3 Park Avenue, 27th Floor
New York, NY 10016
Welcome to Bryant Park! We love to chat with our fans on Facebook. We’re available to field your comments and inquiries Monday-Friday from 9am-6pm. We’ll do our best to respond outside of these hours on weekends and holidays, but we may not get back to you as quickly as we’d like. If you have an immediate question, concern, or complaint please contact us via email or phone, and someone will respond during regular business hours. Keep in mind that while we encourage and welcome comments, we will not support comments that are racist, vulgar, or otherwise in poor taste. This is not a forum to complain about or attack people. We will delete abusive comments and will ban users who post such comments. We will also ban users and delete posts from those who use our page to promote their business and other non-park-related companies.
CO-CHAIRS Stephen Frailey & Jimmy Moffat FACULTY Vince Aletti / The New Yorker Alix Browne / W Magazine Bon Duke / Director, Photographer Rory Satran / i-D Magazine Lyle Rexer / Writer Ivan Shaw / Vogue Carol Squiers / ICP Ziggy Le Vin / Art + Commerce
Kargo is the leader in mobile brand advertising. Bringing together creativity, technology and quality, Kargo empowers advertisers to break convention and build connections with consumers on the most important screen today—the phone. Through our high-end editorial alliance composed of world-class publisher partners, as well as our proprietary advertising automation technology and award-winning creative studio, we enable brands and agencies to reach eight out of 10 smartphone users in the US with memorable, measurable mobile ad experiences. In 2015, Kargo was recognized by Crain's NY Business as one of the 50 fastest growing companies in New York and by Inc. as one of the 500 fastest growing companies in the US. Business Insider also ranked Kargo one of the “hottest pre-IPO ad tech startups” in both 2015 and 2016. Kargo employs more than 200 people in New York, Chicago, Dallas, San Francisco, Los Angeles and London.
We are experts in planning, developing, producing, distributing, marketing, and measuring Branded Entertainment programs such as (but not limited to) brand funded content, original entertainment, talent endorsements, events and sponsorships, and sports marketing across all relevant touchpoints. Visit our insights blog TWEED: www.ogilvyentertainmentblog.com Twitter: www.twitter.com/ogilvyent YouTube: www.youtube.com/ogilvyentertainment LinkedIn:
Pulsar Studio LLC is a New York-based graphic design and social media marketing firm specializing in the entertainment industry. www.pulsarstudio.com
We bring life, energy, and dimension to brands by blending traditional marketing with anthropology, sociology, the psychology of symbolism, and new forms of consumer research to create brands that thrive in an increasingly complex marketplace. You can also follow us on twitter @brandeffervesce
FedEx Office in New York, NY provides a one-stop shop for small businesses printing and shipping expertise and reliable customer service when and where you need it. Services include copying and digital printing, direct mail, signs and graphics, Internet access, computer rental, fax services, passport photos, FedEx Express and FedEx Ground shipping. Upload documents with FedEx Office Print Online, and have your flyers, brochures, presentations or signs ready for convenient pick-up or delivery. FedEx Kinko’s is now FedEx Office.
Big Foote Music + Sound was formed as an independent creative studio of musicians, composers, trained ears and sonic samurais. Purveyors of the finest ear candy since 1994.
Think of us as your all access pass to music. MAC Presents will handle the artist relationship and music industry so you can focus on what you do best….building your brand. We'll do just about anything for our clients but here are a couple of things we rock at: Endorsements and Tour Sponsorships We create one of kind artist/brand partnerships based on your brand objectives. We've done it all from media placement, film shoots, photography, public relations andsocial media to building mind blowing onsite customer engagement and activation centers. It has to be effective and it has to be real. Custom Event Creation and Management Working together, MAC Presents will find the perfect artist for your event. We'll implement a detailed plan of attack that addresses vendor and venue selection, stage design, venue décor, VIP ticketing, hospitality and more. Talent Booking and Production We appreciate the art of the deal, so we work directly with artist management to form partnerships that work for everyone. Once the deal is done we'll run the onsite management of your event, handling all technical aspects of show, from flipping on the lights to turning up the sound. Social Media These days you can never be too social. Every digital interaction with consumers must be authentic and real. It’s all about connecting, creating one-on–one conversations with your audience, and using their passions as portals into their souls totrigger action. At MAC we utilize the latest social media vehicles tocreate dynamic tactics that intensify the partnership experience.
Andrew McMahon* Ashley Monroe* Big Data* Butch Walker* Cobra Starship* Courtney Love* Fall Out Boy* Gym Class Heroes* Kiesza* LOLO* Matt Nathanson* MAX* New Politics* Panic! At The Disco* Sia * Striking Matches* Train* Travie McCoy* Wavves* Weezer* White Sea
SUPERETTE does specialized Brand Management in a savvy and industrious way. Only What You Need. Mad Decent Records Mad Decent Block Party Mad Decent Boat Party Justin Bieber Diplo Major Lazer Flosstradamus Dillon Francis Dirtybird Records Claude VonStroke J.Phlip Shiba San Kill Frenzy TJR Moda Di Vivere ModaJuice The Fat Jew Fat Jew Presents IRL Chloe Nørgaard OWSLA Skrillex Fool's Gold Records Jack Ü White Girl Wine Boyz Noize iLoveMakonnen PMWMFG Zedd S10 Training
We love building brands and creating eye catching campaigns that fit your needs. No project is too big or too small. We treat every project with care and our customers enjoy personalized service.
George Blagowidow founded the company in 1970, initially as a distribution firm called Optimum Book Marketing. In the following year the publishing side of the business came into being as Hippocrene Books. The name "Hippocrene" comes from Greek mythology and refers to the sacred fountain of the Muses that was the source of their inspiration. Hippocrene’s international focus derives from Mr. Blagowidow’s passion for travel and his personal history. Born in Poland of Russian parents, he survived the Nazi occupation and narrowly escaped from communist Europe in 1945. His linguistic brilliance and fluency in Polish, Russian, German, and English, among others, played no small part in his ability to avoid capture, as told in his memoir. After attending university in Antwerp, Belgium, he came to New York in 1951, where he earned master’s and doctorate degrees in business from New York University. Before starting his own publishing company, Mr. Blagowidow held executive positions at Doubleday, Macmillan, and Reader’s Digest. In addition to being a publisher, he was also an author, and wrote "The Last Train from Berlin" (Doubleday, 1977) and "In Search of the Lady Lion Tamer" (Harcourt Brace,1987). Mr. Blagowidow passed away in September 2014 at the age of 90, and is dearly missed.
Founded in 2010, Diversion Books has emerged as a premier indie publisher, partnering with top literary agencies, media companies, and authors to build a rapidly-growing catalog across a range of genres. With its cutting-edge marketing and versatility in the changing landscape, Diversion proudly publishes top-tier authors old and new, building the next-generation publishing company, one great book at a time. Are you a romance reader? Learn more about our romance eBook app, EverAfter Romance, at http://everafterromance.com/.
Encounter Books draws its name from Encounter magazine, an Anglo-American literary journal founded in 1953 by poet Stephen Spender and journalist Irving Kristol. Encounter was a liberal, anti-Soviet monthly dedicated to two things: “a love of liberty and a respect for that part of human endeavour that goes by the name of culture.” The magazine seemed to have come “out of nowhere”—with an immediate impact. Kingsley Amis, W. H. Auden, Isaiah Berlin, Albert Camus, Robert Conquest, Philip Larkin, Arthur Schlesinger, Jr., Lionel Trilling, Richard Wilbur, and Edmund Wilson—to name just a few—all wrote for Encounter. Evelyn Waugh and Nancy Mitford debated in its pages. Even Virginia Woolf appeared there, posthumously of course. Melvin J. Lasky, who succeeded Irving Kristol as editor in 1958, cultivated dissident writers from across the Soviet Bloc. Joseph Brodsky, Aleksandr Solzhenitsyn, Arthur Koestler, Leszek Kołakowski, and Václav Havel all made their mark in Encounter. For a time, it was probably the finest magazine going—on either side of the Atlantic. IN 1967, Ramparts, a San Francisco-based New Left magazine, published an exposé on the CIA’s infiltration of the National Student Association. As an aside, the piece implied that the CIA also supported The Congress for Cultural Freedom—Encounter’s parent foundation. It was true. Fearing that Soviet propaganda was winning over Europe’s intelligentsia, the CIA had secretly funded Encounter—and many other publications—to promote a classically liberal, anti-totalitarian standpoint in Europe. Although the revelation was a scandal in the intellectual world and several prominent writers defected, Encounter continued to publish through the end of the Cold War, not closing its doors until 1991. Did the Cultural Cold War have an impact? Former-Ramparts editor Peter Collier described the CIA’s involvement with Encounter as “part of a shadow boxing match of containment with the Soviets that allowed us to get through the most dangerous period of the Cold War without having to throw thermonuclear punches.” Franklin Foer called it “the best money that the CIA ever spent.” IN 1998, three decades after his magazine broke the CIA story, a more politically mature Peter Collier revived the Encounter name, founding Encounter Books on the maxim that the printed word can drive intelligent debate and influence the world in a positive way. Now edited by Roger Kimball, Encounter Books continues to advance its love of liberty and the cultural achievements of the West against a rising tide of collectivist sentiment and the soft totalitarianism of intellectual conformity.
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Gareth Stevens is one of the world’s most respected library and educational publishers. Our publishing program focuses on nonfiction titles carefully written and designed to align with current curriculum standards and objectives. Our mission is to lead children to a lifetime of learning. We do this through high-quality, high-interest books for every age group.
When we think of publishers, we imagine someone who produces books. Not so with Discovery Publisher. At Discovery Publisher we think beyond the title to produce not only beautiful books but also Apps, Kindle/Nook books, ebooks, and CDs/DVDs. At Discovery Publisher we do not want to develop preconceived products like a mainstream publisher, we do not solicit manuscripts in the traditional manner. That is, we do not want a ready-to-sell product. At Discovery Publisher we start creating from an idea. For our travel guides, language textbooks, and martial arts publications, Discovery Publisher materialized the seeds of a conversation and found a specific team to round out the stories. At Discovery Publisher, for each project’s unique needs, we round up a different group to help produce it. Discovery Publisher incorporates more than just writers, editors, and designers into the fold; it also enlists projects photographers, movie directors, storytellers, poets, and artists. Such flexibility lends Discovery Publisher’s projects uniqueness, a meritocratic aesthetic. And while the production teams change according to the project, the products retain that classic, beautiful and well-polished Discovery Publisher style. Discovery Publisher opened its doors in 2007 and has offices in the US, France, Hong Kong and Tokyo.
VINTAGE BOOKS Vintage Books was founded in 1954 by Alfred A. Knopf as a trade paperback home to its authors. Its publishing list includes a wide range, from the most influential works of world literature to cutting edge contemporary fiction and distinguished non-fiction. As the continuous publisher of important writers including William Faulkner, Vladimir Nabokov, Albert Camus, Ralph Ellison, Dashiell Hammett, William Styron, A.S. Byatt, Philip Roth, Toni Morrison, Ha Jin, Richard Ford, Cormac McCarthy, Alice Munro, Raymond Chandler, Orhan Pamuk, Dave Eggers, Robert Caro, Joseph Ellis, Haruki Murakami, and Gabriel Garcia Marquez it is today's foremost trade paperback publisher. ANCHOR BOOKS Founded in 1953 Anchor Books is the oldest trade paperback publisher in America. The goal was to make inexpensive editions of modern classics widely available to college students and the adult public. They succeeded admirably. Today, Anchor's list boasts award-winning history, science, women's studies, sociology, and quality fiction. Authors published by Anchor Books include Chinua Achebe, Ian McEwan, Alexander McCall Smith, Karen Armstrong, Jon Krakauer, Chuck Palahniuk, Mary Gordon, Dan Brown, and Margaret Atwood.