nordic countries. This international work is at the heart of the Foundation’s mission. Each year, ASF awards over $800,000 in fellowships and grants to individual students, scholars, professionals, and artists for study and research in the United States and abroad. To date, some 30,000 Americans and Scandinavians have participated in these and other ASF programs of study, research, or practical training. In October 2000, ASF opened Scandinavia House as a showplace for Nordic culture and life. Since its founding, it has welcomed over 1.5 million visitors, who have come to enjoy exhibitions, performances, lectures, and more. Scandinavia House was financed by the generosity of more than 300 donors from the U.S. and abroad, including individuals, corporations, and foundations, as well as the Nordic governments and the Nordic Council of Ministers. Scandinavia House: The Nordic Center in America, the leading center for Nordic culture in the United States, offers a wide range of programs that illuminate the culture and vitality of Denmark, Finland, Iceland, Norway, and Sweden. Scandinavia House offerings include diverse exhibitions and film series, as well as concerts and other performances, readings, lectures, symposia, language courses, and children’s activities. Designed by the internationally renowned Polshek Partnership Architects (now Ennead Architects) and inaugurated in October 2000, Scandinavia House is the headquarters of the American-Scandinavian Foundation (ASF) and the site of ASF’s cultural and educational programming.

With its architectural landmark building in Midtown Manhattan the Austrian Cultural Forum New York is the cultural embassy of Austria in the United States. It hosts more than 200 free events annually and showcases Austrian contemporary art, music, literature, and academic thought in New York. The Austrian Cultural Forum enjoys long-standing and flourishing partnerships with many venerable cultural and academic institutions throughout New York and the United States.

New York - +212-888-0177 Jerusalem - +972-2-6244832 Tel Aviv - +972-3-5225111 Hilton Hotel, Tel Aviv - +972-3-5202091

Since its inception over twenty years ago, The Howard Greenberg Gallery has built a vast and ever-changing collection of some of the most important photographs in the media. Maintaining diverse and extensive holdings of photographic prints, the Gallery includes such masters as Berenice Abbott, Henri Cartier-Bresson, Andre Kertesz, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists. The Gallery's collection also acts as a living history of photography, offering genres and styles spanning from Pictorialism to Modernism, in addition to contemporary photography and images conceived for industry, advertising, and fashion. In addition to photographs, an exceptional range of photography books are available for sale.

JoJer Fine Art Framing is a concierge framing service provider, where we can do in home or office consultation for all of your framing needs. Design, pick up, frame, deliver and install are all a part of the JoJer experience. Call or email to schedule an appointment today. A unique picture framing company that offers personal design service in-home or office anywhere within the Tri-State area. We specialize in distinctive frame designs for your finest art or photography and personal service, including pick-up, delivery and installation. Art-fitting and installation service available at commercial rates for artists, private collectors, galleries and museums. Email to [email protected] or call 212-707-8440 between 10AM & 7PM to schedule an appointment.

Stuart Parr Collection is proud to present rare motorcycles and street bikes from its collection designed by engineering powerhouses such as Ducati, MV Agusta, Laverda and Magni. The twenty-six motorcycles in the exhibit are presented to the public for the first time, and according to Stuart Parr “these bikes represent an era when the greatest design and engineering talent took Italian motorcycles from the race track to the road”. During the 1970s, racing embedded the fabric of Italian culture, and the finest motorcycles of this era evolved from this racing heritage. The Stuart Parr Collection centers on some of the most significant classic Italian motorcycles of this era, in particular the MV Agusta four-cylinder. Few production motorcycles enjoy the legacy of the MV Agusta four, which has an engine virtually identical to those racing bikes who won 13 World Manufacturers’ Championships and took victories in 91 Grands Prix. The MV Agusta four’s legacy is unparalleled. The bikes on display are hand-built and forged by artisans, representing a bygone era of motorcycle design and limited production runs. The beauty in these motorcycles is in the myriad of details, wonderful aluminum castings and bespoke design. No two bikes are alike.

Marc Jancou Contemporary opened in November of 2007 in historic Great Jones Alley in downtown New York, and relocated at 24 West 57TH Street on March 2013. The gallery's primary focus is on emerging artists, having presented the first New York solo shows by Tim Berresheim, Ross Chisholm, Slawomir Elsner, Ry Rocklen, Stephanie Taylor, and Jacques Louis Vidal. The inaugural exhibition in 2007 featured a new body of work by quintessential Los Angeles artist Larry Johnson, which was the artist's first exhibition in six years and led to a retrospective at The Hammer Museum of Contemporary Art, Los Angeles in 2009. In addition to the gallery program, Marc Jancou initiated an ongoing series of exhibitions that take place in various international locations. In 2008, the exhibition In Geneva No One Can Hear Your Scream opened at BFAS Blondeau Fine Art Services, Geneva. The next exhibition in the series, Rive Gauche Rive Droite, opened in 2010 and was held in six unique locations across Paris including the famed taxidermist Deyrolle and the showroom of Azzedine Alaia. This ambitious exhibition presented over 100 works by 27 international artists. The next exhibition in the series will be held in 2012 in a location yet to be announced. Prior to opening Marc Jancou Contemporary, Marc Jancou founded a number of galleries including London Projects, London (1996); Galerie Marc Jancou, Zurich (1993); and Bonakdar Jancou, New York (1998). Through these galleries, Marc Jancou participated in FIAC, Art Basel, and the Armory, and curated exhibitions of Miroslaw Balka, Chris Burden, Carroll Dunham, Olafur Eliasson, Ernesto Neto, Karen Kilimnik, Martin Kippenberger, Michael Krebber, Raymond Pettibon, Sean Landers, Cindy Sherman, Hiroshi Sugimoto, Thomas Scheibitz, and Jeffrey Vallance among others. From 2006 to 2007, Marc Jancou hosted a residency program in St. Barth called Me.Di.Um, which included 25 residencies by emerging artists. Recent gallery publications include Rive Gauche / Rive Droite (JRP Ringier, Zurich, 2010); In Geneva No One Can Hear You Scream (JRP Ringier, Zurich, 2008); Faces and Figures (Revisited) (Gavilles&Rust); Justin Lieberman ((JRP Ringier, Zurich, 2009); Michael Cline (JRP Ringier, Zurich, 2010); and David Noonan, Scenes (JRP Ringier, Zurich 2009). In 1996 Marc Jancou & London Projects published an anthology of selected writings by John Coplans, which was edited by Stuart Morgan.

Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland. In 1980, after moving to New York, he founded Peter Blum Edition, where he was among the first print publishers to work with a new generation of European and American artists. Peter Blum Edition has since published important editions by John Baldessari, Louise Bourgeois, Tacita Dean, Eric Fischl, Alfredo Jaar, Alex Katz, Barbara Kruger, Sherrie Levine, Brice Marden, Josef-Felix Müller, James Turrell, and Luc Tuymans, among many others. In 1984, Blum co-founded PARKETT magazine, working directly with international artists and critics to create an engaging forum for contemporary art. From 1993-2012, he opened Peter Blum Gallery at 99 Wooster Street, New York. Over the years this space has hosted important exhibitions- both of recent works and also historical surveys- featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson. In 2006, Peter Blum opened an additional 3,000 square foot exhibition space in the Chelsea neighborhood of New York, located at 526 West 29 Street. Exhibitions at Peter Blum Chelsea have included works by John Beech, Rosy Keyser, Esther Klas, Chris Marker, Adrian Paci, David Reed, Su-Mei Tse, SUPERFLEX, Robert Zandvliet and John Zurier, among others. Seven years later, in 2013, Peter Blum moved his gallery out of the Chelsea neighborhood and into the Midtown area of New York, located at 20 West 57th Street. The Peter Blum Edition Archive (1980-1994) was the subject of the exhibition Singular Multiples at the Museum of Fine Arts, Houston in 2006, the largest exhibition ever in North America devoted entirely to printmaking. In 2007, a selection of the Peter Blum Edition portfolios formed the exhibition Scenes and Sequences at the Aargauer Kunsthaus in Aarau, Switzerland. As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutions.

MISSION POP Pop International Galleries strives to de-mystify the art buying experience. We aim to facilitate a uniquely fun art buying "event" that brings world class artists, in an ethically managed, easygoing and accessible environment, to collectors from around the globe. We seek to ensure that our art consultants are experienced, friendly, knowledgeable and well-trained, and that our service and support systems remain second to none. We acknowledge and affirm unwaveringly, that the ongoing relationships we have with our collectors and artists are the backbone of the company. We will attempt to take every step to make certain that our clients have nothing but a fulfilling experience acquiring art from us, and that the artists we show, are fiercely represented with integrity and professionalism. Pop International also pledges continued involvement in society at large, by participating in, supporting and sponsoring, meaningful community and charitable events. This is the philosophy for which we are known, which speaks to our core values, and upon which, we shall continue to build the Pop brand. WHO AND WHAT IS POP? Founded in 1997 by Jeff Jaffe, Pop International Galleries - aka "The Pop Gallery" - is an exciting art gallery organization which originally started on West Broadway in the heart of SoHo, in New York City. Pop International specializes in Pop Art, Urban Art and art and photography that is derived from, or influenced by, popular culture. Pop International fills a much needed niche in New York, as it is the only gallery organization in the city with this special, fun and important focus. The diversity and depth of Pop's inventory makes it a great springboard for younger people to begin collecting, while serving as a dynamic source for more seasoned and experienced collectors. While the The Pop Gallery has grown into a thriving business since its inception, Jeff firmly believes that a strong educational component is vital to the nurturing of all types of collectors. Events at the gallery often include guest lectures and discussions, screenings and slide shows as well as charitable tie-ins, making Pop International Galleries very much a part of the community at large. Pop International Galleries has fast become the preeminent center to make collecting art available and accessible to all types of collectors in a young, fun-filled, energetic environment.

Founded in 1941 by an elite association of diamond and jewelry industry leaders, NYC Diamond District is regarded as the premiere destination for all things diamond, gemstone and jewelry. We are located in the very heart of midtown Manhattan, on the corner of 5th ave and 47th. Through our extensive network - we have access to the largest selection of some of the finest, most coveted jewelry in the world. As the authority and go-to resource for the highest quality stones and the finest precious metals, we have personally hand-picked a selection of the best that money can buy. Our history can be traced back to the very beginning. In partnership with the city of New York, we obtained a location where the industry could thrive. It is this prime location of 47th street that was considered an ideal place to do business. It became the center of the jewelry industry as we know it today. With the high volume of transactions it allows 90 percent of the US diamond supply to pass through the hands of our jewelers. We are now considered by many - the world's leading center of jewelry commerce. Here you will find the most exquisite jewelry and gemstones, with unsurpassed service.

Nintendo World Store es la tienda especializada en videojuegos de Nintendo Company Limited. Situada en Rockefeller Center, 10 Rockefeller Plaza en la ciudad de Nueva York. De dos pisos y 10.000 metros cuadrados, se inauguró el 14 de mayo de 2005.La tienda vende una amplia variedad de mercancías y videojuegos de Nintendo, incluyendo vestimenta, hardware, y accesorios que son exclusivos de la tienda, como por ejemplo peluches japoneses del personaje Mario y guías especiales para juegos, como GoldenEye 007 y Super Mario Galaxy. La tienda incluye diversas secciones llamadas Wii U, Nintendo 3DS, y Pokémon Negro y Blanco 2, que sustituye el Centro Pokémon que originalmente se encontraba en el edificio, y ha sido movido a una subsección de la tienda. En la segunda planta de la tienda, hay quioscos con varios videojuegos para Wii en funcionamiento, permitiendo jugar a cualquier persona. Además, también hay secciones de Nintendo 3DS disponibles para jugar.Nintendo World Store organiza regularmente torneos con premio para los ganadores, demostraciones, y lanzamientos de nuevos juegos.El 25 de septiembre de 2005, el desarrollador Shigeru Miyamoto visitó Nintendo World Store para conmemorar el lanzamiento de Nintendogs y el 20º aniversario de Super Mario Bros.

The House of the New York City Bar Association, located at 42 West 44th Street in Manhattan, New York, is a New York City Landmark building that has housed the New York City Bar Association since its construction in 1896.HistoryAfter the New York City Bar Association was founded in 1870, it housed itself in a series of buildings in lower Manhattan. By the 1890s, membership of the Association had grown to the point where its leadership began looking for a new House farther uptown. On December 11, 1894 the membership approved the acquisition of a large site between West 43rd and West 44th Streets for the construction of a new, larger building. The street, already home to the Harvard Club of New York and the Century Association, was considered by the members “specially adapted to our purposes” because of the other prominent clubs and societies in its vicinity.Current buildingThe prominent architect Cyrus L.W. Eidlitz, son of the influential New York architect Leopold Eidlitz, was commissioned to design the building. Eidlitz had designed a number of landmark buildings throughout the country, including Dearborn Station in Chicago, Buffalo & Erie County Public Library, St. Peter’s Church in the Bronx, and Bell Laboratories Building in Manhattan.

The Rockefeller Center Christmas Tree is a large Christmas tree placed annually in Rockefeller Center, in Midtown Manhattan. The tree is erected in early to mid November and lit in late November or early December. In recent years, the lighting has been broadcast live, nationwide, on NBC's Christmas in Rockefeller Center show and scheduled for the Wednesday after Thanksgiving with the tree lighting ceremony held at the end of every broadcast. The tree, usually a Norway spruce 69to tall, has been put up every year since 1933. The 2015 Christmas Tree Lighting took place on December 2 and remained on display through January 6, 2016.Selection and decorationMany Rockefeller trees were donated to Rockefeller Center. The late David Murbach, Manager of the Gardens Division of Rockefeller Center, scouted in a helicopter for the desired tree in areas including Connecticut, New Jersey, upstate New York, Ohio, Pennsylvania, Vermont, and even Ottawa, Canada. The trees are now scouted by the Head Gardener at Rockefeller Center, Erik Pauzé. Once a suitable tree is located, a crane supports it while it is cut and moves it to a custom telescoping trailer that can transport trees up to tall, although the width of New York City streets passing through Rockefeller Center limits the height of the trees to. Local, family-owned business, Christmas Tree Brooklyn provides logistics support for delivering the tree safely into the city.

A Árvore de Natal do Rockefeller Center ou The Rockefeller Center Christmas Tree é uma grande árvore de Natal colocada anualmente no Rockefeller Center, em Midtown Manhattan, em Nova York. A árvore é montada e iluminada no final de novembro ou início de dezembro. Nos últimos anos, o dia da iluminação foi transmitido como um grande evento de Natal ao vivo para todo os Estados Unidos pela rede de TV NBC, acontecendo costumeiramente na quarta-feira seguinte ao feriado do Dia de Ação de Graças. A árvore, normalmente uma conífera abeto vermelho da Noruega que mede entre 21 a 30 metros, é colocada no mesmo local todos os anos desde 1933. Em 2013, a árvore foi iluminada no dia 4 de dezembro.Seleção de decoraçãoMuitas das árvores do Rockefeller foram dadas ao Rockefeller Center por doadores. O falecido David Murbach, que foi um dos gerentes do Rockefeller Center, usava um helicóptero para observar as árvores que pudessem ser usadas de diversos locais, tais como Connecticut, Vermont, Ohio, Nova York, New Jersey, e até Ottawa, no Canadá. Atualmente as árvores são observadas por Erik Pauze. Quando uma árvore é escolhida, um guindaste a segura enquanto ela é cortada, em seguida ela é transportada por um veículo capaz de levar árvores com alturas de até 38 metros, embora o limite para andar pelas ruas de Manhattan seja de no máximo 34 metros.

270 Park Avenue, also known as the JPMorgan Chase Tower and formerly the Union Carbide Building, is a skyscraper in Midtown Manhattan, New York City, designed by Natalie de Blois for Skidmore, Owings & Merrill.Built in 1961 in the space formerly occupied by the 12-story, stone-faced Renaissance Revival Hotel Marguery built in 1917, it served as the headquarters for Union Carbide until the company moved to Danbury, Connecticut in 1983. It is currently the world headquarters for JPMorgan Chase. The building is 707ft tall and contains 52 floors. The building is currently undergoing a full renovation in order to achieve a LEED Platinum certification.It was used in exterior shots as the headquarters for the "World Wide Wicket Company" in the movie How to Succeed in Business Without Really Trying.

The MetLife Building is a 59-story skyscraper at 200 Park Avenue at East 45th Street above Grand Central Terminal in Midtown Manhattan, New York City. Built in 1960–63 as the Pan Am Building, the then-headquarters of Pan American World Airways, it was designed by Emery Roth & Sons, Pietro Belluschi and Walter Gropius in the International style. The world's largest commercial office space by square footage at its opening, it remains one of the hundred tallest buildings in the United States.HistoryIn September 1960, Pan Am founder Juan Trippe signed a 25-year, $115,500,000 lease with the building's developer, Erwin Wolfson, allowing the airline to occupy 613000sqft, or about 15 floors, plus a new main ticket office at 45th Street and Vanderbilt Avenue.When it opened on March 7, 1963, the Pan Am Building (as it was known at the time) was the largest commercial office space in the world by square footage. It was initially an unpopular sight due to its lack of proportion and huge scale—it dwarfed the New York Central Building to the north and Grand Central Terminal to the south. The building was surpassed in size by the World Trade Center in 1970–71 as well as 55 Water Street in 1972.

New York Public Library and Bryant Park is a conjunction of the New York Public Library Main Branch and the adjacent Bryant Park.HistoryAfter serving as a battle ground during the Revolutionary War and a burial site when Washington Square was overrun by victims of yellow fever, it became the site of the Croton Distributing Reservoir.National Register ReferenceThis conjunction was listed on the National Register of Historic Places (NRHP) in 1966. Its listing on the NRHP is distinct from the "New York Public Library" on the same day, which covered just the main branch building. The NRHP reference number of the other listing is 66000546.

The Campbell Apartment is a public bar and cocktail lounge—currently closed due to a change in management—located in Grand Central Terminal in New York City. The space was once the office of American financier John W. Campbell, a member of the New York Central Railroad's board of directors. Later used for office space, as a studio by CBS Radio and as a jail by Metro-North Railroad, the space was restored to its original opulence following renovations totaling nearly $2 million in 1999 and 2007.Located in the southwestern corner of the Grand Central Terminal building — above the corner of 42nd Street and Vanderbilt Avenue — the space is reached by a staircase from the Balcony Level. It was first leased in 1923 by John Campbell from William Kissam Vanderbilt II, whose family built the Terminal. The 3500sqft space was a single room 60ft long by 30ft wide with a 25ft ceiling and an enormous faux fireplace in which Campbell kept a steel safe. At that time, it was the largest ground floor space in Manhattan. Campbell commissioned Augustus N. Allen, an architect known for designing estates on Long Island and town houses in Manhattan, to build an opulent office, transforming the room into a 13th-century Florentine palace with a hand-painted plaster of paris ceiling and leaded windows. Its mahogany balcony with a quatrefoil design that still exists today. The Persian carpet that took up the entire floor was said to have cost $300,000, or roughly $3.5 million today. Campbell added a piano and pipe organ, and at night turned his office into a reception hall, entertaining 50 or 60 friends who came to hear famous musicians play private recitals. He had a butler named Stackhouse.

277 Park Avenue is an office building in the Midtown Manhattan neighborhood of New York City. It stands on the east side of Park Avenue between 47th and 48th Streets; it is 687ft tall, with 50 floors.The building currently houses parts of JPMorgan Chase's Investment Bank, Commercial Bank, and other corporate functions. JP Morgan's takeover of Bear Stearns in 2008 resulted in most investment banking employees moving to 383 Madison Avenue to reduce the leased real estate footprint in Midtown. 277 Park Avenue remains under the ownership of the family-owned Stahl Organization, the building's original developer.Previous tenants have included Penthouse Magazine, Schlumberger, Donaldson, Lufkin & Jenrette, and Chemical Bank (Predecessor to today's JPMorgan Chase). The office building opened on July 13, 1964.An apartment building designed by McKim, Mead, and White previously occupied the site. One tenant of that building was the presidential campaign of John F. Kennedy.TenantsAcademy SecuritiesAustralia and New Zealand Banking GroupCassidy TurleyCozen O’ConnorThe HartfordJPMorgan ChaseContinental Grain CompanyMHP Real Estate ServicesAgricultural Bank of ChinaBank of India, US OperationsRaymond James & Associates

The Bank of America Tower at One Bryant Park is a 1,200ft skyscraper in the Midtown area of Manhattan in New York City. It is located on Sixth Avenue, between 42nd and 43rd Streets, opposite Bryant Park.The 1 billion project was designed by COOKFOX Architects, and advertised to be one of the most efficient and ecologically friendly buildings in the world. It is the fourth tallest building in New York City, after One World Trade Center, 432 Park Avenue, and the Empire State Building, and the sixth tallest building in the United States. Construction was completed in 2009.The building's Urban Garden Room at 43rd Street and 6th Avenue is open to the public.DetailsThe tower's architectural spire is 255.5ft tall and was placed on December 15, 2007. The building is 55 stories high and contains 2100000sqft of office space, three escalators and a total of 52 elevators manufactured by Schindler Group – 50 to serve the offices and two leading to the New York City Subway's mezzanine below ground, for the 42nd Street – Bryant Park / Fifth Avenue station.

1221 Avenue of the Americas, is a skyscraper built in 1969, located at 1221 Sixth Avenue, in Manhattan, New York City, and is one of several buildings that were part of the Rockefeller Center complex expansion in the 1960s. It is 674ft high and 51 stories. The building is the former headquarters of McGraw-Hill Financial, from which it derived its former name. Other tenants include Sirius XM Radio, whose headquarters and broadcast facility are in the building.The expansion consisted of the three buildings collectively known as the "XYZ Buildings," each with similar slab-like massing, of different heights and designed by Wallace Harrison's firm.The sunken courtyard of this building contains a large metal triangle designed by Athelstan Spilhaus and fabricated by Tyler Elevator Products, arranged so the Sun aligns with its sides at solstices and equinoxes. When built, the southwestern corner held a display of scale models of planets in the Solar System. A mosaic map of the Earth survives in the northwestern corner.1999 elevator incidentAfter entering an express elevator at approximately 11:00 p.m. (EDT) on October 15, 1999, Nicholas White, an employee of the building, became trapped after a brief power dip caused the elevator to stop between the 13th and 14th floors. Though he signaled an alarm and there was surveillance video being inside the elevator cab, White was not rescued until approximately 4:00 p.m. on October 17, nearly 41 hours later, after security guards spotted him in the surveillance cameras

Bush Tower, also called the Bush Terminal International Exhibit Building is a historic thirty-story skyscraper located just east of Times Square at 130-132 West 42nd Street between Broadway and Sixth Avenue in Midtown Manhattan, New York City. It was built in 1916–18 for Irving T. Bush's Bush Terminal Company, owners of Bush Terminal in Sunset Park, Brooklyn. Bush Tower's unique original purpose as commercial display space and social space, its notable design that combined narrowness, height, and Neo-Gothic architecture, and its role in the evolution of Times Square and of New York skyscrapers after the 1916 Zoning Resolution all qualify it as an exceptional structure.ConceptUnder Irving T. Bush (who has no relation to the Bush political family) the Bush Terminal Co. created Bush Tower to bring buyers, manufacturers, and designers together. As such, the company promoted a "vast centralized marketplace under one roof where complete lines of goods can be examined without loss of time".The tower's lowest three floors were planned for the comfort and convenience of buyers visiting New York. These floors were modeled after a traditional large metropolitan private club and housed the newly created International Buyers Club, which contained "that mysterious element called 'atmosphere' and 'social standing'", yet representatives of any "reputable" firm could join for free. The company wrote these floors were also designed to be "welcoming of women members".

666 Fifth Avenue is a 41-story office building on Fifth Avenue between 52nd and 53rd Streets in Midtown Manhattan, New York City.Ownership and historyThe Tishman family via Tishman Realty and Construction built the 1500000sqft tower in 1957. It was designed by Carson & Lundin and the building was called the Tishman Building. One of its most famous exterior features was the prominent 666 address emblazoned on the top of the building. The other distinctive exterior features are embossed aluminum panels. The original design included lobby sculptures by Isamu Noguchi including the "Landscape of the Cloud" which consists of sinuously cut thin railings in the ceiling to create a cloud effect. The cloud is also carried into a ceiling to floor waterfall. The penthouse was occupied by the Top of the Six's restaurant, operated by Stouffer's. For many years the building had a distinctive feature of a T-shaped atrium walk-through open to the sidewalks on 52nd Street, 53rd Street and Fifth Avenue with glass storefronts inside the walk-through. This included a bookstore and another area used for years by Alitalia Airlines. The entrance to 666 Fifth Avenue was inside this walk-through.

Jeffrey Richards Associates is one of the leading Broadway entertainment production offices, known for presenting distinguished plays and musicals that shape the profile of Broadway. Encompassing production, press, and marketing offices, our productions have included: American Psycho The Musical, Fiddler on the Roof China Doll, Sylvia, Wolf Hall Parts 1 & 2, The Heidi Chronicles, You Can’t Take It With You, Lady Day at Emerson’s Bar & Grill, The Realistic Joneses, The Bridges of Madison County, All the Way, The Glass Menagerie, The Anarchist, Glengarry Glen Ross, Edward Albee’s Who’s Afraid of Virginia Woolf, Gore Vidal’s The Best Man, The Gershwins’ Porgy and Bess, Bonnie & Clyde, Chinglish, The Merchant of Venice, Bloody Bloody Andrew Jackson, Race, Hair, Blithe Spirit, You’re Welcome America: A Final Night With George W. Bush, Speed-the-Plow, November, The Homecoming, August: Osage County, Talk Radio, Spring Awakening, The Pajama Game, Enchanted April, A Thousand Clowns. Jeffrey Richards Associates does not accept unsolicited materials.

The Racquet and Tennis Club is a private social club and athletic club located at 370 Park Avenue, between East 52nd and 53rd Streets, New York, New York.BuildingDesigned by Charles Follen McKim of the former firm McKim, Mead, and White in an integrated Italian Renaissance style, the Racquet and Tennis Club building is representative of the ornate private clubs constructed in New York during the early twentieth century. Today it performs an important architectural role on Park Avenue as a foil to the Seagram Building and the Lever House and other corporate structures in the glass-clad vocabulary of International Modernism.Construction began on December 20, 1916, and was completed on September 7, 1918. The builder was Mark Edlitz, and the estimated cost was $400,000. The building is about 200 feet by 100 feet (30 m x 60 m) and five stories tall. The exterior is stone and brick over a structural steel frame. According to the original plans, the interior contained three dining rooms, a billiard room, library, lounge, gymnasium, four squash courts, two court tennis (real tennis) courts, and two racquets courts. Today, there are four International squash courts, one North American doubles squash court, one racquets court, and the two court (real) tennis courts.

Broadway theatre, commonly known as Broadway, refers to the theatrical performances presented in the 40 professional theatres with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world.The Theater District is a popular tourist attraction in New York City. According to The Broadway League, for the 2015 – 2016 season (which ended May 22, 2016), total attendance was 13,317,980 and Broadway shows had US$1,373,253,725 in grosses, with attendance up 1.6%, grosses up 0.6%, and playing weeks up 1.4%.The great majority of Broadway shows are musicals. Historian Martin Shefter argues, "'Broadway musicals,' culminating in the productions of Richard Rodgers and Oscar Hammerstein, became enormously influential forms of American popular culture" and helped make New York City the cultural capital of the nation.