New Museum, New York NY | Nearby Businesses

• Art Museum

235 Bowery
New York, NY 10002
(212) 219-1222

The Rubin Museum of Art is an arts oasis and cultural hub in New York City’s vibrant Chelsea neighborhood that inspires visitors to make powerful connections between contemporary life and the art and ideas of the Himalayas, India, and neighboring regions. With a diverse array of thought-provoking exhibitions and programs—including films, concerts, and on-stage conversations—the Rubin provides immersive experiences that encourage personal discoveries and spark new ways of seeing the world. Emphasizing cross-cultural connections, the Rubin is a space to contemplate the big questions that extend across history and span human cultures.

At CMA, we give all children and families access to the creative tools that promote self-expression and esteem through the visual and performing arts. We honor the artist in every child through hands-on art programs taught by trained, working artists; through our on-going collection and exhibition of children's art; and through partnerships with diverse community organizations that celebrate life and the arts in New York City. In the Fall of 2011 CMA relocated to 103 Charlton which is three times the size of their old space at 182 Lafayette street. To learn more about a day CMA, visit our website: http://www.cmany.org/visit-us/a-day-at-cma/. CMA's new space allows thousands more children to have access to our programs each year. To learn more or to give to the capital campaign, visit http://cmany.org/campaign

Follow us on twitter: twitter.com/mocanyc Check out our programs: http://www.youtube.com/mocanyc Follow us on tumblr: chineseinamerica.tumblr.com Follow us on Instagram! @mocanyc

Museum Programs · 6-8 major exhibitions annually · Collection of over 20,000 art objects · Artist and curator talks, lectures, panel discussions · Film screenings, play and poetry readings · Tours · Research library · Membership Program · The ARCHIVE, a quarterly arts journal · Wooster St. Window Gallery (on view street level 24/7) · Prince St. Project Space (127-B Prince St.) workshops and short exhibitions

The Drawing Center Gallery Hours: Wed-Sun, 12-6pm; Thurs, 12-8pm. Tickets are $5 adults, $3 student and seniors, children under 12 are free.

The Ukrainian Museum is the largest museum in the U.S. committed to acquiring, preserving, exhibiting, and interpreting articles of artistic or historic significance to the rich cultural heritage of Ukrainians. At its founding in 1976 by the Ukrainian National Women's League of America, the Museum was hailed as one of the finest achievements of the Ukrainian American community. Today, its unparalleled array of folk art, exceptional collection of fine art, and extensive compendium of archival materials make it one of the most unique and dynamic museums in New York City, with broad appeal for diverse audiences. Each year, the Museum organizes several exhibitions, publishes accompanying bilingual catalogues, and conducts a wide range of public programming, frequently in collaboration with other museums, educational institutions, and cultural centers.

The Center for Italian Modern Art (CIMA) was established in 2013 as an exhibition and research center to bridge the cultural gap between Italy and the United States in the narratives of 20th century art and culture. Through annual exhibitions, multiple art historical fellowships awarded each year to international doctoral candidates, and a vast calendar of public initiatives, CIMA provides opportunities for the public and scholars alike to explore Italian masterpieces and consider the legacy and ongoing impact of this work on contemporary art and culture. Each year CIMA presents an installation in its SoHo loft dedicated to work rarely seen outside of Italy. The 2016-17 exhibition season focuses on Giorgio de Chirico, founder of Metaphysical art, and conceptual artist Giulio Paolini. For further information and the full calendar of programs: www.italianmodernart.org

In 2005, the organization began facilitating public access to the studios of Sylvia Wald and Po Kim and to their art works. The organization's programs incorporate the working studios and the roof top garden of Sylvia Wald and Po Kim, also part of the gallery’s 417 Lafayette Street location. By working together with national and international artists and institutions, the organization aims to provide a catalyst for deeper intercultural dialogue between the diverse community of New York and the artistic communities of the world.

follow us on twitter @ifacarts The International Fine Arts Consortium is an independent curatorial platform founded by Lee Wells in 1996. A Duchampian extension of his art practice IFAC is a semi-nomadic project space functioning in the real and virtual worlds through a broad based international network of artists, curators, advisers, collectors, entrepreneurs and technology experts that seek to expand the dialogue in the arts and the avant garde. IFAC has globally exhibited the works of 1000's of emerging and established artists in 100's of exhibitions, screenings, performances and events. Some prestegious institutions and festivals include the Venice Biennale, Guggenheim Museum, NCCA Moscow, Mykonos Biennale, Museum of Fine Arts Boston, PS1/MoMA, The Hermatage Museum, Arlington National Cemetary, Liverpool Biennale, Lincoln Center, and Museum of Contemporary Art Chicago. IFAC projects have also been featured in more than 30 international art fairs including: Art Basel Miami Beach, The Armory Show, Art Cologne, Art Chicago, Scope Art Shows, Volta, Pulse, Palm Beach Contemporary, Art Miami, Art Hamptons, New York Print Fair, Art of the 20th Century, Circa Puerto Rico. Core projects include: Perpetual Art Machine, Peanut Underground, Artists Meeting Arts Collective, Loft In The Red Zone. Lee Wells - Founding Director Wells is a conceptual artist, curator, writer and technology consultant living and working in New York since 2000. He has presented his work internationally, including the 51st Venice Biennale, The Guggenheim Museum, NCCA Moscow, PS1/MoMA, and the 1st Mykonos Biennale. His projects and exhibitions have been reviewed in publications including The New York Times, The NY Observer, The Art Newspaper, Rolling Stone, and Art in America. Wells has lectured on art, technology, and contemporary society at many universities and art schools including: Columbia University, Princeton University, New York University, Carnegie Mellon University, School of Visual Arts, Museum of Fine Arts Boston, University of Georgia, Moscow School of Photography, and others. Through IFAC, Wells was special projects curator for Scope Art Fairs from 2005-2010, a co-founder Peanut Underground Art Projects New York and co-creator of the video art archive Perpetual Art Machine.

STUDIO D'ARTE GR Established almost 40 years ago in the late 1970s, Studio d’Arte GR quickly focused its activity on the promotion and valorization of postwar avante-garde artwork of clear Latin matrix, favoring those artists who had created a special, personal propulsion and thrust during the triumph and eclipse of “Informale”. In the 1980s, Studio d’Arte GR became intent upon relaunching certain aspects of Abstractionism of the 1950s and 1960s which in Europe and especially Italy had been compared to American Abstract Expressionism, interesting itself in the works of artists such as Afro, Alberto Burri, Giuseppe Santomaso and Emilio Vedova. Studio d’Arte GR then promoted and underscored the season of Spatialism – the real conclusion of the trajectory of “Informale” – with the diffusion of masters of relevance like Edmondo Bacci, Marco De Luigi, Lucio Fontana, Riccardo Licata and Tancredi. In the 1990s, Studio d’Arte began dedicating great energy and insight to the rediscovery and relaunching of the last true avante-garde movements of Kinetic, Programmed, and Optical art, establishing direct, often exclusive relationships and dealings with artists such as Getulio Alviani, Alberto Biasi, Gianni Colombo, Carlos Cruz Diez, Julio Le Parc, Francois Morrelet, Horacio Garcia Rossi, Francisco Sobrino and Victor Vasarely. Often carried forward in profound solitude, at most with a small number of faithful friends, this project was ahead of its time in advancing artists who had been almost completely forgotten but whose work has since been enthusiastically recognized by both critics and the market in the new millenium. All this was possible thanks to the ongoing collaboration of Professor Giovanni Granzotto, a founding partner of the Studio and more importantly, one of the most expert and passionate supporters of postwar Latin art. Today, Studio d’Arte GR alternates its activity with the discovery and promotion of young talent that challenges itself with the most varied of media, maintaining a dynamic attitude towards chromatic vibration and luministic inquiry. In addition to its business activity, Studio d’Arte GR has always engaged in dynamic, purely cultural endeavors at regular intervals, organizing exhibitions and artistic reviews in prestigious museums such as GNAM in Rome, the Hermitage in St. Petersburg, MMOMA in Moscow, MACBA and Museo di Bellas Artes in Buenos Aires, and Palazzo Ducale in Venice. The staff of Studio d’Arte GR pride themselves on having organized and curated almost 300 public exhibitions. With this premise, New York GR Gallery has recently been born, a structure completely centered on the culture and market of the United States. Formed by a mix of both young and expert personalities, New York GR Gallery is dedicated to distinguishing those movements and artists that the art world has finally acknowledged and now celebrates, but is also committed to promoting innovative talent and worth. Studio d’Arte GR has already demonstrated special expertise and intuitive flair for this in the last few decades, thus allowing us to foresee a great future in the world of contemporary art.

Artists Represented: Clytie Alexander William Bailey David Bates Jake Berthot Rackstraw Downes Greg Drasler Charles Garabedian Judy Glantzman Annette Lawrence John Lees Stanley Lewis Beverly McIver Gordon Moore Philip Pearlstein Mia Westerlund Roosen Alison Wilding

Founded in 1997 by Jeff Jaffe, Pop International Galleries - aka "The Pop Gallery" - is an exciting art gallery on The Bowery at the junction of Spring Street in New York City. Pop International specializes in Pop Art, Urban Art and art and photography that is derived from, or influenced by, popular culture. Pop International fills a much needed niche in New York, as it is the only street level gallery in the famous neighborhood with this special, fun and important focus. The diversity and depth of Pop's inventory makes it a great springboard for younger people to begin collecting, while serving as a dynamic source for more seasoned and experienced collectors. While the The Pop Gallery has grown into a thriving business since its inception, Jeff firmly believes that a strong educational component is vital to the nurturing of all types of collectors. Events at the gallery often include guest lectures and discussions, screenings and slide shows as well as charitable tie-ins, making Pop International Galleries very much a part of the community at large. Pop International Galleries has fast become the preeminent center to make collecting art available and accessible to all types of collectors in a young, fun-filled, energetic environment.

The gallery focuses on an international roster of artists who possess an inherent alternative edge and develop new methodologies and processes, encompassing everything from painting to digital media, from flat planes to multi-dimensional forms. Through carefully curated exhibitions, installations, and collaborations, gallery nine 5 breathes a new vitality into traditional ideas, reshaping and challenging conventional procedures in reinvigorating ways. By creating an atmosphere for intimate conversation, gallery nine 5 continues its commitment to provide accessibility, transparency, and quality, fostering relationships and pioneering innovative approaches. gallery nine 5 seeks to create and intensify ongoing participatory dialogues within the global art world. Participating in international fairs, working with private commissions and public installations, and encouraging the growth of culturally and aesthetically-diverse artists, drives the gallery towards a deeper mode of artistic understanding.

The Lodge Gallery, founded by Keith Schweitzer and Jason Patrick Voegele, is located at 131 Chrystie Street on Manhattan’s Lower East Side. It serves as both an art space and a gathering place for hearty discourse and experimentation.

K. is a new gallery taking over the P! storefront at 334 Broome Street. From March through August 2015, K. inhabits the renovated Lower East Side space. Collapsing the timeframe of the four-week gallery show with that of the four-day art fair, K. presents an accelerated schedule of two-week long exhibitions. Featuring artists Real Flow, Aaron Gemmill, Mathew Hale, Michal Helfman, Matthew Schrader, Anton Stankowski, Klaus Wittkugel, Wong Kit Yi, and others, the eight exhibitions of K. examine critical questions of economic systems and the production of value in a new context. Gallery architecture by Leong Leong functions as an open white cube for the condensed six month schedule of shows. A hybrid physical/virtual publication edited by Sarah Demeuse and Sarah Hromack accompanies the program until the conclusion of K..

Hionas Gallery is located in the center of the Lower East Side Art District at 124 Forsyth Street, between Broome and Delancey.

In the midst of dozens of art galleries in the Lower East Side in Manhattan, Red Royalty Gallery, situated at Delancey and Allen Street, is something very different. It is a salon-type contemporary art gallery, rooted back in the Art nouveau's eclectic philosophy and the tradition of totality and theatricality: wooden floors, decorated storefront windows, and high chandeliered ceilings. We are pushing for the timely transcension of the widely accepted white cube model for galleries, as we believe that this format has already played its role in the history of art, and is slowly becoming dysfunctional. We represent Princeton-based sculptor and painter Kremena Lefterova whose imaginative colorful porcelain and ceramic sculptures are influenced by the beauty and complexity of Cirque du Soleil's performances and the fantasy world of Hieronymus Bosch's dream-like illustrations. Kremena's paintings and illustrations bridge the gap between the academic essence of the Russian Classical School and the magical qualities of Scandinavian fairytales. Animated yet static, figurative yet allegorical, and classical yet contemporary, Kremena’s multifarious works are unlike anything else currently on the art market. Kremena also works with clients to create in situ sculptures, installations, or fine design solutions for their office, apartment, or house.