Audre Lorde Project, New York NY | Nearby Businesses

• Charity Organization
• Community Organization
• Non-Profit Organization

147 W 24th St, STE 3
New York, NY 10011
(212) 463-0342

Established in 1983, New York City’s Lesbian, Gay, Bisexual & Transgender Community Center empowers people to lead healthy, successful lives. The Center celebrates our diversity and advocates for justice and opportunity. Each year, The Center welcomes more than 300,000 visits to our building in the West Village neighborhood of Manhattan from people who engage in our life-changing and life-saving activities. We are proud to be your community Center. To learn more about our work, please visit gaycenter.org.

The Salvation Army Greater New York Division reaches out without discrimination to the homeless, the displaced, children and youth at risk, lonely seniors, the jobless, and the addicted.

Urban Stages is an award-winning, not-for-profit, Off-Broadway Theatre Company founded in 1984 by current Artistic Director Frances Hill. We have developed into a bigger and more diverse organization since our beginnings. Urban Stages reach thousands of New Yorkers every year in over 100 neighborhoods while also offering theatrical and performance art experiences like no other at our theater in Manhattan (259 West 30th Street). Development and MainStage For over 30 years, Urban Stages have produced dozens of world, American and NYC premieres including Pulitzer Prize Finalist BULRUSHER (2007) by Eisa Davis. We have been honored with awards, nominations and recognition from the Drama Desk, Obie Awards, Audelco, Outer Circle critics and much more. For instance, our world premiere of the musical LANGSTON IN HARLEM by Walter Marks (music and book) and Kent Gash (book and direction) garnered a Drama Desk Nomination, a Joe A. Calloway award and 4 Audelco awards including Best Musical Production of 2010. More recently, our 2014 spring premiere of JIM BROCHU CHARACTER MAN was nominated for a Drama Desk and Outer Theater Critic’s award for Best Solo performance. Many of the plays we produce are found through open submissions via our Development Program and Literary Committee. Before production, plays are offered staged readings (open to the public) where they can see their works handled by professional actors and directors and hear audience feedback. Some plays are offered workshops catered specifically to each project. After production, most plays move on to larger venues such MEN ON THE VERGE OF A HISPANIC BREAKDOWN, by Guillermo Reyes, and MINOR DEMONS by Bruce Graham; both moved to commercial theatres. CHILI QUEEN, a play by newscaster Jim Lehrer, transferred to the Kennedy Center in Washington, D.C. (1989). HONKY (2013) by Greg Kalleres saw a regional run at San Diego Rep. MY OCCASION OF SIN (2012) by Monica Bauers won critical acclaim when it moved to Detroit Rep. Bill Bowers has toured the United States and the world with his two Urban Stages premieres blending mime and theatre – BEYOND WORDS (2012) and UNDER A MONTANA MOON (2002)! Some Urban Stages premieres have even been developed into film and television projects such as SCAR by Murray Mednick, CONVERSATIONS WITH THE GODDESSES by Agapi Stassinopoulos, and COTTON MARY by Alexandra Viets. In addition to plays and musicals, annually we hold a music festival called WINTER RHYTHMS that features famous and up-and-coming Cabaret, musicians, lyricists and other music artists. In 2015, Winter Rhythms was celebrated by the Manhattan Association of Cabaret with a Ruth Kurtzman Benefit Series Award! Outreach For over 20 years, our OUTREACH PROGRAM has brought plays and workshops to all 5 boroughs of NYC in over 200 events a year. We have a repertoire of 20+ multi-cultural programs, ranging from plays that explore science, plays that spotlights historical figures and dance and mime workshops. Each show caters to specific age groups, from toddlers to families to Adult Learners. Many of the neighborhoods we reach (and return to multiple times) have little to no theatre and arts programming. Our programs travel mainly to libraries and non-profit organizations. They are all admission-free for patrons. For artists, our Outreach Program offers paid opportunities. We commission plays, pay royalties and fees allowing writers, directors, designers, actors and teaching artists to be working artists. Under the Outreach Umbrella are our art residencies. We are able to offer extended theater and art related residencies for weeks to months at a time to places like to senior citizens centers, community centers and schools. In the past, we offered programming to LGBTQ homeless centers, centers helping women reclaim their lives from incarceration and drug abuse and various non-profit agencies. Finally, annually we hold a Summer Theater Camp for children 10-14 years old. Professionals teach our campers about all aspects of theatre and the campers collaborate to put on a musical. We offer partial scholarships making our summer theater camp more accessible.

(RED) was created by Bono and Bobby Shriver in 2006 to engage millions of people in the greatest challenge of our time – the fight to end AIDS in Africa where 2/3 of the world’s estimated 37 million people with HIV/AIDS live. We work with the world’s most iconic brands and organizations to develop (RED)-branded products and services, that when purchased, trigger corporate giving to the Global Fund. These contributions are then invested in HIV/AIDS programs in Africa, with a focus on countries with high prevalence of mother-to-child transmission of HIV.

We build schools, support teachers and provide student scholarships that change lives. $25 educates a child and $25,000 builds a new school.

- Covenant House provided services to 67,621 youth in 2009. - Our Residential and Community Service Center programs cared for 31,107 young people. - 661,740 nights of shelter were provided. - Contacts were made with 36,154 youth on the street through outreach. - Covenant House U.S. NINELINE (1-800-999-9999) received 40,595 calls in 2009. - Acercatel Casa Alianza’s hotline in Mexico, received 11,056 calls in 2009. - 10,175 kids made 45,236 visits to our health clinics. - Covenant House placed 2,567 kids in jobs. - Covenant House placed 2,646 kids in job training programs. - Mother & Child programs throughout all Covenant House sites cared for 1,272 infants and toddlers. - 566 kids earned their GED or Promotion (Latin America) with Covenant House’s help.

Whether you’re a social entrepreneur with a breakthrough idea to address a stubborn, deeply-entrenched problem, a young person ready to build a career with impact, a conscious investor who wants to support innovative solutions, or simply someone who wants to make a difference by joining the social innovation movement, Echoing Green provides a springboard for realizing your contribution to solving the world’s biggest problems.

Fighting Discrimination against Gender Non-Conforming People: Focusing on People of Color and Poor People Transgender, transsexual, intersex and other gender non-conforming people face persistent and severe discrimination in employment, education, health care, social and legal services, criminal justice and many other realms. Simultaneously, all low-income people, and particularly those in communities of color, are suffering from the severe cutbacks to anti-poverty programs, increasing militarization of the police, and rising rates of incarceration. Low income people and people of color who experience gender identity discrimination are particularly vulnerable in this climate. Low-income people and people of color are overrepresented in systems such as prisons, group homes, shelters and detention facilities. Because so many of the systems are sex-segregated, many people face serious problems of inaccessibility, harassment or violence if their gender identity or expression does not conform to their birth sex. Many are turned away outright from essential services like homeless shelters, drug treatment or mental health services, while others experience discrimination or violence in these settings because of their gender identity or expression. Police harassment and violence, and mistreatment in juvenile and adult justice systems, are widespread in our communities. Furthermore, those who seek legal and social services to help get on their feet or fight for entitlements often encounter ignorance or discrimination at the door. The result is that transgender, transsexual, intersex and gender non-conforming people are disproportionately poor, homeless, and incarcerated, and are 7-10 times more likely to be a victim of murder. The Sylvia Rivera Law Project’s work seeks to address both the root causes and effects of discrimination and violence on the basis of gender identity and expression. The right to self determine gender identity and expression and be free from violence is only one facet of a multi-issue movement for justice and self-determination of al people. We believe that justice does not trickle down, and that those who face the most severe consequences of violence and discrimination should be the priority of movements against discrimination. Our agenda focuses on those in our community who face multiple vectors of state and institutional violence: people of color, incarcerated people, people with disabilities, people with HIV/AIDS, immigrants, homeless people, youth, and people trying to access public benefits. We work through a collective structure built on the idea that our work should be by and for our community, and should be focused on maximizing political voice and power while providing desperately needed services.

UNITE HERE boasts a diverse membership, comprising workers from many immigrant communities as well as high percentages of African-American, Latino, and Asian-American workers. The majority of UNITE HERE members are women. Through organizing, UNITE HERE members have made apparel jobs in the South, hotel housekeeping jobs in cities across North America, and hundreds of thousands of other traditionally low-wage jobs into good, family-sustaining, middle class jobs.

The International Alliance of Theatrical Stage Employees (full name: International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada) was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each others’ efforts to establish fair wages and working conditions for their members. Our union has since then evolved to embrace the development of new entertainment mediums, craft expansions, technological innovations, and geographic growth. Today, the IATSE is the largest union representing workers in the entertainment industry. Our members work in all forms of live theater, motion picture production, television production, television broadcasting, trade shows, exhibitions, and concerts, as well as the equipment and construction shops that support all these areas of the entertainment industry. We represent virtually all the behind-the-scenes workers in crafts ranging from motion picture animation to theater ushering. During a period when private sector union membership has been in sharp decline the IATSE has continued to flourish. Since 1993 our membership has increased from 74,344 to over 125,000 in 2016. This growth is attributable to our willingness to adapt our structure to protect our traditional jurisdiction and accommodate new crafts. But that alone is insufficient. The IATSE has maintained and enhanced its position in the vanguard of the entertainment industry through effective rank and file empowerment, political engagement, and our dedication to grass roots organizing. On both the International and local union levels, the motivating principle of the IATSE is to represent every worker employed in our crafts.

Established in 1971, the Shambhala Meditation Center of New York is part of an international community of urban meditation and rural retreat centers founded by Chögyam Trungpa Rinpoche and further developed by his son and lineage holder Sakyong Mipham Rinpoche. Our center, located in Manhattan’s Chelsea district, offers daily public meditation, a core curriculum of Buddhist and Shambhala teachings, as well as training in advanced contemplative practices. We invite you to explore our diverse programs designed to help New Yorkers of all traditions discover their inherent sanity, gentleness and humor.

The Asian American Writers’ Workshop is the preeminent national literary arts nonprofit dedicated to the belief that Asian American stories deserve to be told. We’ve garnered coverage from the Wall Street Journal, New York Times, Huffington Post, Associated Press, Atlantic, Slate and NPR. Invited to the White House, named one of the top Asian American groups nationally, we seek to invent the future of Asian American intellectual culture. Check us out at http://www.aaww.org. 1. WE CURATE UNFORGETTABLE ART EVENTS. We hold fifty events a year at our Chelsea space. They’re fresh, progressive, funny, interdisciplinary, and community-based. We have curated events with Salman Rushdie, Jhumpa Lahiri, Michael Ondaatje, Zadie Smith, Maxine Hong Kingston, Ha Jin, Das Racist, Eddie Huang, Tea Obreht, Junot Díaz, Roxane Gay, and other writers, activists, and scholars. 2. WE PUBLISH THE ONLINE MAGAZINES THE MARGINS AND OPEN CITY. The Margins magazine (aaww.org) seeks to invent the future of Asian American arts and ideas and imagine ethnic identity as counterculture, both aesthetically and politically. We have published Pulitzer Finalist Chang-rae Lee, National Book Award Finalist Jessica Hagedorn, and MacArthur Genius Vijay Iyer. Open City magazine (opencitymag.com) publishes stories about communities of color, those excluded from traditional power structures, and incubates the underprivileged writers who can write about them. Almost a third of a million readers have read our magazines. 3. WE INCUBATE EMERGING WRITERS OF COLOR. We give out grants to eight emerging Asian American writers a year. We hold open mics, writing workshops, and a big publishing conference. As Pulitzer Prize-winner Jhumpa Lahiri, arguably the most celebrated novelist in America, said at our 2009 PAGE TURNER literary festival: “I felt that AAWW was a secret door that opened and cared about and supported my work as a writer.”

The Sivananda Yoga Vedanta Center is a non-profit organization run by voluntary staff and dedicated to the aim of disseminating the knowledge of yoga. We have been in continuous operation at its present location on West 24th Street in New York since 1964 - and have been teaching in NY since 1959. We are part of a worldwide organization, the International Sivananda Yoga Vedanta Centres, founded by Swami Vishnu-devananda. A renowned authority on Hatha Yoga and Raja Yoga, Swami Vishnudevananda was sent to the west by his Master, Swami Sivananda to spread the ideals of Yoga and Vedanta with the words 'people are waiting.'