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Sony Wonder Technology Lab, New York NY | Nearby Businesses


550 Madison Ave
New York, NY 10022

(212) 833-8100

The Sony Wonder Technology Lab (SWTL) is a FREE four-story, interactive technology and entertainment museum for all ages. Located in mid-town Manhattan, SWTL inspires creativity in a high-quality, engaging and family friendly learning environment. Admission Due to the popularity of Sony Wonder Technology Lab, reservations are highly recommended for all visitors. Reservations guarantee admission and can only be booked a minimum of seven days and up to three months prior to your desired visitation day. We do not accept same day reservations. Visitors without reservations may obtain same day tickets for Sony Wonder Technology Lab, but please NOTE that there are only a certain number of tickets set aside for walk-up visitors each day. These tickets are distributed on a first come, first served basis beginning at 9:30 a.m., Tuesday through Saturday.

Museum Near Sony Wonder Technology Lab

Victorian Gardens Amusement Park
Distance: 0.4 mi Competitive Analysis
Wollman Rink at Central Park
New York, NY 10065

(212) 982-2229

World Trade Center 9/11 Memorial
Distance: 0.4 mi Competitive Analysis
World Trade Ctr
New York, NY 10019

NBC Studio Rockefeller Plaza
Distance: 0.4 mi Competitive Analysis
30 Rockefeller plaza
New York, NY 10112

(212) 664-4444

America's Got Talent At Radio City Music Hall
Distance: 0.3 mi Competitive Analysis
Radio City
New York, NY 10020

Rain Room at MoMA
Distance: 0.2 mi Competitive Analysis
105 W 54th St
New York, NY 10019

Robert restaurant at Museum of Art and Design
Distance: 0.6 mi Competitive Analysis
2 Columbus Circle
New York, NY 10019

(212) 299-7730

Moma Design Store
Distance: 0.2 mi Competitive Analysis
11 W 53rd St
New York, NY 10019-6106

(212) 767-1050

911 Memorial Freedom Towers
Distance: 0.4 mi Competitive Analysis
E 50th St
New York, NY 10022

Museum of American Illustration at the Society of Illustrators
Distance: 0.4 mi Competitive Analysis
128 E 63rd St
New York, NY 10065

(212) 838-2560

On February 1, 1901, nine artists and one businessman founded the Society of Illustrators with the following credo: “The object of the Society shall be to promote generally the art of illustration and to hold exhibitions from time to time.” This simple dictum has held true for over a century. At a time when illustration was in what has been called its Golden Age, the first monthly dinners were attended by prominent artists including Howard Pyle, Maxfield Parish, N.C. Wyeth, Charles Dana Gibson, Frederic Remington, James Montgomery Flagg, Howard Chandler Christy and special guests such as Mark Twain and Andrew Carnegie. Throughout its history, the Society’s members have been involved, either in service to, or, on occasion, in protest of American military activity. During World War I, as part of a public relations effort by the U.S. government, Charles Dana Gibson was called upon to assemble a group of artists who would create posters to generate support for the war. Gibson, who served as president and helped bring the Society to national prominence, was an ardent advocate of the cause. He enlisted Flagg, Wyeth, Joseph Pennell and others—artists who would produce some of the war’s most lasting imagery. In a time before widespread use of journalistic photography, eight Society members were commissioned by the army and sent to France to sketch impressions of war. Following the armistice, the Society operated the School for Disabled Soldiers. During and following the war, members continued to have exhibitions at prominent galleries in New York. Incorporated in the 1920s, the Society welcomed women to full membership, an anomaly to most social and professional organizations of the time. The Roaring Twenties and the decade of the Great Depression were the heyday of the Society’s Illustrators Shows (aka the Girlie Shows). Society members produced these popular entertainments—they wrote the theatrical skits and songs, created the sets, and were the actors, along with their models. Outside talent, such as the Cotton Club Band and Jimmy Durante, were called upon for their professional skills. Invitees to these well attended events included Jazz Age Mayor Jimmy Walker and Mayor Fiorello LaGuardia, who, in 1935, luckily failed to attend the night police raided it due to the risqué nature of the nude dancing. In the early twenties, through the auspices of member Watson Barrett, the Illustrators Show was performed at the Shubert Theater, the success of which prompted the Shubert family to purchase the rights to the skits for their own production of Artists and Models in 1923. By the end of the thirties, those funds allowed the Society to acquire its present headquarters on the Upper East Side. Taking advantage of depressed real estate prices, illustrator Wallace Morgan found the building, which would become home to the Society in August 1939. Member Norman Rockwell’s painting, Dover Coach, became the background for the fourth floor bar. Today it continues this auspicious function at the third floor bar. The contribution of Society members during World War II was intense. They participated in massive poster campaigns, created illustrations from and about scenes of the war in Europe and the Pacific, and participated in a program whereby illustrators visited veterans’ hospitals to sketch the wounded. These portraits were then sent on to the subjects’ families as morale boosters. Putting other skills to work, the Illustrators’ Jazz Band was formed to entertain wounded troops. The 1950s saw the creation of three of the Society’s most enduring institutions. Early in the decade, the first Scholarship Fund was established, a program that has benefited countless illustration students nationwide. In 1958 the Society’s Hall of Fame named Norman Rockwell as its first member. Selected annually by former presidents, this honor has since been bestowed on over 150 artists, living and posthumously, for “distinguished achievement in the art of illustration.” At the decade’s close, partly in reaction to the prevalence of photography in graphic arts competitions and exhibitions, especially those of the Art Directors Club of New York, the Society wanted to refocus attention to the art of illustration and the innovative pictorial responses to shifts in technology and the marketplace. In 1959, members Bob Peak, Bradbury Thompson and Stevan Dohanos, among others, juried the First Annual Exhibition that resulted in a show of 350 original artworks. The first Illustrators Annual book followed. For the 25th edition, the book went to full color and in 2005 the format changed from hard to soft cover. In 2009, the system for gathering entries and the jurying process went fully digital—although the art was open to all media. The Society’s commitment to community involvement has included the participation of Society members, from 1961 to 1965, at the Saturday School of the Warwick Training School for Boys, what had been a “reform school” since the 1930s; outreach programs in conjunction with the Police Athletic League (from 1966), the New York City Parks Department, and the Board of Education (from 1999). Since 1992 the Society has donated more than 10,000 children’s books to shelters and charities citywide. Under the stewardship of then president John Witt, the Museum of American Illustration was established in 1981. Today the Society’s Permanent Collection includes over 2,500 works by such legendary artists as Norman Rockwell, Howard Pyle, N.C. Wyeth, Rockwell Kent, Bob Peak, Bernie Fuchs and Brad Holland. The Society of Illustrators is an organization of many layers, one which provides illustrators a center to discuss, demonstrate and exhibit their work, contributes to future artists and to the community at large, honors its preeminent practitioners, takes a stand on legal and ethical issues affecting the profession—and has a great dining room to boot! As it faces the challenges of a swiftly changing future, the Society will continue to “promote generally the art of illustration,” as its founders dictated.

Legoland
Distance: 0.3 mi Competitive Analysis
620 5th Ave
New York, NY 10020

Museu Madame Tussand
Distance: 0.4 mi Competitive Analysis
234 W 42nd St
New York, NY 10036

(212) 512-9600

China Institute in America
Distance: 0.5 mi Competitive Analysis
100 Washington St
New York, NY 10006

(212) 744-8181

Times Square, Theater District, Manhattan, New York City
Distance: 0.5 mi Competitive Analysis
7th Ave
New York, NY 10019

Kips Bay Designer Showhouse
Distance: 0.5 mi Competitive Analysis
58 E 66th St
New York, NY 10065

Radio City Music Hall Stage Door Tour
Distance: 0.4 mi Competitive Analysis
1260 Avenue of the Americas
New York, NY 10020

(212) 307-7171

30 Rock "Top Of The Rock!"
Distance: 0.3 mi Competitive Analysis
W 50th St
New York, NY 10020

Macy's Thanksgiving Day Parade
Distance: 0.3 mi Competitive Analysis
55th & 6th
New York, NY 10019

Sandra Gering Inc
Distance: 0.4 mi Competitive Analysis
Sandra Gering Inc, 14 East 63rd St
New York, NY 10065

(646) 336-7183

Dag. H. Park East 47th
Distance: 0.6 mi Competitive Analysis
48th St
New York, NY 10017

Late Night With Seth Meyers
Distance: 0.3 mi Competitive Analysis
30 Rockefeller Plz
New York, NY

Museum/Art Gallery Near Sony Wonder Technology Lab

Howard Greenberg Gallery
Distance: 0.1 mi Competitive Analysis
41 E 57th St, Fl 14th
New York, NY 10022

(212) 334-0010

Since its inception over twenty years ago, The Howard Greenberg Gallery has built a vast and ever-changing collection of some of the most important photographs in the media. Maintaining diverse and extensive holdings of photographic prints, the Gallery includes such masters as Berenice Abbott, Henri Cartier-Bresson, Andre Kertesz, William Klein, Gordon Parks, Edward Steichen, Paul Strand, Josef Sudek, and Edward Weston on its roster of artists. The Gallery's collection also acts as a living history of photography, offering genres and styles spanning from Pictorialism to Modernism, in addition to contemporary photography and images conceived for industry, advertising, and fashion. In addition to photographs, an exceptional range of photography books are available for sale.

Glenn Horowitz Bookseller: Rare
Distance: 0.2 mi Competitive Analysis
17 West 54th St
New York, NY 10019

(212) 691-9100

Located directly across from the Sculpture Garden of the Museum of Modern Art, RARE will present a distinctive curatorial program, featuring unique items selected from a diverse range of first editions, archival material, fine art, photography, and decorative arts from the late 19th century to the present.

Peter Blum Gallery
Distance: 0.2 mi Competitive Analysis
Peter Blum Gallery 20 West 57th St
New York, NY 10019

(212) 244-6055

Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland. In 1980, after moving to New York, he founded Peter Blum Edition, where he was among the first print publishers to work with a new generation of European and American artists. Peter Blum Edition has since published important editions by John Baldessari, Louise Bourgeois, Tacita Dean, Eric Fischl, Alfredo Jaar, Alex Katz, Barbara Kruger, Sherrie Levine, Brice Marden, Josef-Felix Müller, James Turrell, and Luc Tuymans, among many others. In 1984, Blum co-founded PARKETT magazine, working directly with international artists and critics to create an engaging forum for contemporary art. From 1993-2012, he opened Peter Blum Gallery at 99 Wooster Street, New York. Over the years this space has hosted important exhibitions- both of recent works and also historical surveys- featuring works by artists such as Alighiero e Boetti, Louise Bourgeois, Francesco Clemente, Helmut Federle, Suzan Frecon, Alberto and Augusto Giacometti, Amar Kanwar, Alex Katz, Kimsooja, Yayoi Kusama, Richard Long, Kazimir Malevich, Agnes Martin, Piet Mondrian, Antoine Pevsner, David Rabinowitch, Ad Reinhardt, Robert Ryman, Albert Steiner, Philip Taaffe, and Ian Wilson. In 2006, Peter Blum opened an additional 3,000 square foot exhibition space in the Chelsea neighborhood of New York, located at 526 West 29 Street. Exhibitions at Peter Blum Chelsea have included works by John Beech, Rosy Keyser, Esther Klas, Chris Marker, Adrian Paci, David Reed, Su-Mei Tse, SUPERFLEX, Robert Zandvliet and John Zurier, among others. Seven years later, in 2013, Peter Blum moved his gallery out of the Chelsea neighborhood and into the Midtown area of New York, located at 20 West 57th Street. The Peter Blum Edition Archive (1980-1994) was the subject of the exhibition Singular Multiples at the Museum of Fine Arts, Houston in 2006, the largest exhibition ever in North America devoted entirely to printmaking. In 2007, a selection of the Peter Blum Edition portfolios formed the exhibition Scenes and Sequences at the Aargauer Kunsthaus in Aarau, Switzerland. As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutions.

Marian Goodman Gallery
Distance: 0.2 mi Competitive Analysis
New York, Paris, London
New York, NY 10019

(212) 977-7160

MoMA The Museum of Modern Art
Distance: 0.2 mi Competitive Analysis
11 W 53rd St
New York, NY 10019

(212) 708-9400

The Museum of Modern Art is a place that fuels creativity, ignites minds, and provides inspiration. With extraordinary exhibitions and the world's finest collection of modern and contemporary art, MoMA is dedicated to the conversation between the past and the present, the established and the experimental. Our mission is helping you understand and enjoy the art of our time

The Arts at Saint Peter's
Distance: 0.2 mi Competitive Analysis
619 Lexington Ave
New York, NY 10022

(212) 935-2200

With two galleries, a permanent art collection, and multiple performance spaces including a 175-seat black-box theater, Saint Peter's is a vital arts hub in Midtown Manhattan. Saint Peter's also has a robust jazz program; visit our jazz-specific page for updates: https://www.facebook.com/saintpetersjazz To keep up with our liturgical schedule, check out our Saint Peter's Church page: https://www.facebook.com/SaintPetersNYC

Pop International Galleries Midtown
Distance: 0.3 mi Competitive Analysis
153 East 53rd St
New York, NY 10022

(917) 302-8404

MISSION POP Pop International Galleries strives to de-mystify the art buying experience. We aim to facilitate a uniquely fun art buying "event" that brings world class artists, in an ethically managed, easygoing and accessible environment, to collectors from around the globe. We seek to ensure that our art consultants are experienced, friendly, knowledgeable and well-trained, and that our service and support systems remain second to none. We acknowledge and affirm unwaveringly, that the ongoing relationships we have with our collectors and artists are the backbone of the company. We will attempt to take every step to make certain that our clients have nothing but a fulfilling experience acquiring art from us, and that the artists we show, are fiercely represented with integrity and professionalism. Pop International also pledges continued involvement in society at large, by participating in, supporting and sponsoring, meaningful community and charitable events. This is the philosophy for which we are known, which speaks to our core values, and upon which, we shall continue to build the Pop brand. WHO AND WHAT IS POP? Founded in 1997 by Jeff Jaffe, Pop International Galleries - aka "The Pop Gallery" - is an exciting art gallery organization which originally started on West Broadway in the heart of SoHo, in New York City. Pop International specializes in Pop Art, Urban Art and art and photography that is derived from, or influenced by, popular culture. Pop International fills a much needed niche in New York, as it is the only gallery organization in the city with this special, fun and important focus. The diversity and depth of Pop's inventory makes it a great springboard for younger people to begin collecting, while serving as a dynamic source for more seasoned and experienced collectors. While the The Pop Gallery has grown into a thriving business since its inception, Jeff firmly believes that a strong educational component is vital to the nurturing of all types of collectors. Events at the gallery often include guest lectures and discussions, screenings and slide shows as well as charitable tie-ins, making Pop International Galleries very much a part of the community at large. Pop International Galleries has fast become the preeminent center to make collecting art available and accessible to all types of collectors in a young, fun-filled, energetic environment.

Eden Gallery
Distance: 0.3 mi Competitive Analysis
437 Madison Ave
New York, NY 10022

(212) 888-0177

New York - +212-888-0177 Jerusalem - +972-2-6244832 Tel Aviv - +972-3-5225111 Hilton Hotel, Tel Aviv - +972-3-5202091

Sandra Gering Inc
Distance: 0.4 mi Competitive Analysis
Sandra Gering Inc, 14 East 63rd St
New York, NY 10065

(646) 336-7183

Horse House
Distance: 0.4 mi Competitive Analysis
227 E 56th St, Ste 301
New York, NY 10022

(646) 206-8660

Society Of Illustrators
Distance: 0.4 mi Competitive Analysis
128 E 63rd St
New York, NY 10065

(212) 838-2560

On February 1, 1901 a group of nine artists and one advising businessman founded the Society, and by 1939 the Society had moved to its current headquarters in an 1875 carriage house located at 128 East 63rd Street. In 1981 the Museum of American Illustration was established which now features the art of such legendary artists as Rockwell, Pyle, Wyeth, Kent, Peak, Fuchs and Holland, as well as contemporary artists. In 2012 the Society received the Museum of Comic and Cartoon Art, and created the MoCCA gallery in the second floor. Since then the Society has exhibited works by legendary artists Arnold Roth, Bill Griffith, and Harvey Kurtzman. The Society is also proud to now host the annual MoCCA Arts Festival.

Museum of American Illustration at the Society of Illustrators
Distance: 0.4 mi Competitive Analysis
128 E 63rd St
New York, NY 10065

(212) 838-2560

On February 1, 1901, nine artists and one businessman founded the Society of Illustrators with the following credo: “The object of the Society shall be to promote generally the art of illustration and to hold exhibitions from time to time.” This simple dictum has held true for over a century. At a time when illustration was in what has been called its Golden Age, the first monthly dinners were attended by prominent artists including Howard Pyle, Maxfield Parish, N.C. Wyeth, Charles Dana Gibson, Frederic Remington, James Montgomery Flagg, Howard Chandler Christy and special guests such as Mark Twain and Andrew Carnegie. Throughout its history, the Society’s members have been involved, either in service to, or, on occasion, in protest of American military activity. During World War I, as part of a public relations effort by the U.S. government, Charles Dana Gibson was called upon to assemble a group of artists who would create posters to generate support for the war. Gibson, who served as president and helped bring the Society to national prominence, was an ardent advocate of the cause. He enlisted Flagg, Wyeth, Joseph Pennell and others—artists who would produce some of the war’s most lasting imagery. In a time before widespread use of journalistic photography, eight Society members were commissioned by the army and sent to France to sketch impressions of war. Following the armistice, the Society operated the School for Disabled Soldiers. During and following the war, members continued to have exhibitions at prominent galleries in New York. Incorporated in the 1920s, the Society welcomed women to full membership, an anomaly to most social and professional organizations of the time. The Roaring Twenties and the decade of the Great Depression were the heyday of the Society’s Illustrators Shows (aka the Girlie Shows). Society members produced these popular entertainments—they wrote the theatrical skits and songs, created the sets, and were the actors, along with their models. Outside talent, such as the Cotton Club Band and Jimmy Durante, were called upon for their professional skills. Invitees to these well attended events included Jazz Age Mayor Jimmy Walker and Mayor Fiorello LaGuardia, who, in 1935, luckily failed to attend the night police raided it due to the risqué nature of the nude dancing. In the early twenties, through the auspices of member Watson Barrett, the Illustrators Show was performed at the Shubert Theater, the success of which prompted the Shubert family to purchase the rights to the skits for their own production of Artists and Models in 1923. By the end of the thirties, those funds allowed the Society to acquire its present headquarters on the Upper East Side. Taking advantage of depressed real estate prices, illustrator Wallace Morgan found the building, which would become home to the Society in August 1939. Member Norman Rockwell’s painting, Dover Coach, became the background for the fourth floor bar. Today it continues this auspicious function at the third floor bar. The contribution of Society members during World War II was intense. They participated in massive poster campaigns, created illustrations from and about scenes of the war in Europe and the Pacific, and participated in a program whereby illustrators visited veterans’ hospitals to sketch the wounded. These portraits were then sent on to the subjects’ families as morale boosters. Putting other skills to work, the Illustrators’ Jazz Band was formed to entertain wounded troops. The 1950s saw the creation of three of the Society’s most enduring institutions. Early in the decade, the first Scholarship Fund was established, a program that has benefited countless illustration students nationwide. In 1958 the Society’s Hall of Fame named Norman Rockwell as its first member. Selected annually by former presidents, this honor has since been bestowed on over 150 artists, living and posthumously, for “distinguished achievement in the art of illustration.” At the decade’s close, partly in reaction to the prevalence of photography in graphic arts competitions and exhibitions, especially those of the Art Directors Club of New York, the Society wanted to refocus attention to the art of illustration and the innovative pictorial responses to shifts in technology and the marketplace. In 1959, members Bob Peak, Bradbury Thompson and Stevan Dohanos, among others, juried the First Annual Exhibition that resulted in a show of 350 original artworks. The first Illustrators Annual book followed. For the 25th edition, the book went to full color and in 2005 the format changed from hard to soft cover. In 2009, the system for gathering entries and the jurying process went fully digital—although the art was open to all media. The Society’s commitment to community involvement has included the participation of Society members, from 1961 to 1965, at the Saturday School of the Warwick Training School for Boys, what had been a “reform school” since the 1930s; outreach programs in conjunction with the Police Athletic League (from 1966), the New York City Parks Department, and the Board of Education (from 1999). Since 1992 the Society has donated more than 10,000 children’s books to shelters and charities citywide. Under the stewardship of then president John Witt, the Museum of American Illustration was established in 1981. Today the Society’s Permanent Collection includes over 2,500 works by such legendary artists as Norman Rockwell, Howard Pyle, N.C. Wyeth, Rockwell Kent, Bob Peak, Bernie Fuchs and Brad Holland. The Society of Illustrators is an organization of many layers, one which provides illustrators a center to discuss, demonstrate and exhibit their work, contributes to future artists and to the community at large, honors its preeminent practitioners, takes a stand on legal and ethical issues affecting the profession—and has a great dining room to boot! As it faces the challenges of a swiftly changing future, the Society will continue to “promote generally the art of illustration,” as its founders dictated.

Museum of Comic & Cartoon Art - MoCCA
Distance: 0.4 mi Competitive Analysis
128 E 63rd St
New York, NY 10065

(212) 838-2560

The Museum of Comic and Cartoon Art Transfers Assets to the Society of Illustrators NEW YORK, NY (August 3, 2012)--The Museum of Comic and Cartoon Art (MoCCA) and the Society of Illustrators have announced plans for MoCCA to transfer its assets to the Society, creating a single cultural institution supporting and celebrating illustration, comics, and animation. This will give MoCCA a long-desired street-level location, in the Society's building at 128 E. 63rd Street. The Society of Illustrators: Tel: (212) 838-2560 Fax: (212) 838-2561 E-Mail: [email protected] Gallery Hours: 10 A.M.– 8 P.M. Tuesday 10 A.M.– 5 P.M. Wednesday - Friday 12 noon– 4 P.M. Saturday Closed most holidays The Hall of Fame Gallery is closed Tuesdays from 6 - 8pm for Sketch Night.

Gallery 53
Distance: 0.4 mi Competitive Analysis
246 E 53rd St
New York, NY 10022

(212) 319-4905

Moeller Fine Art Advisory
Distance: 0.4 mi Competitive Analysis
35 E 64th St
New York, NY 10065

(212) 644-2133

F&P Associates
Distance: 0.5 mi Competitive Analysis
1050 2nd Ave
New York, NY 10022

(212) 644-5885

A third generation family business, F&P Associates is located on the east side of Midtown Manhattan, in the prestigious Manhattan Arts & Antiques Center (MAAC). The gallery features an impressive collection of furniture, paintings, sculpture, chandeliers, fine porcelains, clocks, and other fine art objects. Displayed over the three shops we maintain at the MAAC, our collection is filled with items from the Belle Epoque of French Furniture in the styles of Louis XV, Louis XVI, Rococo, Second Empire, Japonism, Orientalism, Greek and Egyptian Revival, as well as important 19th and early 20th centuries paintings and sculptures from France, Austria, Russia and Italy. At F&P Associates we are nurturing the formation of relationships with our clients and collectors. Please browse through our website at www.fpantiques.com, discover an object or work of art, and ask any questions - we are only a phone call or email away. Thank you for visiting us on the web and we hope to see you soon!

Philip Colleck
Distance: 0.5 mi Competitive Analysis
311 E 58th St
New York, NY 10022

(212) 486-7600

Established in 1938, this year marks our 75th anniversary. Philip Colleck, Ltd. specializes in very fine eighteenth and early nineteenth century English Furniture and works of art. We are located in midtown Manhattan in a pre-Civil War freestanding brick house at 311 East 58th Street, just east of Second Avenue. Our building was designated a New York City Landmark in 1967 and is on the National Register of Historic Places. Two floors of exhibition space display our collection of William & Mary, Queen Anne, Georgian, Chippendale, Hepplewhite, Sheraton and Regency furniture, with an emphasis on Chinoiserie, lighting, mirrors and screens. Our antiques are carefully selected and guaranteed in writing. We take pride in our stock and are always searching for pieces of exceptional quality with particular attention paid to fine color and patination. Philip Colleck, Ltd. also provides professional quality restoration services since our founding in 1938. Depending on the repairs needed, restoration work can be done both on site and in the studio. In addition, Philip Colleck, Ltd., has also a long and distinguished history of making fine custom furniture and upholstered pieces. Our master craftsmen can copy a treasured existing heirloom, or create a new piece. Philip Colleck can also provide professional appraisals of your fine furniture. All of our appraisals are based on experience and thorough research. Our appraisals adhere to the ethical and professional guidelines of the Appraisal Foundation's Uniform Standards of Professional Appraisal Practice (USPAP) and are accepted by all insurance companies. Philip Colleck, Ltd. annually participates in The Winter Antiques Show held at the Park Avenue Armory in New York in January, one of the finest antiques show in the United States. The Winter Antiques Show is rigorously vetted by a distinguished panel of experts to ensure quality and authenticity.

Anita Shapolsky Gallery
Distance: 0.5 mi Competitive Analysis
152 E 65th St
New York, NY 10065

(212) 452-1094

The Anita Shapolsky Gallery was founded in 1982 in SoHo as Arbitrage Gallery. It is now located in an historic brownstone in the upper east side where an intimate and discreet service is provided to our clients. The gallery specializes in abstract art from the 1950's and 1960's highlighting marginalized second generation, Latin American, African American and women artists. Please look at our website to learn more about each individual artist and email us with any questions you may have. Anita Shapolsky also founded the AS Art Foundation in Jim Thorpe, PA in 1998 which is situated within a historic church. It is a national non-profit organization, 501 (c) 3, which provides educational programs for children, exhibitions of past modern abstract artists and selected contemporary artworks. The foundation strives to enrich the community through the visual and musical arts providing many activities, programs and events for all ages in the community in the summer. To learn more information please visit asartfoundation.org. Open Tuesday thru Friday 11 am - 6 pm and by appointment.

Doris Leslie Blau
Distance: 0.6 mi Competitive Analysis
306 E 61st St
New York, NY 10065

(212) 586-5511

DLB’s roots are in antique and vintage rugs, having the most exquisite and unique products from the 19th and 20th century. Our antique rugs collection ranges from Persian rugs, Indian rugs, Turkish rugs, Chinese and European rugs. We also have vintage and contemporary rugs that include European Deco rugs, Swedish rugs, Samarkand & Khotan rugs, Moroccan rugs, Arts & Crafts rugs, Chinese Deco rugs, Spanish and Caucasian rugs and runners. Whether you need an antique rug, vintage rugs, custom rugs, Tabriz rugs or contemporary rugs, Doris Leslie Blau would appreciate the opportunity to show you why we have excelled in our industry for more than 46 years.