Salt Lake Temple Reviews
50 N West Temple
Salt Lake City, UT 84150
(801) 240-2640
www.lds.org
www.mormon.org
50 N West Temple
Salt Lake City, UT 84150
(801) 240-2640
Salt Lake Comic Con and Salt Lake Comic Con FanX are Dan Farr Productions events and are now the most attended conventions in the state of Utah and the largest comic cons in the world per capita. Dan Farr Productions was co-founded by Dan Farr and Bryan Brandenburg and is an event and marketing group devoted to organizing events, launching and acquiring new shows, and partnering with premium celebrities and brands in the pop culture arena. DFP is dedicated to producing spectacular celebrations of popular culture that lead the market in providing exceptional and rewarding experiences for our consumers, fans, celebrity guests, vendors and partners. Every week our Facebook page reaches 5-10 million people and is the most engaged and active comic con social media page in the world.
Abravanel Hall is a concert hall in Salt Lake City, Utah that is home to the Utah Symphony, and is part of the Salt Lake County Center for the Arts. The hall is an architectural landmark in the city, and is adjacent to Temple Square and the Salt Palace on South Temple Street. The hall can hold up to 2,811 occupants.HistoryThe Board of the Utah Symphony created a Design and Construction Committee which included Maurice Abravanel, O.C. Tanner, and Jack Gallivan, to advise the architectural design team headed by Bob Fowler. Construction took three years and $12 million.Abravanel Hall first opened in September 1979, and was originally known as Symphony Hall, but was renamed in May 1993 for Maurice Abravanel, conductor of the Utah Symphony. In 1998, the Hall underwent an expansion project which added wheelchair accessible restrooms, a new Ticket Office, and a new reception room.
Originally the Hotel Utah, the Joseph Smith Memorial Building was later named in honor of Joseph Smith, the founder of the Latter Day Saint movement. It is located on the corner of Main Street and South Temple in Salt Lake City. It is now a social center with three restaurants: The Roof Restaurant, The Garden Restaurant and The Nauvoo Cafe. It is also a venue for events complete with 13 banquet rooms, catering services, event coordinators and a full-service floral department - Flowers Squared. Several levels of the building also serve as administrative offices for LDS Church departments such as FamilySearch. On January 3, 1978, it was added to the National Register of Historic Places as the Hotel Utah.HistoryThe corner of Main Street and South Temple has long been important in Utah history. Prior to construction of the Hotel Utah in 1909-11, the general tithing office of The Church of Jesus Christ of Latter-day Saints (LDS Church), a bishop's storehouse, and the Deseret News printing plant all were located on the site.
Gallivan Plaza is a light rail station in Downtown Salt Lake City, Utah, United States serviced by the Blue Line and Green Line of the Utah Transit Authority's (UTA) TRAX system. The Blue Line has service from the Salt Lake Intermodal Hub in Downtown Salt Lake City to Draper. The Green Line provides service from the Salt Lake International Airport to West Valley City (via Downtown Salt Lake City).
The Beehive House was one of the official residences of Brigham Young, an early leader of The Church of Jesus Christ of Latter-day Saints (LDS Church). The Beehive House gets its name from the beehive sculpture atop the house.Executive Mansion of Brigham YoungThe Beehive house was constructed in 1854, two years before the neighboring Lion House was built (also a residence of Young's). Both homes are one block east of the Salt Lake Temple and Temple Square on South Temple street in Salt Lake City, Utah. The home was designed by Young's brother-in-law and architect of the Salt Lake Temple, Truman O. Angell, who also designed the Lion House. It was constructed of adobe and sandstone.Young was a polygamist, and the Beehive House was designed to accommodate his large family. The Lion House also became his official residence as governor of Utah Territory and president of the LDS Church. Upon its completion, Young briefly shared the Beehive House with his senior (and only legally recognized) wife Mary Ann Angell (1803–1882), though she chose to make her home in the White House, a smaller residence on the property. Young's first polygamous wife, Lucy Ann Decker Young (1822–1890), possibly due to her seniority, became hostess of the Beehive House and lived there with her nine children.
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Urban Arts Festival September 17th and 18th 2016 – at The Gallivan Center Saturday 17th 2016 – noon – 10pm Sunday 18th 2016 – noon – 6pm ABOUT THE URBAN ARTS FESTIVAL The Urban Arts Festival is a FREE community event organized by Utah Arts Alliance. Started in 2011, the Urban Arts Festival is one of the most unique and exciting events in SLC. The festival draws over 40,000 in attendance annually and showcases hundreds of artists, performers, and musicians. In 2012 the readers of City Weekly voted the Urban Arts Festival as the BEST new Festival in Utah and in 2013 the Festival won an Arty award for the Best Indie Art Event in Utah. In 2016 the festival will be held at the Gallivan Center in Downtown SLC. It is a two day celebration of Salt Lake’s urban and artistic culture for the community, art lovers, and families. The festival features artists, music, dance performance, and skateboarding displays as well as art projects created at the festival by local artists. Introducing the music and performing arts lineup for the 2016 Urban Arts Festival!! SATURDAY September 17th Festival Stage 12:30 PM Magda-Vega 1:30 PM Talia Keys 2:30 PM The Hips 3:30 PM The Bboy Federation 5:30 PM DJ BASK 5:45 PM ådub 6:00 PM Jay Citrus 6:15 PM Dine Krew 6:30 PM Dusk Raps 6:45 AM Dumb Luck 7:00 PM Saltwater: Pat Maine, EMRSN & Dean Risko 8:00 PM GRANDMASTER FLASH Gallivan Street Stage 12:00 PM MusicGarage.Org 1:00 PM Shanin Blake 2:00 PM Candy's River House 3:00 PM Bullet Proof 4:00 PM PIN-UP CONTEST 5:00 PM Phoenix Rising 6:00 PM Version Two 7:00 PM Samba Fogo SUNDAY September 18th Festival Stage 12:00 PM Cityweekly's Best of the Arts Showcase 1:30 PM Rhythm Against Society 1:45 PM Utah Repertory Theater Company 2:00 PM WOFA Afro Fusion Dance 2:15 PM Hula Hoopology 2:30 PM Intimin8 3:00 PM Dallas Wayde 3:15 PM AZA 3:30 PM Underground Ambitionz 3:45 PM Radius 4:00 PM Lost, the Artist 4:15 PM The Outsiders 4:30 PM Tribe of I 5:15 PM JRAS Gallivan Street Stage 12:00 PM Wyoming Dave Band 1:00 PM Terence Hansen Band 2:00 PM MiNX 3:00 PM Vocal Reasoning 4:00 PM Cello Joe 5:00 PM Juana Ghani THE URBAN ARTS FESTIVAL EXPERIENCE, 2016 Over 200 artists displaying and selling everything from paintings, photography, and prints to jewelry, clothing, and sculpture. Music on Three Stages from over 80 different groups—featuring hip-hop, rock, funk, and jazz. Dance performances from top urban dance groups—featuring breakdancing battles and showcases throughout the day. Live painting demonstrations from Utah’s top mural and street artists as well as a community wall for everyone to paint on. Food vendors and booths from non-profit groups and sponsors. The Voice Of The City Film Festival. URBAN ARTS FESTIVAL CONNECTS THE ARTS TO COMMUNITY The Urban Arts Festival benefits the community in Salt Lake in many ways, including giving the public an opportunity to experience some of the most relevant and current art in the state. Attendees will experience some of the newest and most innovative dance and music performances around. The public can also participate in the many projects at the festival, whether it is creating their own skate deck art, voting in the several audience-choice competitions at the festival, taking art workshops, or just enjoying the unique atmosphere that can only be found at the Urban Arts Festival. The festival draws thousands of people, both from inside and outside the state, to downtown SLC for the day, supporting local businesses such as hotels, restaurants, shops, parking lots, and clubs. The benefits also extend to the artists that sell their unique works at the festival and the many musicians and performers that use this opportunity to increase their visibility and expand their audience. The festival and our patrons brings millions of dollars to the downtown economy and is supported by the Salt Lake City Corp. Salt Lake County and the State of Utah. This festival is unique to the city as it provides the best opportunity for Urban Artists to be showcased and celebrated for the positive cultural impact they have on the society. Urban Art is all about city life and culture and Salt Lake City has an amazingly diverse population, many of whom celebrate urban cultural/artistic expressions. Join us at the 2016 Urban Arts Fest and see what is all about!
The Alta Club is a private club in downtown Salt Lake City, Utah, named for a local mining district. It was founded in 1883, 13 years before Utah's accession as a state. The Alta Club serves as a forum for business development and social interaction, and offers facilities for dining, social events, business meetings, and health and wellness.The Clubhouse is located at 100 East South Temple.HistoryBy the late 1800s the territory known as Utah had a burgeoning economy. As a result several affluent groups formed out of the mining and smelting industry. One such group took it upon themselves to create a gentlemen’s social club modeled after the prestigious Union Club of San Francisco. A proposal outlining the club's formation was mailed to prospective members.Following recruitment the Alta Club was founded in 1883 by eighty-one charter members, thirteen years before Utah became a state. The club was organized as a social club "to present the comforts and luxuries of a home together with the attraction to its members of meeting each other in a pleasant and social way."FoundationAlthough it is widely believed that the founding members only allowed “Gentiles” or those who were not of the Mormon faith to join, that soon changed. Not long after the clubs formation, their resistance to those of the Mormon faith shifted. The first Mormon member was William Jennings, a former mayor of Salt Lake City, joining in 1885.The years of Prohibition brought new challenges to the club. Simon Bamberger, who joined the club in 1904, was one of the Eighteenth Amendment's strongest proponents. However, not everyone in the club shared his vision for a dry state. In the years since its repeal, rumors and stories surfaced telling of the various ways members got their hands on “hooch” and brought it into the club.
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"We can each find a way to use our own particular talents and interests in support of the great work of filling the world with light and truth,” stated President Dieter F. Uchtdorf. We hope you will spread the word and invite others to participate. Church-service missionaries serve as individuals or couples for at least 8 hours per week for 6 to 24 months—all while living at home. More information: lds.org/csm Young Church-service missionaries (young men ages 18 to 25 and young women ages 19 to 25) live at home or with family and serve as close to full-time as their capability and situation allow. More information: lds.org/ycsm When you submit responses to questions or provide other submissions, you grant LDS Church-Service Missions an irrevocable, perpetual, nonexclusive, transferable, fully paid, worldwide license (with the right to sublicense) to use, copy, publicly perform, publicly display, reformat, translate, excerpt (in whole or in part), and distribute such content for any purpose, and to prepare derivative works of, or incorporate into other works, such user content. You also allow LDS Church-Service Missions the right to publish your name, voice, likeness, and other personal information that is part of your user-generated content, and you grant consent for LDS Church-Service Missions to use the content, or any portion of the content, as part of any broadcast or production or for advertising, marketing, publicity, and promotional activities. LDS Church-Service Missions is sponsored by The Church of Jesus Christ of Latter-day Saints. Unless otherwise indicated, all content on this page is copyrighted by Intellectual Reserve, Inc.
No somos una pagina patrocinada por la iglesia. Esta página es para los miembros SUD, amigos e investigadores de cualquier indole que aman la Conferencia General. Si quieres conocer mas acerca de la Iglesia de Jesucristo de los Santos de los ultimos Dias y del Evangelio de Jesucristo te invitamos a visitar www.lds.org/spa y www.mormon.org
"This work is so liberating: to be employed in an organization wherein we have the ultimate freedom to use true principles of the restored gospel of Jesus Christ in our work each day. Having access to all truth and applying it in our daily performance is the most liberating thing I know. This truly is the work of the kingdom of God." - Elder David A. Bednar of the Quorum of the Twelve Apostles Working for the Church means building the Lord's kingdom. You'll find meaning in what you do because every position with the Church, from technical support to grounds-keeping and from finance to editing, helps fulfill the mission of the Church. Our culture is built around our core values in an environment that encourages faith, unity, and strength of character. When you submit responses to questions or provide other submissions, you grant LDS Church Employment an irrevocable, perpetual, non-exclusive, transferable, fully paid, worldwide license (with the right to sublicense) to use, copy, publicly perform, publicly display, reformat, translate, excerpt (in whole or in part) and distribute such content for any purpose, and to prepare derivative works of, or incorporate into other works, such user content. You also allow the LDS Church Employment the right to publish your name, voice, likeness, and other personal information that is part of your user-generated content, and you grant consent for the LDS Church Employment to use the content, or any portion of the content, as part of any broadcast or production or for advertising, marketing, publicity, and promotional activities. LDS Church Employment is sponsored by The Church of Jesus Christ of Latter-day Saints. Unless otherwise indicated, all content on this page is copyrighted by Intellectual Reserve, Inc.
The Diocese is an inclusive collection of 25 congregations connected through faith in the work of the Lord. We strive for social justice through outreach in the name of the Lord. All are welcome in our ministries and churches, regardless of where they maybe in their faith journey.
Our purpose is to build a social communication for the young people of the church to interact with, and to create a Clean and modest environment where we can establish an uplifting safe place for LDS Youth & YSA to gather. Vision To see the young people of the church develop their Christian values as they explore their relationship with our Heavenly Father; and that their efforts in making a better future for the next generation will be seen throughout the world. Mission: To build a Global forum and an uplifting safe place in which all the Youth & YSA of the church can interact, develop their social skills and to show one unified voice. Motto: Making the future better by showing Christlike attributes to each individual.
Al Señor de los Milagros se le venera en el Altar Mayor del Templo de las Nazarenas en Lima-Peru, La multitud de devotos que participan en la procesion es una de las mas grandes del mundo. Se dice que el estar frente a la imagen La imagen fue pintada por un Africano de Angola en Pachacamilla, Lima en 1651, durante el periodo de esclavitud, La pintura esta en un tosco muro de adobe, sobrevivio milagrosamente el terremoto de 1655. En 1670, Andres Antonio De Leon, vio la imagen del Cristo en tan humilde corralon, que se conmovio y prometio hacerle limpieza diaria y protejerla, De Leon construyo un pequeno altar con velas y flores. Como el sufria de un tumor maligno, pidio por su curacion y el tumor desaparecio. Por el año de 1650, los negros de angolas se agremiaron y constituyeron la cofradía en la zona de Pachacamilla, lugar que anteriormente había sido habitado por indios venidos de la zona de Pachacamác, y donde actualmente se ubican la iglesia y el monasterio de las Nazarenas y el local de la Hermandad del Señor de los Milagros. Las condiciones en las que vivían eran de una pobreza absoluta. En la sede de la cofradía se levantaban grandes paredes de adobe; en una de éstas, ubicada en un ambiente donde se reunían los negros a diario, uno de los angola plasmó la imagen de Cristo en la cruz. La imagen fue pintada al temple y fue hecha con un profundo sentimiento de fe y devoción a la altísima representación del Redentor. Fue un 13 de noviembre de 1655, a las 2:45 de la tarde, cuando un terrible y destructor terremoto estremeció Lima y Callao, tirando abajo las iglesias y sepultando mansiones, dejando tras de sí miles de muertos y damnificados. El sismo afectó la "zona de Pachacamilla" y las viviendas de los angola se precipitaron al suelo; todas las paredes del local de la cofradía se cayeron, produciéndose entonces el milagro: el débil muro de adobes donde se erguía la imagen del Cristo crucificado quedó intacto, sin ningún tipo de resquebrajamiento. Debido a los daños ocurridos, los angola se mudaron a otro lugar dejando en el más absoluto abandono la pared con la sagrada imagen. Aunque hay otras versiones que dicen que los negros angola se habían retirado del lugar antes del sismo, lo cierto es que después de la catástrofe, casi toda la población limeña se entregó por entero a las plegarias, cánticos y rezos en las derruidas calles y plazas de la Capital, intentando pedir perdón por sus pecados y rogando que no se produzca otro fenómeno de la misma naturaleza. Pasaron 15 años y un vecino de la parroquia de San Sebastián, Antonio León, encontró la imagen abandonada y comenzó a venerarla. Según los relatos de la época, León fue el primero que se preocupó por arreglar la ermita, sin imaginar que a partir de entonces crecería el culto y la devoción al sagrado Cristo de Pachacamilla. Esta valoración hacia la imagen se vio fortalecida por un hecho grandioso en la vida de Antonio León pues -según cuentan- éste padecía de constantes y espantosos dolores de cabeza debido a un tumor maligno que los médicos, hasta ese momento, no habían logrado curar. Fue entonces cuando Antonio acudió a la imagen y postrándose frente a ella, imploró al Cristo crucificado que remediara su mal, deseo que le fue conferido acabando así su desesperado tormento. Nace entonces en él una más firme convicción religiosa que difundió entre todos sus conocidos lo que causó que en pocas semanas el culto creciera. Entre los creyentes predominaba la gente de color, quienes iniciaron las reuniones los viernes en la noche, y alumbrados por las llamas de sus ceras, llevaban modestas flores, perfumando el ambiente con el sahumerio; todos al unísono entonaban fervorosas plegarias y cánticos al son de arpas, cajones y vihuelas. Empero, dado que la gente acudía en masa a estas reuniones atraída más por la novedad que por la devoción, muchas veces se produjeron hechos de índole distinta a las prácticas religiosas y católicas, por lo que las autoridades civiles y eclesiásticas prohibieron las reuniones en la "zona de Pachacamilla" y ordenaron borrar la imagen del Santo Cristo y de los demás santos que hubieran. Dicha orden se cumplió entre el 6 y 13 de setiembre de l671 por una comitiva especial -compuesta por el promotor fiscal del Arzobispado, un notario, un indio pintor de "brocha gorda" y el capitán de la guardia del Virrey, Don Pedro Balcázar- escoltada por dos escuadras de soldados en caso se produjesen desmanes por la cantidad de vecinos y curiosos que rodeaban el lugar. Cuentan que al subir el pintor la escalera para borrar la imagen, empezó a sentir temblores y escalofríos, teniendo que ser atendido de inmediato para proseguir con su labor. Al reaccionar intentó nuevamente subir y borrar la imagen pero fue tanta la impresión causada que bajó raudamente y se alejó asustado del lugar sin culminar con la tarea encomendada. Un segundo hombre, un soldado de Balcázar, de ánimo más templado, subió pero bajó rápidamente, explicando luego que cuando estuvo frente a la imagen vio que se ponía más bella y que la corona se tornaba verde; por esa razón no cumplió la orden dada. Ante la insistencia de las autoridades por desaparecer la imagen, la gente manifestó su disgusto y comenzó a protestar con airadas voces y actitudes amenazantes que obligaron a retirarse a la comitiva. Pronto, el Virrey se enteró de los acontecimientos y reflexionando sobre las posibles consecuencias si persistía en borrar la imagen, mandó revocar la orden y acordó que en ese lugar se le rindiera culto y veneración a la portentosa imagen. El 14 de setiembre de 1671 se ofició la primera misa ante el crucificado de Pachacamilla, fecha que coincide con la exaltación de la Santísima Cruz. Conforme avanzaban los días los devotos aumentaban en forma considerable. Venían de lejos en piadosa plegaria y mística romería, comenzando a denominarlo "El Santo Cristo de los Milagros o de las Maravillas". Sin embargo la ira de Dios no se calmaba y volvió a manifestarse en octubre de 1687, cuando un maremoto arrasó con el Callao y parte de Lima y derribó la capilla edificada en honor de la imagen de Cristo, quedando erguida solamente la pared con la imagen dibujada del Señor crucificado. Tan terrible designio originó que se confeccionara una copia al óleo de la imagen y que, por primera vez, saliera en andas por las calles del barrio de Pachacamilla, estableciéndose que a partir de ese momento la procesión tuviese lugar los días 18 y 19 de octubre de cada año.
Revoluton Reality is a ministry founded by Tommy and Krissi Green in 2009. "What does the Wrench and Cross mean?" It is a simple statement of desire and vision. We must be willing to repair what is broken in relationship with God, one another, and also ourselves. We must also be willing to dismantle anything that holds people back from a true relationship with God through Jesus Christ.
Monday-Saturday: 5:00 am; 9:30 am; 6:00 pm Sunday: 5:00 am; 10:00 am; 5:00 pm
See http://twoarrowszen.org/two-arrows-zen-calendar for The Weekly Calendar of Events, including daily sitting practice, dharma talks on Sunday, Tuesday night study group, and community events.
The Rescue Mission of Salt Lake seeks to help its homeless and low-income neighbors by offering emergency services such as shelter, three daily meals, Family Food Boxes, clothing, showers, mail facilities and employment counseling. It also offers a year-long faith-based inpatient addiction recovery program to help men and women find housing, employment and healthy communities. All services are free.